Jan 20

A Resounding Meh: A FUTURE PERFECT

Photo credit: Craig Bailey/Perspective Photo

Photo credit: Craig Bailey/Perspective Photo. Beers were harmed in the making of this play.

Presented by SpeakEasy Stage Co.
Written by Ken Urban
Directed by M. Bevin O’Gara

Jan. 9 – Feb. 7, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) Inside every adult there is an 18 year old wondering what the Hell just happened. It feels like just yesterday you were a shy teenager prepping for college. You blink and there you are, 38 and wondering how you got into this mess. It’s a surprise to discover that we’re the adults now, the guys in charge. We’re the very people we protested against in our teens and 20’s and now we have to pretend it’s OK. While the initial money/freedom is nice, the rest feels like strange and unusual punishment for our childhood sins. Adulthood blows. Continue reading

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Aug 04

“Translations” and Tribulations

Credit: Paul Cantillon, Lidecphoto.com

Presented by Bad Habit Productions
by Brian Friel
directed by M. Bevin O’Gara

August 2-17, 2014
Boston Center for the Arts
Calderwood Pavilion
Boston, MA
Bad Habit on Facebook

Review by Gillian Daniels

Cultural erasure and the silencing power of colonialism—Translations is not a play that minces words. It’s a tragedy of linguistics. During the 19th century, the English army seeks to map out the Irish countryside, specifically the town of Baile Beag. In order to have unified names for the maps they draw, the soldiers end up Anglicizing the Gaelic names of rivers, roads, and mountain ridges. Staged by Bad Habit Productions, this play rages at the disappearance of local tradition in the name of Imperialism. Continue reading

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Nov 03

Trapped by the Words: THE CHOSEN

Photo by Timothy Dunn

Adapted by Aaron Posner & Chaim Potok
Directed by Daniel Gidron

presented by The Lyric Stage Company
140 Clarendon Street
Boston, MA
October 19th – November 17th, 2012

Lyric Stage Company Facebook Page

Review by Craig Idlebrook

(Boston) Adapting a novel to the stage can be a wrenching exercise. Pages upon pages of description, of scene, of setting, of theme must be boiled down to dialogue and action that can stand alone. By all accounts, Chaim Potok’s novel The Chosen is considered a richly-layered and well-written story about the tension between Jewish communities, as told through the friendship of two young men who find themselves caught between the secular and religious communities at the dawn of Zionism. Unfortunately, he and co-writer Aaron Posner fail to adapt the novel to a script form, leaving in a narrator who breaks up the scenes and explains away the heartfelt tension between the characters, leaving us with a broken dialogue that tells an incomplete tale about the weight one must bear when one is called to carry the load of doing good. Continue reading

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