Mar 09

Applications Invited for Theatre on Fire’s Fun & Games Festival!

The Fun & Games Festival

A festival celebrating the spark of joy and the value of play. We’re taking fun risks, playing games with forms, and leaping before we look.

May 2 – 19, 2019 at the Charlestown Working Theater

More information can be found HERE. 

What the Festival Is:

You are invited to participate in a festival of theatre and performance at the Charlestown Working Theater, curated by Theatre on Fire, with a focus on playfulness (in all forms), experimentation, and most of all: FUN. The world is a dark place right now, as we are constantly reminded. So let’s take some time to remind ourselves of the what brings us joy in a festival format.

What We’re Looking For:

Collaborators like you who have something fun to present! Programmed shows will run a minimum of 30 minutes and a maximum of 60 minutes. New works are encouraged but not required.

 

“Fun,” “games,” and “play” can mean different things to different people, and we’re all about that. Maybe you want to play games with theatrical forms? Maybe you want to host an interactive game night instead of a performance? Maybe a stand-up comedy night is on your mind? We’re open to many ideas, though shows should be consistent with the themes of the festival and with the mission and values of Theatre on Fire.

If you may be interested in participating, please fill out this Expression of Interest form

If you have questions before you fill out that form, please email evans.darren@gmail.com.

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Feb 11

“Mala” by Melinda Lopez Now available on Audible.com

“’Mala’ means ‘bad.’ Not that you have done something bad, but that you are, in your core, bad.” – Melinda Lopez, from Mala


Mala
By Melinda Lopez
Narrated by Melinda Lopez
Length: 1 hr and 17 mins
Regular price: $6.95

Review by Kitty Drexel

Melinda Lopez’s one-woman show, Mala is now available on Audible. The New England Theatre Geek previously critiqued Mala on January 26, 2018 and November 5, 2016. The New England Theatre Geek was given a download of Mala in exchange for this review. 

Audible is an app by Amazon that can be downloaded to phone or other internet accessible device. Mala can be purchased through the Audible app or through Amazon. Audible plays the narrated book or script while other apps are in use or on its own. Mala has naturally occurring pauses between scenes that will allow the listener to enjoy at their own pace.

Lopez narrates Mala with her usual candor and charisma. This recording gives her storytelling the NPR treatment: her consonants are crisp, her timbre lilting. It’s as if Lopez is speaking directly into your ear. This recording sounds like a private performance. It hits the heart like a live production. If you loved the stage play and also enjoy listening to recorded books and plays, Mala will be treat for your ears and heart. 

Please note: The passages of Mala originally in Spanish are retained and not translated into English. Monolingual listeners should fire up an online translator for the full experience.

Audible members will be able to enjoy listening to Mala for free during the month of February as part of the company’s Originals Member Benefit. Previous theatrical productions that have released on Audible for millions of listeners globally include Girls & Boys(Carey Mulligan), Harry Clarke (Billy Crudup), Feeding the Dragon (Sharon Washington), and After Anatevka (Alexandra Silber), all of which have been Audible bestsellers.

About the Author and Performer
Melinda Lopez is the playwright-in-residence at the Huntington Theatre Continue reading

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Jan 28

A Nourishing Treat: “Slow Food”

Joel Van Liew, Brian Beacock, Daina Griffith. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Wendy MacLeod
Directed by Sean Daniels

January 9 – February 3, 2018
50 E Merrimack St, Lowell, MA 01852
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) You know a play hooks you when you start to get uncomfortable from the opening moment. As the lights go up in Slow Food,, we see two diners, Peter and Irene (Joel Van Liew and Daina Michelle Griffith) looking wane in a Greek restaurant as they begrudgingly sip glasses of water and wait. By the time the waiter, Stephen (Brian Beacock), appears, it is hard not to hate him. Continue reading

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Jan 14

Living is Dirty Business: “Miss You Like Hell”

Krystal Hernandez and Johanna Carlisle-Zepeda – Photo by Evgenia Eliseeva

Presented by Company One Theatre and American Repertory Theatre
Book & lyrics by Quiara Alegria Hudes
Music & lyrics by Erin McKeown
Directed by Summer L. Williams
Music direction by David Coleman
Movement direction by Mayra Hernandez
Dramaturgy by Noe Montez

Jan. 10 – 27, 2019
Club Oberon
Cambridge, MA
C1 on Facebook
A.R.T. on Facebook

Critique by Kitty Drexel

(Cambridge, MA) Miss You Like Hell is a very special show that approaches the indigenous, female experience from an approachable angle. It is easy to enjoy this production (more so than its individual parts). It’s main characters are expressed as trustworthy humans who are deserving of our compassion because they need it, not because they’ve earned it. Audiences from all backgrounds should see this production. We need free-flowing compassion more than ever. Continue reading

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Jan 08

Awkwardness is Part of the Process: “Small Mouth Sounds”

All photos by Nile Scott Studios. The cast. Digesting.

Presented by SpeakEasy Stage Company
By Bess Wohl
Directed by M. Bevin O’Gara

Jan. 4 – Feb. 2, 2019
Boston Center for the Arts
The Calderwood Pavilion Boston, MA
SpeakEasy on Facebook

This critique has been updated from its previous posting. The update includes corrections and clarifications. (1/31/19 KD)

Critique by Kitty Drexel

Trigger warnings: penis, simulated pot smoking, heavy moaning

It’s January and chances are that you (or your acquaintances) are experiencing an influx of athletic practitioners in your studio of choice. For example, at my own neighborhood ashtanga yoga studio, January 1 meant that the floor became overwhelmed with novices and their wholesome, divot-free mats. Small Mouth Sounds(SMS) captures that awkward group consciousness of baby-yogis talking first “did I make a huge mistake?” steps towards enlightenment. An enlightened mind is not obtained overnight. The journey is schadenfreude for the audience. Continue reading

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Jan 02

“Two Mile Hollow,” Or White People, We Need to Talk About Colorism

Presented by Apollinaire Theatre Company
Written by Leah Nanako Winkler
Directed by Danielle Fauteux Jacques

Dec 21, 2018 – Jan 20, 2019
Chelsea Theatre Works
189 Winnisimmet St
Chelsea, MA 02150
Apollinaire Theatre Company on Facebook

Review by Diana Lu

(Chelsea, MA) Thanksgiving day. Generic WASP family, The Donnelly’s, converges on Two Mile Hollow, a family beach house. Younger son, Joshua, and daughter, Mary, are expecting drama with mother Blythe, but none are expecting older son Christopher to bring his “assistant,” Charlotte, especially not an “assistant”…OF COLOR. On this stormy night, secrets are spilled, social hierarchies are upended, and only one may leave with their self-esteem unscathed. Continue reading

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Nov 09

Save Corner Store Caroline a Seat: “Just Another Lynching”

Jeghetto Interview – Just Another Lynching from Puppet Showplace Theater on Vimeo.

Presented by Puppet Showplace Theater
Created by Tarish “Jeghetto” Pipkins
Musical score by Shana Tucker
Eulogy written and narrated by Tommy Noonan
Puppeteers: John Reagan, Elbert Joseph, Scotty Swan, Brenda Ray, Roxanna Myhrum, Tarish Pipkins
Tech by Brad Shur

Nov. 8 & 9, 2018
Puppet Showplace Theater
Brookline, MA
PST on Facebook

Critique by Kitty Drexel

Trigger warnings: gunshots, graphic images of violence, wypipo fuckery 

(Brookline, MA) The United States has an historic problem of white violence against people of color that stretches to today. Anyone looking for proof need only search today’s newspaper. Just Another Lynching: An American Horror Story reminds us with shocking clarity just how little things have changed for People of Color in the US. Continue reading

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Oct 24

Early Voting/Voting for the 2018 Midterm Elections

Your voice is important! Learn about early voting in Massachusetts  here: http://www.sec.state.ma.us/earlyvotingweb/earlyvotingsearch.aspx

For our friends outside of MA, here are other resources:
– Here is a USA.gov website that defines the elections but is otherwise unhelpfulhttps://www.usa.gov/midterm-state-and-local-elections#item-213832
– Here is a website that will lead you to your state elections website: https://www.usa.gov/election-office

Can’t vote early? Here is a link that will take you through the steps of discovering your options: https://www.usa.gov/election-office

Provisional ballots ensure that New England voters are not excluded from the voting process due to an administrative error. They provide a fail-safe mechanism for voters who arrive at the polls on Election Day and whose eligibility to vote is uncertain. You have the right to a provisional ballot! (except in New Hampshire where they don’t have them.)

While I have your attention!
Do you need govt. assisted healthcare through the American Healthcare Act? Open enrollment is Thursday, November 1, 2018, to Saturday, December 15, 2018. The current administration is attempting to undermine your right to healthcare under current law. Thwart them by sharing this information and the following website. https://www.healthcare.gov/get-coverage/


Queen’s Note: When you hit the polls on November 6, please take into account that Charlie Baker vetoed the arts budget in July 2018. It was the fourth time he’d done so. If you consider the arts one of your causes, additionally consider Baker’s cowardly actions when you vote.

Source Samples are here:
http://www.massculturalcouncil.org/news/FY19_budget_final.asp
https://www.masslive.com/politics/index.ssf/2015/11/gov_charlie_baker_vetoes_perce.html
http://www.wbur.org/artery/2016/07/22/governor-baker-arts-funding-cuts
https://www.boston.com/news/politics/2018/01/24/gov-baker-to-file-budget-blueprint-on-heels-of-annual-address

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Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading

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Aug 24

“Cloud Tectonics”: Love is Love is Love is Love

CLOUD TECTONICS by José Rivera, production poster

Presented by Fort Point Theatre Channel
by José Rivera
Director: Jaime Carrillo
Musicians: Nick Thorkelson, Mitchel Ahern, Anaís Azul, Francis Xavier Norton, Luz Lopez, Fernando Barbosa
FPTC on Facebook

Aug 8th @ 6:00pm
Hyde Square Task Force
30 Sunnyside Street, Jamaica Plain
(In Boston’s newly designated Latin Quarter!)

Aug 14th @ 7:30pm
The Fort Point Room at Atlantic Wharf
290 Congress Street, Boston

Aug 17th & 18 @ 7:30pm
Boston Playwrights’ Theatre
949 Commonwealth Ave., Boston

Aug 21th @ 7:30 pm
Gloucester Stage
267 East Main Street, Gloucester

Review by Diana Lu

(Various locations, MA) I remember once chatting with a friend about Japanese media. He mentioned that in a lot of Japanese narratives, a nuclear disaster occurs and the rest of the story deals with the aftermath. That rarely happens in American narratives, he noted, which focus on anxiety about impending disaster. That is, what we in the US fear the most, has already happened in Japan.  Later, I heard a podcast discuss The Handmaid’s Tale. In it, one host observed that Atwood’s gruesome fictional future is actually the reality of the past, for black slave women. Continue reading

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