Presented by Double Edge Theatre
A response to The Bacchae by Euripides
Conceived, directred, and designed by Stacy Klein
Co-created and adapted with Milena Dabova, Jennifer Johnson, Travis Coe, and Carlos Uriona
Musical compositions and direction by Amanda Miller
Review by Maegan Bergeron-Clearwood
ASHFIELD, Mass. — Driving along the twisted back roads to Ashfield, Massachusetts, my friend and I were in high, hopeful spirits. Double Edge Theatre, now in its 40th year, has crafted a foolproof yet ever-surprising mode of experiential performance. Season after season, it guides wide-eyed audiences through a labyrinth of natural scenic tableaus: dancers weave spiral paths through waist-high grasses; actors spin poetry from atop boulders, trees, ladders, canoes, and stilts; aerialists swoop across the rafters of the warm wooden barn. And, so my friend and I joyfully trekked 40-plus minutes to a remote stretch of farmland, expecting an evening of unexpected delights.
But the most delightfully unexpected element of The Hidden Territories of the Bacchae was not at the behest of the artistic team, but was instead a brilliant creative choice from Double Edge’s most important collaborator: the weather. About 40 minutes in, dark storm clouds started to impede our otherwise picturesque dusky tableau. Dionysus’ (played by both Travis Coe and Milena Dabova) braggartly claims of godlike power took on awe-inspiring meaning, and the performers leaned into the new subtext. We in the audience chuckled at the sky’s clever dramaturgical timing, but nervously so. We were not only at the mercy of the elements, but of our Double Edge guides, and we could only hope that our trust in them was not unfounded. Continue reading