Nov 09

A kind stop for death: “Lighting”

Photo courtesy of David Weiland.

Presented by Double Edge Theatre
Lightning
Directed and devised by DE Design Director Jeremy Louise Eaton
and co-created with the DE Company (Amanda Miller, Dylan Young, Phoebe Hiltermann, Ewa Timingeriu)
Lighting and sound design by John Peitso

My Soul is in Command: a tragi-comic musical creep show
Conceived, written, performed by Robert Carlton
With guidance from Jennifer Johnson

November 4-6, 2022
Performed at The Farm
948 Conway Road
Ashfield, MA MA 01330

Review by Maegan Bergeron-Clearwood

Leaving the barn performance space at Double Edge Theatre this weekend felt like stumbling off of a merry-go-round. As my friend and I removed our masks and breathed in the fresh farm air, our eyes drifted upward; for a breath or two, we found ourselves stunned by the moon spinning through the sky, until we realized it was just the clouds, not the universe, drifting across our gaze. I’m not sure if we would have fallen under the spell of this cosmic optical illusion if we hadn’t just emerged from Lightning, a dizzying, trickster-y performance that blurred the edges between dream and reality. Continue reading

Mar 09

For “Endlings,” Death Becomes Her

Presented by American Repertory Theatre
By Celine Song
Directed by Sammi Cannold

February 26 – March 17, 2019
ASL Interpreted performances: Wednesday, March 13 at 7:30PM and Sunday, March 17 at 2PM
Open Captioned performances: Thursday, March 14 at 7:30PM and Saturday, March 16 at 2PM
Audio Described performances: Friday, March 15 at 7:30PM and Saturday, March 16 at 2PM
Loeb Drama Center
Cambridge, MA
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Review by Diana Lu

(Cambridge, MA) Neil Armstrong was the first man on the moon and everyone in the world knows his name. Young Jean Lee was the first Asian female playwright on Broadway, and that is all she’s known as: “Asian female playwright”. Even in headlines about her work, white newspapers didn’t bother to print her name. Most people don’t know her name, including Asian women outside of theater. Let’s face it. White people like white plays, and the occasional token, minstrel show. Continue reading