Tag Archives: Joshua Wolf Coleman

May 22

Unapologetic Joy, Bursting at the Seams: “Hello, Dolly!”

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The cast of “Hello, Dolly!” Photo by Mark S. Howard.

Presented by Lyric Stage of Boston
Music and lyrics by Jerry Herman
Book by Michael Stewart
Based on “The Matchmaker” by Thornton Wilder
Directed by Maurice Emmanuel Parent
Music direction by Dan Rodriguez
Choreography by Ilyse Robbins
Featuring Temma Beaudreau, Joshua Wolf Coleman, Max Connor, Aimee Doherty,
Kristian Espiritu, Mark Linehan, Michael Jennings Mahoney

May 16 – June 22
Lyric Stage Theatre
140 Clarendon Street, 2nd floor
Boston, MA 02116

Runtime: 2 hours and 30 minutes including intermission.

Review by Maegan Bergeron-Clearwood

BOSTON — Full disclosure: I am something of a Hello, Dolly! apologist. Sure, it’s Broadway at its hammiest, and I won’t pretend that it’s aged perfectly. But beneath its veneer of feathers and bows and heteronormativity, this is a musical about characters pushing against turn-of-the-century gender and class constraints, straining to express themselves as loudly and brassily as possible.

Jerry Herman, the composer-lyricist behind some of Broadway’s most fabulous characters (see Mame and La Cage aux Folles) knew what exactly he was doing here: Hello, Dolly! is queer joy incarnate, and you can’t convince me otherwise. Continue reading →

Jul 18

Edith Wharton’s Intelude: “Mr. Fullerton, Between the Sheets”

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Photo by Jason Grow. Newhouse as Wharton.

Presented by Gloucester Stage Company
By Annie Undeland
Directed by Judy Braha
Featuring Sarah Newhouse* as Edith Wharton, Ryan Winkles* as Morton Fullerton, Joshua Wolf Coleman* as Henry James, and Bridgette Hayes as Posy.

June 8 – 22, 2022
Gloucester Stage Company Theater
267 East Main St
Gloucester, MA

95 minutes without intermission

Review by Craig Idlebrook

GLOUCESTER, Mass. — How do you bring an iconic author’s love letters to life? That was the unenviable task that playwright Annie Undeland volunteered to do when she came across the letters Edith Wharton wrote to a lover during an extramarital affair. In reading the letters, Undeland has said she was struck how Wharton, who was known to be a refined and biting observer of Gilded Age society, became so nakedly besotted and unguarded, like any fool in love. Continue reading →

Sep 22

Tribute to a Legacy: “Thurgood”

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An historical image of Justice Thurgood Marshall.

Presented by New Repertory Theatre and Central Square Theater
Written by George Stevens, Jr.
Directed by Benny Sato Ambush
Starring Joshua Wolf Coleman

September 18 to 20 at 7:30PM
Starlight Square
84 Bishop Allen Drive
Cambridge, MA 02139

Critique by Afrikah Smith

“The law is a weapon if you know how to use it.” – Justice Thurgood Marshall

Cambridge, MA  — In light of the passing of Justice Ruth Bader-Ginsburg, Thurgood reminds audiences of the obstacles BIPOC American citizens have overcome and continue to overcome every day, as we witness political events leading up to the 2020 elections.

Curious by how outdoor theatre was going to work, the thoughtful layout of Starlight Square surprised me. After checking in at will call, house staff escorted me to my seat following COVID-19 guidelines. Inside the space were socially distanced seating that met the gathering limit and made it more intimate. Although heaters are coming soon to Starlight Square, I recommend wearing warm layers. Continue reading →

Jun 17

Close Your Eyes and Think of England: “Cloud 9”

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Cast of “Cloud 9”
Photo: Nile Scott Studios

Presented by the Nora Theatre Company
By Caryl Churchill
Directed by Lee Mikeska Gardner
Voice and Music direction by Caitlin Gjerdrum
Dramaturgy by Sophie Gore
Text and dialect coaching by Allison Olivia Choat

June 6 – 30, 2019
Central Square Theater
Cambridge, MA
CST on Facebook

Critique by Kitty Drexel

Warning: this post contains spoilers. The spoilers are necessary to the conversation.

Trigger warnings: child abuse, mentions of domestic violence, racism, sexism, creepy dolls

Satire: (noun) sat·​ire | \ ˈsa-ˌtī(-ə)r
Definition of satire
1 : a literary work holding up human vices and follies to ridicule or scorn
2 : trenchant wit, irony, or sarcasm used to expose and discredit vice or folly – Per the Merriam-Webster online dictionary

(Cambridge, MA) Satire doesn’t have to be funny. Most satire is funny, but it isn’t a hard and fast rule. Much of comedy is found funny because of its treatment of serious topics. For example, jokes about the Boston Str8 Pride Parade* will get a laugh in some situations. In other situations, the jokes don’t land because this parade represents unadulterated hate towards the LGBTQ+ community. We understand why your jokes are “funny,” but it’s our lives those neo-nazis are protesting. The protest might be funny if it were satire – But it isn’t. It’s real. We’re real too. 

I mention this because the themes that Caryl Churchill attacks in Cloud 9 are real too. Heteros still think that the LGBTQ+ community is asking for extra protections. People of Color (POC) are being massacred in the US for their audacity to take up space. These things aren’t funny but jokes about them can be if told properly. Cloud 9’s themes are still relevant. Continue reading →