Peter DiMaggio & ensemble. Photo: Nile Scott Studios
Presented by Speakeasy Stage
Music and lyrics by The Avett Brothers
Book by John Logan
Directed by Jeremy Johnson
Choreographed by Ilyse Robbins
Music directed by Paul S. Katz
Scenic Design by Janie E. Howland
Lighting by Karen Perlow
Featuring: Christopher Chew, Max Connor, Peter DiMaggio, Bishop Levesque
April 24 – May 23, 2026
Stanford Calderwood Pavilion at Boston Center for the Arts
527 Tremont Street, Boston, 02116
Review by Maegan Clearwood
BOSTON — Swept Away is ambitious in theme and scope: it calls for sweeping, spectacular design choices, attempting to explore existential ideas about guilt, grief, death, and despair. Speakeasy Stage, like the Broadway premiere two years ago, takes a fittingly larger-than-life approach to the visuals and performances. Unfortunately (again, like the Broadway premiere), Speakeasy can’t overcome the musical’s dramaturgical flaws.
Swept Away is a jukebox musical, featuring indie-folk-Americana-pop-rock songs by The Avett Brothers. It features many hallmark jukebox musical flaws: musical numbers that feel shoehorned in rather than plot-driven; a thematically uneven throughline; inconsistent character arcs. John Logan’s book crams songs into a story inspired by a real 1884 shipwreck of The Mignonette. It’s a grisly tale, an exploration of the spirit’s ability (or lack thereof) to survive in the face of abject horror, but the script is too bogged down by cliches to uncover any novel truths about the human condition. Continue reading
