Jun 04

Could be Better, Could be Worse: American Repertory Theater’s “1776”


Presented by American Repertory Theater
Produced in association with Roundabout Theatre Company
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a Concept by Sherman Edwards
Directed by Jeffrey L. Page and Diane Paulus
Music Direction by Ryan Cantwell
Choreography by Jeffrey L. Page
Music Supervision by David Chase
Orchestrations by John Clancy
Vocal Design by AnnMarie Milazzo
Dialect Coaching (NYC) by Dawn-Elin Fraser
Dialect Coaching (Cambridge) by Erika Bailey
Fight Direction by Thomas Schall

May 17 – July 24, 2022
Loeb Drama Center
Cambridge, MA
Run Time: 2 hours and 45 minutes, including one 15-minute intermission

The mask goes over your nose.

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Contemporary performances of Stone & Edwards’ 1776 are a response to Hamilton. The 1997 Broadway revival production at the Roundabout Theatre had an all white, all cis male cast (with Star Trek TNG’s Brent Spiner in the role of John Adams). American Repertory Theater tries something different with its 2022 production. It is largely successful thanks to the brave, button-pushing performances of its actors. 

1776 is the reproduction of the infamous congressional meetings that lead to the United States’ declaration of independence on July 4, 1776. John Adams (Crystal Lucas-Perry), Benjamin Franklin (Patrena Murray), and Thomas Jefferson (Elizabeth A. Davis) cajole the members of the Continental Congress into voting for American independence from British tyranny.  Continue reading

May 26

Streamed Content to Prevent COVID-19 Brain Drain: ReOpening Is Hard To Do-o

Dear Readers:

On May 25 (yesterday), Massachusetts began the first of fourth phases to reopen. Exact information on the plan and all four phases can be found at https://www.mass.gov.

Mass Creative created a super helpful graph that represents the artistic community’s participation in reopening.  The phases for arts organizations are:

Image credit Mass Creative.

  • Phase 1 (May 25th): Zoos, outdoor gardens, public installations, and drive-in theaters
  • Phase 2: Some outdoor performances, maybe some outdoor venues
  • Phase 3: Museums, performance venues (concert halls, theaters)
  • Phase 4: Large venues (arenas, stadiums, night clubs—in process of defining large venues)

All our love from six feet away,
Kitty Drexel
Queen of the New England Theatre Geeks

P.S. This post is a late due to mental health/personal reasons. It is important that we take care of ourselves at all times but especially now. Life is stressful for all manner of reasons. It’s okay not to do the thing, all of the things, or any of the things. It is okay not to be productive. Our health must come first. 

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

~~~~~

American Repertory Theatre — American Repertory Theater at Harvard University announces upcoming free virtual conversations and events. Conversations are open to the general public, though advanced RSVPs are required.
1776 IN DIALOGUE
TONIGHT—Tuesday, May 26 at 6PM
With Diane Paulus, director of 1776; Timothy Patrick McCarthy, Professor of History and Literature at Harvard University’s Graduate School of Education and Core Faculty at the Carr Center for Human Rights Policy at the John F. Kennedy School of Government; and Oneika Phillips from the cast of 1776.
Register for 1776 in Dialogue here

CITIZENSHIP 1776 – 2026: APPROACHING 250 YEARS OF THE UNITED STATES OF AMERICA
Monday, June 1 at 4PM
With Annette Gordon-Reed, Charles Warren Professor of American Legal History at Harvard Law School; Professor of History in the Faculty of Arts and Sciences at Harvard University
As we approach the 250th anniversary of the founding of the United States of America, it is worthwhile to consider what it means to be a citizen of the country that was created in 1776. Harvard Professor Annette Gordon-Reed explores the questions of how citizenship is expressed in this modern context, how we kept the republic, and what might the future hold for our republic.
Register for Citizenship 1776 – 2026 here.

THE SHOW MUST GO SEAN
Tuesday, June 4 at 6:30PM
The 2020 Tony Awards were postponed, but the celebration goes on! Join A.R.T. for The Show Must Go Sean, a special Tonys-themed trivia night hosted Broadway aficionado and A.R.T.’s Assistant Director of Membership and Donor Relations, Sean Cummings. Bring a team of your favorite theater enthusiasts for an interactive evening of merriment and multimedia trivia—teams of any size and participants of all ages and knowledge levels are welcome!
Register for The Show Must Go Sean here.

LUNCH WITH LUNSFORD
The A.R.T continues its Lunch with Lunsford series with guests announced for the month of June. Hosted by Artistic Producer Mark Lunsford, the Tuesday noontime webinar features curated conversations with artists in A.R.T.’s orbit, followed by interactive audience Q&A.
Learn more and RSVP for Lunch with Lunsford here.

Apollinaire Theatre Company — Apollinaire Theatre is excited to invite you to join us for Apollinaire at Home, a free online play & film script reading gathering! Apollinaire at Home is hosted by your Apollinaire favorites, and the cast includes You. Readings will be Thursday, Friday, and Saturday evenings at 7:30, and Sunday “matinee” at 3:00.
We’ll post the schedule for each week at the beginning of the week (check on Tuesday afternoon or Wednesday morning).

Huntington Theatre Company — Huntington Theatre Company announces their annual Spotlight Spectacular Gala will take place virtually on the Huntington’s Facebook and YouTube channels Monday, June 15, 2020 beginning at 7:30pm. More info about the gala is HERE. 

Liars & BelieversThe Greening of Bridget Kelley, by Peter Snoad. It features LAB company member Jesse Garlick and our friend, Aislinn Brophy, who was in A Story Beyond.

Elsewhere, on the internet:
The Kilroys List, Volume Two; The Kilroys: “We Make Trouble. And Plays.”: http://www.tcg.org/Store/ProductDetail/8579068

Event Safety Alliance Guide: https://www.eventsafetyalliance.org/esa-reopening-guide

A New Normal: A Zoom play by David Perkinson — Written by David Perkison, A New Normal is a dryly comic look at 3 friends trying to cope during the pandemic. A one act performance recorded entirely in one take using Zoom recording software. Follow the YouTube link to watch!

Dec 07

An Inalienable Right for Some: “1776”

Photo by Andy Brilliant/Brilliant Photography

Presented by New Rep Theatre
Music and lyrics by Sherman Edwards
Book by Peter Stone
Co-directed by Austin Pendleton and Kelli Edwards
Music direction by Todd C. Gordon
Choreography by Kelli Edwards

Nov. 30 – Dec. 30, 2018
Mainstage Theater
Mosesian Center for the Arts
Watertown, MA
New Rep on Facebook

Critique by Kitty Drexel

Trigger warnings: systemic racism, sexism, bracingly tight pleather pants

(Watertown, MA) 1776 is a quirky, innuendo-laced musical about Boston’s part in the US’s bid for independence. New Rep gives us a fun production that is more timely than it is educational. This musical might be based on historical facts but this production brings new momentum to current events. Continue reading

Aug 16

Hot as Hell in Philadelphia” “1776”

Photo credit: Eurah Joanna Ko

Photo credit: Eurah Joanna Ko

Presented by The MIT Gilbert and Sullivan Players
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Directed by Emma Brown
Vocal Direction by Tom Ostrowski and Johnnie Han
Orchestra Directed by Julie Henion

August 12 – 14
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Gilbert & Sullivan Players on Facebook

Review by Danielle Rosvally

(Cambridge, MA1776 is one of those archaic mainstays of musical theatre that gets some seasonal adoration around the patriotic holidays of summer and spends the rest of the year hiding in its box waiting for people to remember how catchy the good songs are (and forget how atrociously lingering the bad ones get).  It’s also got some technical and social difficulties: the cast is large; dare I say ungainly; and made almost exclusively of men.  Costuming the show is serious business since it’s a period piece (rarely modernized).  And the script… oh the script… the script has not aged well.  Sherman Edwards wrote some poppy songs that still captivate, but Peter Stone’s book is definitely a product of its time.  Once again; the good parts are great.  The bad parts just linger a little too long.  Last, but certainly not least, the show attempts to tackle some very dark eras of American History and doesn’t exactly do it in the best possible way. Continue reading

Jul 27

A Remarkable Felicity of Expression: “1776”

Photo credit: The Company Theatre

Photo credit: The Company Theatre

Presented by The Company Theatre
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Directed by Zoe Bradford and Jordie Saucerman
Musical Direction by Michael V. Joseph
Staging by Sally Ashton Forrest

July 24 – August 16, 2015
30 Accord Park Drive
Norwell, MA 02061
Company Theatre on Facebook

Review by Danielle Rosvally

(Norwell, MA) For a town that takes its history so seriously, Boston doesn’t give much love to 1776 (the musical).  In fact, this was the first time I had ever caught the play staged.  Of course I’m a devotee of the film, but I’ve always wanted to see a staged production of the show.  When I moved to Massachusetts four years ago, I thought I would see it produced at least once a season but found myself sorely mistaken.  So of course I leapt at the chance to see The Company Theatre’s 1776 and I am heartily glad I was in the audience to witness their triumph! Continue reading