Apr 29

Streamed Content to Prevent COVID-19 Brain Drain: It’s Gonna Be May

Dear Readers,

It’s almost May. Most of us have been in lockdown for nearly two months. There is a great amount of streaming content available online. Theatre companies aren’t providing us with this content solely out of some altruistic mission of heroic proportions. They are also sharing their work in order to stay relevant.

If you are a person who is consuming content and you can afford to, DONATE. If you can’t donate now, buy a ticket/tickets when the theatres reopen. If you can do both, DONATE now and BUY A TICKET later.* Consuming streaming content without making a donation means that our theatres might not exist when the economy reopens. Artists deserve to be paid. DONATE. 

We wish you all the best! Please wash your damn hands, get enough exercize, Zoom your friends, and stay home as much as you can.

All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks

*P.S. It should go without saying that if you don’t have the cash/are unemployed/are an essential worker, don’t donate.

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

City of Boston Arts and Culture – The Mayor’s Office of Arts and Culture for the City of Boston is tasked with ensuring equity in the storytelling and the distribution of resources related to COVID-19. There is now a survey designed, in partnership with MassCreative, to gather information about creative workers and artists in Massachusetts> It will help advocate for freelancers, gig workers, and the self-employed in our cultural communities and to ensure that artists and creative workers are getting the support they need.
ACCESS THE SURVEY 

Exiled Theatre – Exiled Theatre is proud to present it’s Living Room Series. Hanging Tree and Nurse Call are up on its site now.

Flat Earth Theatre – Flat Earth is bringing its collaboration with the Cambridge Science Festival into outer space.  A. Lehrmitt’s new sci-fi radio play Fine-Tuned Universe will stream for FREE on Saturday nights at 7pm, April 25th – May 30th. Each week brings a new 20-minute chapter.
Fine-Tuned Universe: a radio play< by A. Lehrmitt. Directed by Jake Scaltreto. Saturdays, April 25th – May 30th, 7pm EST; Streaming on Facebook Live Featuring: Juliet Bowler, Kristen Heider, James Hayward, Chris Chiampa, Melissa de Jesus, and Liz Salazar with sound design by James Rossi.

Gamm Theatre – Gamm Theatre is offering classes online as well as “Study Breaks with Susie Schutt, Gamm Education Director.” Please go to the site to learn more.

HowlRound – So busy! Please check the site for more information and current listings. 

Lemon Punch Theatre Lab – Inspired by the One Minute Play Festival’s Coronavirus Plays, Lemon Punch Theatre Lab presented the LEMON LIVE MICROPLAY FESTIVAL on March 31st. It was so successful, we are doing it again! The 2nd Lemon Live Microplay Festival will be held via Zoom on Tuesday, May 12th at 7 pm, with an additional performance on Sunday the 17th at 2 pm (for those who prefer matinees!). 
SUBMISSION GUIDELINES are HERE:
The Deadline is Monday, MAY 4 AT 7 PM!


New World Theatre presents Snow Fall, Episode 2: Nor’Easter by Donald Tongue, As the storm intensifies, Ashley reaches out to her friend, Peggy, for help. An audio play on YouTube.

Luminarium Dance – Their latest TEN4TEN Performance is titled “The Beginnings.” The performance is available to view now through May 4. Luminarium presents its TEN4TEN Performance Series celebrating its tenth anniversary season with curated shows every two weeks, highlighting its award-winning repertory spanning 2010 to present. Be sure to tune in soon, as every two weeks the current “performance” will be removed, with a new one in its place!

North End Music & Performing Arts Center – NEMPAC has started FREE online programming for its community. From Open Mic Nights to Live Stream Classes and a variety of Educational Programs, they have something to offer everyone. Weekly virtual programs take place through its social media Instagram account.
Tune in this Friday for the next NEMPAC Open Mic Night! To perform, please email Allie Meek-Carufel ameek@nempacboston.org by Thursday at 5:00 p.m.

Open Theatre Project – OTP Core Members Alexandra Smith, Cathy Messier, and Sarah Jacobs introduce TP’s “Community Write.” It unites some of OTP’s favorite Playwrights with the community, to create something new and uplifting with their online community every week. 
Playwrights select writing prompts from the community and write short, 1-2 minute plays. Playwrights will choose favorites from OTP actors to perform digitally.

Go to OTP’s Facebook and Instagram accounts to learn more and participate. CLICK HERE to submit topics.

The Company Theatre – On Friday, May 1 at 7:30PM, The Company Theatre will livestream its 2019 production of Paragon Park: The Musical on its YouTube page. From the YouTube page, “Join The Company Theatre as we relive the heydays of Nantasket Beach with Paragon Park: The Musical! Streamed live on our YouTube channel- enjoy our dynamic 2019 production, professionally produced for your viewing pleasure. Take “One Last Ride” with Paragon Park: The Musical!

Elsewhere, Outside of New England: Streamed content to view! 

https://www.punctuate4.org/

https://www.punctuate4.org/

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Mar 31

More Than A Political Trinket: “Evita”

The cast rockin’ it in costumes by Paula Peasley-Ninestein. Photo found on TCT Facebook page.

Presented by The Company Theatre
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Directed by Zoe Bradford and Jordie Saucerman
Musical direction by Bethany Aiken
Staging and choreography by Sally Ashton Forrest
Conducted by David Healey

March 15-31, 2019
30 Accord Park Dr.
Norwell, MA 02061
Company Theatre on Facebook

Critique by Kitty Drexel

(Norwell, MA) Evita is a strange rock operetta. It sounds a great deal like Jesus Christ Superstar and is narrated by a political figure that did more work in Mexico and Cuba than he ever did in Argentina. Additionally, Webber and Rice posit the musical against Eva Peron. She’s treated as a mere political trinket during a time when she symbolized the heart of the Peronist movement. Evita is a problematic piece but the Company Theatre does a fine job producing it.    Continue reading

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Jul 27

A Remarkable Felicity of Expression: “1776”

Photo credit: The Company Theatre

Photo credit: The Company Theatre

Presented by The Company Theatre
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Directed by Zoe Bradford and Jordie Saucerman
Musical Direction by Michael V. Joseph
Staging by Sally Ashton Forrest

July 24 – August 16, 2015
30 Accord Park Drive
Norwell, MA 02061
Company Theatre on Facebook

Review by Danielle Rosvally

(Norwell, MA) For a town that takes its history so seriously, Boston doesn’t give much love to 1776 (the musical).  In fact, this was the first time I had ever caught the play staged.  Of course I’m a devotee of the film, but I’ve always wanted to see a staged production of the show.  When I moved to Massachusetts four years ago, I thought I would see it produced at least once a season but found myself sorely mistaken.  So of course I leapt at the chance to see The Company Theatre’s 1776 and I am heartily glad I was in the audience to witness their triumph! Continue reading

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Jul 29

Still Enjoyable ‘At the End of the Day’: LES MISERABLES

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Presented by The Company Theatre Center for the Arts
based on the novel by Victor Hugo
Music by Claude-Michel Schonberg
Lyrics by Herbert Kretzmer
Original French text by Alain Boubil and Jean-Marc Natel
Additional material by James Fenton
Orchestrations by James Cameron
Directed by Zoe Bradford and Jordie Saucerman
Staging and choreography by Sally Ashton Forrest
Music direction by Michael V. Joseph

July 24 – August 17, 2014
30 Accord Park Dr.
Norwell, MA 02061
Company Theatre on Facebook

Review by Kitty Drexel

(Norwell, MA) Les Mis is an overwhelming show; its complications can make preparation for performance seem insurmountable. Yet, it is beloved to its devoted fans who care more that its being performed and less about the intricacies of the performance. Such people will highly enjoy the Company Theatre’s production running through August 17. Theatre geeks, such as me, may still enjoy themselves but will likely get hung up on artistic details. Continue reading

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