Sep 06

Go On and Shoot a President: ASSASSINS

Photo credit: Chantal Acacio

Photo credit: Chantal Acacio; it’s clobbering time.

Presented by The MIT Musical Theatre Guild
Music and Lyrics by Steven Sondheim
Book by John Weidman
Directed by Matt Putnam
Vocal Direction by David Favela
Music Direction by Marek Subernat

September 2 – 17, 2016
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Musical Theatre Guild on Facebook

Review by Danielle Rosvally

(Cambridge, MA) As an American history buff (can you call yourself a “buff” anymore when you’re technically a professional historian?), I will be the first to admit that Assassins holds a special place in my heart.  Who else but the dynamic Steven Sondheim could take a subject matter like the murder of the president of the United States, and write a poignant, witty, yet ever-so-tenaciously perky musical about it?  The MIT Musical Theatre Guild has put together a fine production of the show, well worth your time despite the beginning-of-semester crunch. Continue reading

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Aug 16

Hot as Hell in Philadelphia” “1776”

Photo credit: Eurah Joanna Ko

Photo credit: Eurah Joanna Ko

Presented by The MIT Gilbert and Sullivan Players
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Directed by Emma Brown
Vocal Direction by Tom Ostrowski and Johnnie Han
Orchestra Directed by Julie Henion

August 12 – 14
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Gilbert & Sullivan Players on Facebook

Review by Danielle Rosvally

(Cambridge, MA1776 is one of those archaic mainstays of musical theatre that gets some seasonal adoration around the patriotic holidays of summer and spends the rest of the year hiding in its box waiting for people to remember how catchy the good songs are (and forget how atrociously lingering the bad ones get).  It’s also got some technical and social difficulties: the cast is large; dare I say ungainly; and made almost exclusively of men.  Costuming the show is serious business since it’s a period piece (rarely modernized).  And the script… oh the script… the script has not aged well.  Sherman Edwards wrote some poppy songs that still captivate, but Peter Stone’s book is definitely a product of its time.  Once again; the good parts are great.  The bad parts just linger a little too long.  Last, but certainly not least, the show attempts to tackle some very dark eras of American History and doesn’t exactly do it in the best possible way. Continue reading

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