Apr 23

“Cabaret” : Red Lights & Secrets

Aimee Doherty* Photographer: Tom Shoemaker

Presented by Moonbox Productions
Based on stories by Christopher Isherwood
Lyrics by Fred Ebb
Music by John Kander
Book by John Masteroff
Directed by Rachel Bertone
Music Direction by Dan Rodriguez

April 14th thru 29th, 2018
BCA Calderwood Pavilion
Wimberly Theater, Boston
Moonbox on Facebook

Review by Bishop C. Knight

(Boston, Massachusetts) I assume that unlike many in the audience at the Wimberly Theatre, I went to the Calderwood Pavilion knowing nothing substantial about Cabaret and naïvely expecting lots of eye-high rockette dance moves.  Seated with friends before the show, I opened up a program and encountered a quote by Christopher Isherwood, the British-American novelist who holds a principal place within my private imaginative world.  This quotation was from Isherwood’s Goodbye to Berlin, upon which Cabaret is based, and it goes “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Someday, all this will have to be developed, carefully printed, fixed.”   Continue reading

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Jan 31

Dance Across the Picket Line: BILLY ELLIOT

Photo by Glenn Cook Photography; on the way to boxing class.

Presented by Wheelock Family Theatre
Book & lyrics by Lee Hall
Music by Elton John
Orchestrations by Martin Koch
Based on the Universal Pictures/Studio Canal film Billy Elliot
Directed by Susan Kosoff
Originally directed by Stephen Daldry
Music direction by Jon Goldberg
Choreographed by Laurel Conrad
Sign Performances by Luke Baer, Alvin Haas, Ali Schmalenberger
Audio descriptions by Cori Couture, Ruth Celia Kahn

Jan. 27 – Feb. 26, 2017
ASL performances on Fri, Feb 24 @ 7:30, & Sun, Feb 26, @ 3
All performances are open captioned
The theatre is wheelchair accessible
Wheelock College
200 Riverway
Boston, MA
Wheelock on Facebook

Recommended for ages 8+ for mild violence, occasional references to sexy times by children who don’t understand what they are saying, and English cursing.  

Review by Kitty Drexel

“The arts are essential to any complete national life. The State owes it to itself to sustain and encourage them….Ill fares the race which fails to salute the arts with the reverence and delight which are their due.”
– Winston Churchill (that other quote attributed to Churchill is not something he actually said.)

(Boston, MA) Wheelock does great work with Billy Elliot:The Musical. The 2000 source movie Billy Elliot, is a sweet and rough story about a working class boy who becomes enchanted with dance while his widower father, and brother are caught up in the coal miners’ strike. They are more worried that Billy might be gay, than they are in monitoring Billy’s daytime whereabouts. The musical, based on the movie, incorporates many points of the movie’s plot. The big distinction is the musical’s Disney-fication. Alter expectations accordingly.    Continue reading

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Sep 20

Jordan Needs a Xanax and a Snuggle: “Significant Other”

vanessa-shower-with-nsfw-props

Photo Credit: Justin Saglio; Penises at the Hen Party. Penis. Penis. Penis.

Presented by SpeakEasy Stage Company
By Joshua Harmon
Directed by Paul Daigneault

Sept. 9 – Oct. 8, 2016
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MASignificant Other (SO) is Sondheim’s Company is the music were stripped, and Bobby was made both gay and genuinely likable. The percentage of justifiable choreography remains equal between the two shows. The set design is similarly simple. The scene transitions are more facile. All in all, based entirely on sympathetic characters alone, Significant Other is the more pleasant viewing choice. Whether this is true for you depends upon your own theatrical preferences. Continue reading

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May 12

Feelings Are Difficult for Marines: DOGFIGHT

Eddie & Rose Take In the View; Photo by Glenn Perry.

Eddie & Rose Take In the View; Photo by Glenn Perry.

Presented by SpeakEasy Stage Co.
Music and lyrics by Benj Pasek & Justin Paul
Book by Peter Duchan
Based on the Warner Bros. film and screenplay by Bob Comfort
Directed by Paige Daigneault
Music direction by Jose Delgado
Choreography by Larry Sousa

May 7 – June 4, 2016
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Speakeasy on Facebook

Review by Kitty Drexel

(Boston, MADogfight is yet another musical with serious complications that SpeakEasy maneuvers with poise and dignity. It’s like Disney’s Newsies if the newsboys are replaced with marines and their fight for entrepreneurial justice is replaced with explicitly misogynistic displays of dudebro cruelty. Well, the music sounds a little like Newsies anyway. Continue reading

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Dec 01

“The Little Mermaid” Makes a Little Splash

Courtesy Fiddlehead Theatre Company/©Eric Antoniou

Courtesy Fiddlehead Theatre Company/©Eric Antoniou

Presented by Fiddlehead Theatre Company at The Strand Theatre
Music by Alan Menken
Lyrics by Howard Ashman and Glenn Slater
Book by Doug Wright
Musical Direction by Charles Peltz

November 27-December 6, 2015
Dorchester, MA
Fiddlehead Theatre Company on Facebook

Review by Travis Manni

(Dorchester, MA) Disney musicals are the foundation of almost all happy childhoods, so I was excited to see an extended version of the undersea fantasy that entranced my youthful eyes and ears. But the problem with Disney’s staged version of The Little Mermaid, the same part that left me slightly disappointed after seeing the show, is that it expands on something that is already so perfect in a way that feels forced and unnecessary. Continue reading

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