BOSTON/ZOOM — Boston’s theatre journalism scene is a barren wasteland of white maleness. The desperate cries of BIPOC performing artists and designers for accurate representation are carried by winds off of the Atlantic ocean to diversity-parched cities and towns across New England: where are the critics of color?
Critiquing and reviewing circles have remained steadfastly white for the last few decades. Out of the current eleven members of the Boston Theater Critics Association, six are white men, five are white women.
The Front Porch Arts Collective launched the Young Critics Program in spring 2019 in partnership with WBUR the ARTery. It is the only independent training opportunity specifically geared towards young BIPOC journalists in New England. Boston-based director, dramaturg, educator, writer, and collaborator Pascale Florestal is the woman in charge. Continue reading →
Below is a continuation of last week’s list. New England area theatre companies are keeping busy. And so should you! Many of the opportunities from last week are still active and thriving. Please check those links.
Keep washing your damn hands, getting enough exercize, Zooming your friends. Stay home.
All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks
Apollinaire Theatre Company – ATC hosts Apollinaire at Home! It’s a free online play & film script reading gathering! Apollinaire at Home is hosted by your Apollinaire favorites, and the cast includes You!! Readings for the week are posted on Apollinaire’s main page on Tuesday evening/ Wednesday morning. Readings will be Thursday, Friday, and Saturday evenings at 7:30, and Sunday “matinee” at 3:00.
Boston Theater Marathon XXII: Special Zoom Edition – Boston Playwrights’ Theatre (BPT) presents “Boston Theater Marathon XXII: Special Zoom Edition,” featuring ten-minute plays written by New England playwrights and presented by New England theatres via the video conferencing tool Zoom, April 1-May 17. Readings will begin each day at 12 noon and will last approximately 15-minutes. Audiences will need to download the free Zoom app to participate, and it is recommended they call in a few minutes before “curtain” time.
Central Square Theater – Central Square Theater has made available for streaming a video recording of its acclaimed production of PIPELINE. The recording is available today through April 5, 2020. Details on how patrons may purchase access the recording is included. TICKETS.
CompanyOne – C1 has its new C1 “New Work #socialdistancing Community” form. Please drop your ideas there. Company One Theatre is postponing the remaining productions of Season 21, Clare Barron’s Dance Nation and Inda Craig-Galván’s Black Super Hero Magic Mama. Both productions will shift to 2021 and become part of Season 22.
Upcoming from C1: Resident playwright Kirsten Greenidge is launching a series of online Open Writes. Kirsten will hold space for folx who want a communal, but quiet, energy to support their writing. The first is scheduled for Saturday April 11 (time tbd), and will be co-hosted with David Valdes. C1 will send out a formal announcement with a video link as the date approaches. Please watch the C1 website for updates.
Gallery 3: An exhibition of mixed media works by Cynthia Katz.
#TBT: Just AddedLyle Lovett Video– As we continue to digitize various Umbrella programming, we’re pleased to share for the first time a video excerpt of last fall’s amazing benefit concert by Lyle Lovett. The video was wonderfully produced with high-quality sound by video professional and Umbrella volunteer, Bob Greim.
TC Squared – In response to the COVID-19 novel coronavirus pandemic, TC Squared has launched a new online reading series: VOLUME UP Virtual Play Readings. Videos can be found on its YouTube channel.Facebookand Twitter has the most up-to-date info.
There Must Be Happy Endings: On Theatre of Optimism & Honesty By Megan Sandberg-Zakian Published by The 3rd Thing Press Olympia, 2020 Available on Kickstarter with a $24.00 pledge Paperback, 230 pages
LIVE ONLINE EVENT! Megan Sandberg-Zakian in conversation with Melinda Lopez March 23, 2020, 4:00 pm – 6:00 pm Free on the HowlRound website! More info below.
Event on Facebook
Review by Kitty Drexel
“An ending doesn’t have to be happy to be satisfying. A good ending, happy or not, draws a line around the experience of story hearing and telling. It picks the story up, holds it in its hands, and offers it out, whole. It gives us the opportunity for a collective breath. A good ending is honest: a boundary we can feel, the knowledgable edge of a reliable container. It is a ritual threshold between story and not-story.”
— Megan Sandberg-Zakian, “There Must Be Happy Endings,” There Must Be Happy Endings: On Theatre of Optimism & Honesty, 2020.
Somerville, Mass — There Must Be Happy Endings by Megan Sandberg-Zakian is an exploration in the personal dramaturgy of the mind and spirit. In her first book of essays, the author takes a deep dive into the works that have made a lasting impression upon her. They are an extension of her need to share stories through theatre. Whether by quoting Homer, The Dark Knight or Annie, these essays draw the reader into the author’s personal story by circumnavigating the landscape of the greater western narrative. She tells us why happy ends are important and why they are especially important to her. Her title essay isn’t demanding sappy closure but commanding a divine right to culminate our narratives with an end to the suffering within them. Continue reading →
Oppression isn’t a contest. Virginia is mourning the 400th anniversary of slavery in the US. June 28 marked the 50th anniversary of the Stonewall riots. The ADA wasn’t made law until 1990. The only people who win when marginalized communities fight are the rich, white people who make money from our oppression. No one is free until we are all free. Freedom must be intersectional. Continue reading →
SOMETHING ROTTEN! Conceived by Karey Kirkpatrick and Wayne Kirkpatrick Book by Karey Kirkpatrick and John O’Farrell Music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick Directed and choreographed by Casey Nicholaw Music directed by Phil Reno
(New York, NY) It is a perk and a privilege to write complimentary reviews for people I know or used to know in a different life. There’s a certain joy in spinning a glowing critique for someone who deserves it. My joy is incalculably multiplied when done for a personal acquaintance. It’s best if it’s a surprise. It’s even better if it’s a special occasion. Continue reading →
(Waltham, MA) It always feels a bit dissociative when I see a show that is technically a good production, but the show itself is rather terrible. While watching Reagle Music Theatre’s Carousel, I clapped, I scoffed, rolled my eyes, and was constantly asking myself, “Why?” Continue reading →
(Boston, MA) The last time Ana Moura was hosted by World Music/CRASH arts in 2014, she brought the house to its feet in a celebration of her latest release at the time Desfado. This show was excellent in a different way. Certainly, her latest album Moura has been touring since last year and those performances were condensed for her concert at the Berklee Performance Center this past Saturday. Featuring a great backing band, Ana Moura dazzled the typically stoic New England audience to the point of stupefication for two hours.Continue reading →
August 14-30, 2015 Nathan Tufts Park (aka Powderhouse Park) in Somerville, MA
BRING A BLANKET and/or LAWN CHAIRS
Maiden Phoenix on Facebook
Review by Gillian Daniels
(Somerville, MA) Maiden Phoenix gamely takes on one of the strangest of Shakespeare’s late period work. In the style of King Lear, Leontes (Juliet Bowler) comes to distrust his loved ones to the horror of his court. His queen, Hermione (Cassandra Meyer), is accused of adultery, their son, Mamillius (a hilariously bro-y Caroline Rose Markham), is separated from his mother, and a baby is abandoned on a hillside to be devoured by the wild. Then, suddenly, when a man “exits” the stage pursued by bears, the story transforms. The Winter’s Tale leaves aside its devastating tragedy and the king’s “too hot, too hot” anger in favor of a pastoral comedy. From this point on, the story flows together like a series of dreams. This peculiar shift suits not only more optimistic fare but the theatre group’s choice of setting, a green, fairy tale-like staging in Nathan Tufts Park. Continue reading →
FEATURING: The Tempest (or Bark’s Dream): a storm in one act
written by Kate Snodgrass
performed by Steven Barkhimer
directed by Melia Bensussen Shameless to the Bone!
written and performed by
Jazz ‘n Class: a performance meditation
written and performed by
Robbie McCauley Continue reading →
January 17-February 7, 2015 BCA Plaza Black Box Black Box Theatre
imaginary beasts on Facebook
Review by Noelani Kamelamela
(Boston, MA) imaginary beasts have produced a pleasant reminder of spring. A silly and colorful confection, Kerplop! is anchored by the ensemble’s commitment to the lighter side of theatre in a convoluted story based somewhat on The Frog Prince as well as other, possibly lesser known tales. Continue reading →