(Boston, MA) Huntington Theatre’s production of After All The Terrible Things I Do has a start so rough that it was surprising that it ended so well. Our first impression is of the glorious stage by Clint Ramos. The bookstore set where are heros interact evokes the recognizable bittersweet nostalgia of favored reading holes. There are nooks and crannies, patches of light and dark. It’s nearly perfect. All it needs is a fat tabby napping on a pillow of paperbacks. Continue reading →
The Colored Museum is two hours short and presented without an intermission.
(Boston, MA) The majority of Black culture accessible to White people is appropriated into easily digestible, tepid hunks that wouldn’t scare a baby much less a conservative one percenter who thinks that an Azealia Banks is a deciduous shrub. The Colored Museum is like a trip on Disney’s It’s A Small World if the ride were devoted to the culture pacifying White people instead of world peace. It’s a powerful display of stereotype and the bleak truths that cement them into western society. Those with an understanding of race relations and the systematic control racism has on these relations will likely enjoy the romp. Those who think discussing race with their Starbucks barista is equal to having a race relation will have their mind blown. Continue reading →
Keona Welch (“Beneatha Younger”) and Corey Allen (“George Murchison”) in the Huntington Theatre Company’s production of Lorraine Hansberry’s A RAISIN IN THE SUN. Mar. 8 – Apr. 7, 2013 at Avenue of the Arts / BU Theatre. huntingtontheatre.org. photo: T. Charles Erickson
(Boston) Theatre with an African American focus owes its considerable roots to Hansberry’s A Raisin in the Sun, which debuted on Broadway in 1959. The Younger family’s struggle against external limitations has been the inspiration behind the musical Raisin (1973) as well as the play Clybourne Park(now at Speakeasy Stage Co, running through March 30th) to name a few. The racial oppression that existed then hid behind God and country, and now decades after the gains of the civil rights movement in the 1960’s has the power to still do so, to hold prisoner hard-working men and women and to frame that incarceration as well deserved. The Huntington’s current production is definitely not a re-staging of their 1995 show, and makes a bold statement about resistance to the status quo and the courage it takes to insist on fair treatment in any era. Continue reading →