(Boston, MA) Congrats to the Huntington for finally get that permanent ramp set up.
Top Girls is a feminist play by Caryl Churchill. Ithas a good script. It’s a good play for women. It isn’t Caryl Churchill’s only feminist play. It isn’t the only feminist play for a cast of women. There are others out there waiting to be produced, and yet, the New England theatre community loves this show. So much so that it’s been produced three times in the Boston-area alone in the past four years. The Kilroy’s List was supposed to end the ad nauseum repeats. Continue reading →
Keona Welch (“Beneatha Younger”) and Corey Allen (“George Murchison”) in the Huntington Theatre Company’s production of Lorraine Hansberry’s A RAISIN IN THE SUN. Mar. 8 – Apr. 7, 2013 at Avenue of the Arts / BU Theatre. huntingtontheatre.org. photo: T. Charles Erickson
(Boston) Theatre with an African American focus owes its considerable roots to Hansberry’s A Raisin in the Sun, which debuted on Broadway in 1959. The Younger family’s struggle against external limitations has been the inspiration behind the musical Raisin (1973) as well as the play Clybourne Park(now at Speakeasy Stage Co, running through March 30th) to name a few. The racial oppression that existed then hid behind God and country, and now decades after the gains of the civil rights movement in the 1960’s has the power to still do so, to hold prisoner hard-working men and women and to frame that incarceration as well deserved. The Huntington’s current production is definitely not a re-staging of their 1995 show, and makes a bold statement about resistance to the status quo and the courage it takes to insist on fair treatment in any era. Continue reading →
(Boston, MA) Music breathes and pulses as each note is played. The blues provide a voice for the inexpressible feelings of the human experience. The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist. What happens when that soul is taken away? Can the heart survive?
This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black Bottom. Continue reading →