Jan 23

Bickering is A Language of Love: “We All Fall Down”

Presented by Huntington Theatre Company
by Lila Rose Kaplan
Directed by Melia Bensussen
Jan. 10 – Feb. 15, 2020
South End / Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

“Ring-a-round the rosie,
A pocket full of posies,
Ashes! Ashes!
We all fall down.” – Traditional song (American version)

Boston, MA — We All Fall Down is a family portrait that examines clashing egos during a period of family dilemma. The Stein family isn’t talking to each other. In their defense, they aren’t listening either. It’s Passover. Everyone has an agenda and none of them correspond. We All Fall Down is about the power we give denial. The stronger the denial, the tauter the family bond. Continue reading

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Jan 17

Calling the Police Over a Picnic:”Pass Over”

Photo by Nile Scott Studios; Lewis D. Wheeler, Kadahj Bennett, Hubens “Bobby” Cius

Presented by SpeakEasy Stage Co. with The Front Porch Arts Collective
By Antoinette Nwandu
Directed by Monica White Ndounou
Fight choreography by Brandon G. Green
Movement coaching by Mila Thigpen
Dramaturgy by Pascale Florestal

January 3 – Feb. 2, 2020
Calderwood Pavilion at the Boston Center for the Arts
SpeakEasy on Facebook
The Front Porch on Facebook

Critique by Kitty Drexel

Trigger warning: white guilt, language, fuck the police

(Boston, MA) The sheer volume of what one must understand as true regardless of personal belief in order to not merely understand but thoroughly digest Antoinette Nwandu’s Pass Over at SpeakEasy Stage is overwhelming. The role that white people play in perpetuating racism’s systemic horrorshow machinations against Black people (and all people of color) is astounding.

Here is a list of links containing basic concepts that could be helpful. 

  • It is not the responsibility of Black people to explain racism or to convince white people that it exists. 
  • Being nice isn’t the same as not being racist. Racist people are nice all of the time. Nice people are racist all the time.
  • Black friends won’t make a white person less racist. Dismantling internalized racism requires a lifetime of work.  
  • It should go without saying that Black people want equality. They don’t want to reverse their treatment at the hands of white people back onto white people. 
  • Racism is about power. Reverse racism doesn’t exist. 
  • White people have to stop taking personally Black resistance to oppression.  
  • All of this information is a Google search away. 

Continue reading

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Jun 14

Like A Bird Made of Light: “Yerma”

Nadine Malouf (Yerma). Photo Credit: T Charles Ericksonn© 

Presented by the Huntington Theatre Company
Adapted and translated by Melinda Lopez
Based on the play by Ferderico Garcia Lorca
Directed by Melia Bensussen
Original music by Mark Bennett
Choreography by Misha Shields
Fight direction and intimacy direction by Claire Warden & Ted Hewlett

May 31 – June 30, 2019
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

Trigger warnings: sexual acts, hallucinations & mental illness

(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child. Continue reading

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Feb 14

Raise A Glass to Broadway, 2 Critiques: “Spamilton”

Presented by Huntington Theatre Company
Created, written and directed by Gerard Alessandrini
Musical direction by Curtis Reynolds
Choreography by Gerry McIntyre 

Feb. 12 – April 7, 2019
South End
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Trigger warning: potentially offensive racial humor, disrepecting Sondheim

Critique by Kitty Drexel

(Boston, MA) Holy crap, go see Spamilton. Seriously, I mean it this time: go see Spamilton. Parody musicals aren’t for everyone but almost everyone loved Hamilton and Spamilton takes all of the great parts of Hamilton and makes them funny on purpose. Spamilton is a good laugh – even for the people who hate Hamilton.

Continue reading

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Jan 23

A Pleasant Romcom: “Shakespeare in Love”

Shakespeare at Viola’s feet. Photo by Nile Hawver/Nile Scott Shots

Presented by SpeakEasy Stage Co.
Based on the screenplay by Mac Norman & Tom Stoppard
Adapted for the stage by Lee Hall
Directed by Scott Edmiston
Original music/music direction/sound design by David Reiffel
Choreography/period movement by Judith Chaffee
Fight direction by Ted Hewlett

Jan. 12 – Feb. 10, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) SpeakEasy’s production of Shakespeare in Love is okay. People who loved the movie will get a lot out of attending. Anyone expecting a revelatory experience from their theatre will be disappointed. Aside from the lighting design by Karen Perlow (which made Jennifer Ellis look like a gilded angel floating down from Heaven, and the set look like a theatre in a night forest) and the compositions by David Reiffel, this production is good but unremarkable.    Continue reading

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Sep 18

Revising History for Most, Not Others: “Men On Boats”

The cast of Men On Boats. Photo by Nile Hawver/Nile Scott Shots

Presented by SpeakEasy Stage Co.
By Jaclyn Backhaus
Directed by Dawn M. Simmons
Assistant directed by Sloth Levine

Sept. 8 – Oct. 7, 2017
Calderwood Pavilion at the BCA
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) SpeakEasy took some risks in putting up Men On Boats. Boston audiences are composed of plenty of folks that consider themselves liberal until it’s inconvenient. For example, Bernie Bros were all about feminism and other equalities until Hillary became a real threat. Then the silk gloves of human decency came off. Boxing gloves went on. MOB is the kind of show that will test its audience. The characters portrayed are real but the actors onstage do not strictly identify as men. There’s plenty of unlady-like and un-white-like behavior up there. It’s bound to ruffle some “erasing our history” feathers. Continue reading

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Nov 17

Faith, Family, and Fireworks: BAD JEWS

Craig Bailey/Perspective Photo

Photo by Craig Bailey/Perspective Photo

Presented by Speakeasy Stage Company
By Joshua Harmon
Directed by Rebecca Bradshaw

October 24 – November 29, 2014
Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
October 24th – November 29th, 2014
SpeakEasy on Facebook

Review by Kate Lew Idlebrook

(Boston) Bad Jews asks a question that is fundamental to so many young “Jew-ish” Jews. Are we bad Jews? Are we letting our faith, our traditions, our race die out? Now, in a time when it has arguably never been safer or easier to be Jewish, are we sitting by and letting our very culture die? Continue reading

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Apr 15

Bachelor’s Degree Preferred: TOP GIRLS

Photos courtesy of Paul Cantillon for Bad Habit Productions

Presented by Bad Habit Productions
by Caryl Churchill
Directed by Liz Fenstermaker

April 12-27, 2014
Calderwood Pavilion at the BCA
Boston, MA
Bad Habit on Facebook

Review by Noelani Kamelamela

(Boston) Bad Habit Productions closes their seventh season, “Ambition & Sacrifice,” with a sharp focus on the feminine. Their interpretation of Caryl Churchill’s work provides representation of classic and modern stereotypes of females while maintaining a quick pace. Continue reading

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Nov 08

A Parody of an Autobiography: Kurt Vonnegut’s MAKE UP YOUR MIND

http://www.speakeasystage.com/_photos/press/vonnegut_08.jpg

Barlow Adamson and Tracy Goss in Kurt Vonnegut’s Make Up Your Mind. Photo by Craig Bailey/Perspective Photo

Presented by SpeakEasy Stage Company
Written by Kurt Vonnegut
Assembled by Nicky Silver
Directed by Cliff Fannin Baker

Oct. 30 – Nov. 30, 2013
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Speakeasy on Facebook

Review by Kitty Drexel

(Boston) Make Up Your Mind was assembled by Nicky Silver from 11 drafts of an unfinished play written by Kurt Vonnegut. To repeat: this is a play by Kurt Vonnegut and edited by Nicky Silver. It was not thought up and written by Silver. To hear the complaints made about this show, one would think that it was written by meth addled donkeys. If there is fault (and there is), then the fault lies with Vonnegut who didn’t even get to finish the darn thing before his tragic death in 2007. Rather than dwell on the negative, let’s focus on the fact that we get one more nugget of gold from our dearly departed author. Continue reading

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Nov 08

There is a train immediately behind this train: “Someone Who’ll Watch Over Me”

Photo courtesy of Kevin Hadfield for Bad Habit Productions.

Presented by Bad Habit Productions
by Frank McGuinness
Directed by A. Nora Long

November 1-16
Calderwood Pavilion at the BCA
Boston, MA
Bad Habit on Facebook

Review by Noe Kamelamela

(Boston) In the second show of their seventh season, called Ambition & Sacrifice, Bad Habit Productions continues to create theatre in small spaces that convey big ideas. At a grueling two hours without intermission in a studio theatre, this production feels at times like a test of endurance for the audience and the three person ensemble. Continue reading

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