Mar 20

Her Name is Dr. Franklin, You Git: “Photograph 51”

Pictured: Stacy Fischer; Photo by Maggie Hall

Presented by The Nora Theatre Company
A Catalyst Collaborative@MIT Production
The Brit d’Arbeloff Women in Science Production Series
Written by Anna Ziegler
Directed by Rebecca Bradshaw
Voice and dialect coaching by Rebecca Schneebaum

March 14 – April 14, 2019
Central Square Theater
450 Massachusetts Avenue
Cambridge, Massachusetts 02139
CST on Facebook

Trigger warnings: vintage sexism, gaslighting, victim blaming

Critique by Kitty Drexel

(Cambridge, MA) Photograph 51 is depressing – not because it’s a depressing play, but because it tells us (STEM researchers, women, women within STEM, etc.) how little progress towards gender equality we have made since Dr. Rosalind Franklin discovered the structure of DNA. Her work, her words went largely ignored and men took all of the credit for her work. This is disturbing. That women in STEM are still silenced is even more so.   Continue reading

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Dec 06

“The Tempest”: Heaven Hath no Mercy Like a Sorceress Scorned

Kai Tshikosi (Ferdinand), Marya Lowry (Prospero), Lydia Barnett-Mulligan (Miranda), and Samantha Richert (Ariel)

Kai Tshikosi (Ferdinand), Marya Lowry (Prospero), Lydia Barnett-Mulligan (Miranda), and Samantha Richert (Ariel); photo credit to Nile Scott Shots.

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by Allyn Burrows

December 1, 2016-January 8, 2017
Willet Hall at United Parish
210 Harvard Avenue
Brookline, MA 02446
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Review by Travis Manni

(Brookline, MA) One of the most exciting things about seeing any production of a Shakespeare show is how vast the possibilities are for interpretation. The fact that I was completely new to the world of The Tempest, which serves as Artistic Director Allyn Burrows’ final show with Actors’ Shakespeare Project, made seeing a production of it that much more thrilling. Continue reading

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Feb 03

Disparate Pieces: THE WHIPPING MAN

Care of the New Rep Facebook page.

Presented by New Repertory Theatre
by Matthew Lopez
Directed by Benny Sato Ambush

January 25th – February 16th, 2014
Arsenal Center for the Arts
321 Arsenal Street
Watertown, MA
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Review by Craig Idlebrook

(Watertown) Sometimes you can check off all the boxes for what makes an interesting play without the play adding up to great theatre.  The Whipping Man, playing at the New Repertory Theatre, has all the ingredients (interesting slice of history, family drama, a striking set, a strong cast), but they don’t create something bigger. Continue reading

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Apr 26

Perils, Pirates, Prostitutes, and the Peculiarity of “Pericles”

Omar Robinson, Johnny Lee Davenport*, and Johnnie McQuarley in the foreground, with Jesse Hinson* (Pericles) and the cast in the background.
Photo: Stratton McCrady Photography

Presented by Actor’s Shakespeare Project
by William Shakespeare
directed by Allyn Burrows

The Modern Theatre at Suffolk University
525 Washington St., Boston
April 17 – May 12, 2013
ASP Facebook Page

Review by Gillian Daniels

(Boston) It’s easy to see why Pericles, Prince of Tyre isn’t one of Shakespeare’s best loved plays.  The plot is often as lost at sea as the titular character, who drifts from one melodramatic episode to the next on an unending voyage.  Pericles’ journey begins with villainous incest and the threat of death and, after abandoning this thread, continues on to tragic storms, kidnappings, and brothels.  Taking on this play means a potential mess. Continue reading

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Oct 12

Twelfth Night: Foolish Games of Greatness

James Andreassi (Sir Toby), Steven Barkhimer (Feste) & Doug Lockwood (Sir Andrew). Photo by Stratton McCrady

 

Twelfth Night by William Shakespeare, Actors’ Shakespeare Project, Plaza Theatre at the Boston Center for the Arts, 9/27/11-10/22/11,  http://www.actorsshakespeareproject.org/season8/twelfth_night.html.

Reviewed by Becca Kidwell

(Boston, MA) With the help of the magical playground designed by Christina Todesco, Actors’ Shakespeare Project creates an entertaining evening of romance and folly.  The production touches the joy and pain of being.  And a fool shall lead them all…

Upon entering the theatre, the audience immediately encounters an abstract tempest upon a spacious performance area.  Something that seems to be a trademark of Christine Todesco’s designs, there is a ramp that ends up being used as a slide.  In addition, the columns on stage provide reflective surfaces for the characters to get lost in their own self-interest as imagined by the director, Melia Bensussen. Continue reading

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May 02

Antony and Cleopatra (ASPBoston): To the mattresses

Antony & Cleopatra by William Shakespeare, Actors’ Shakespeare Project, The Modern Theatre at Suffolk University, 4/27/11-5/21/11.  http://www.actorsshakespeareproject.org/season7/antony_cleo.html.

Reviewed by Becca Kidwell

Photo by Stratton McCrady

Actors’ Shakespeare Project continues to bring intelligible Shakespeare to Boston.  One of Shakespeare’s most complicated plots of politics and passion, Antony and Cleopatra can leave Shakespeare neophytes confused and questioning.  This production provides a clear path for understanding and appreciation of the text.

The backdrop, designed by Jeff Adelberg, looks like a collection of mattress coils that make up a wall.  This suggestive detail reflects Antony’s decision-making processes.  Antony is caught up in his love and does not recognize the ever-present threat of his fellow triumvirate colleague, Octavius.  Octavius uses Antony’s distraction to destroy the triumvirate and become emperor of Rome. Continue reading

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