May 07

Bleak Travels Through “Hamlet Asylum”

Presented by The Calliope Project

May 3, 4, 10, and 11th at 8PM
Green Street Studios Theatre
185 Green St
Cambridge MA
The Calliope Project Facebook Page

Review by the lovely Gillian Daniels

**EXPLICIT CONTENT INCLUDING RAPE AND VIOLENCE**

Some contemporary productions of Hamlet play with the ambiguity of the Prince of Denmark’s sanity.  Is he seeking justice or satisfying a personal vendetta with the logic of a “ghost” to back him up, “mad north-north-west” or just vengeful?  In Hamlet Asylum, this ambiguity is dismissed.  Most of the play clearly takes place in the head of Bryan Bernfield’s Hamlet.  A masked Greek chorus (Meghan Kelly, Amiel Bowers, and Samuel Guerin) speak in the voice of his father, his confidant Horatio, the gravediggers, and others, all in the guise of Hamlet’s repressed desires.   It’s a clever idea.  The result, though,
is a production both rich with symbols and dark with melodrama. Continue reading

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Apr 26

Perils, Pirates, Prostitutes, and the Peculiarity of “Pericles”

Omar Robinson, Johnny Lee Davenport*, and Johnnie McQuarley in the foreground, with Jesse Hinson* (Pericles) and the cast in the background.
Photo: Stratton McCrady Photography

Presented by Actor’s Shakespeare Project
by William Shakespeare
directed by Allyn Burrows

The Modern Theatre at Suffolk University
525 Washington St., Boston
April 17 – May 12, 2013
ASP Facebook Page

Review by Gillian Daniels

(Boston) It’s easy to see why Pericles, Prince of Tyre isn’t one of Shakespeare’s best loved plays.  The plot is often as lost at sea as the titular character, who drifts from one melodramatic episode to the next on an unending voyage.  Pericles’ journey begins with villainous incest and the threat of death and, after abandoning this thread, continues on to tragic storms, kidnappings, and brothels.  Taking on this play means a potential mess. Continue reading

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