Jul 23

Hub Theatre’s Shakespeare Crowd-Pleaser: “The Complete Works of William Shakespeare (Abridged)”

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Presented by Hub Theatre Company of Boston
by Adam Long, Daniel Singer and Jess Winfield
Directed by Lauren Elias

July 18 – August 2, 2014
Club Café
209 Columbus Ave
Boston, MA

Review by Gillian Daniels

(Boston) The working hypothesis for The Complete Works of William Shakespeare (Abridged) appears to be this: when at his most serious, the Bard is the most unintentionally hilarious. It’s darkly comic, in a way, that a pair of lovers would die passionately together despite knowing each other for a few days. And there’s something ridiculous about a prince putting off the assassination of the uncle who stole his crown because he doesn’t believe the ghost of his father. In Hub Theatre Company’s take on the parody, Patrick Curran, Adam Lauver (alternating with Will Moore), and Brooks Reeves seek to both compress and skewer Shakespeare’s body of work. Continue reading

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Feb 19

An Improbable Fiction Played Upon The Stage: “12 Nights”

Photo borrowed from Oberon website. No photo credit available on site. Notice from sources will prompt immediate update to give credit where it is due.

Presented by The Hypocrites
Directed and Adapted by Sean Graney
Adapted from the play by William Shakespeare

February 18 – 21, 2014
The Oberon
2 Arrow Street, Cambridge MA
The Hypocrites on Facebook

Welcome back dear readers! I am reporting to you from day two of Dani’s Grand Bardopalooza Adventure: 2K14.  Over three days, I will attend and review three different American Shakespeare remixes.  Tonight’s Oreo filling show: 12 Nights presented by The Hypocrites at Club Oberon.  Stop back later this week to catch the stunning conclusion of this Epic Shakes-Series.

(Cambridge) Watch out, Boston; The Hypocrites are back in town.

After their stunning production of The Pirates of Penzance (first performed at Oberon in June 2012, then again on the A.R.T. main stage this past May), I had high expectations for 12 Nights.  The Hypocrites excel at high-octane performance which engages and illuminates for audiences who might otherwise have given this style of theatre a miss.  As such, I thought that Shakespeare was a perfect fit for this Chicago-based company.  What better way to interest people in the Bard than to introduce them at a Hypocritical party. Continue reading

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Jul 19

Strung Together with Friends and Family: THE SHAKESPEAREAN JAZZ SHOW

Photo Credit: Tripp Clemens

Presented by ArtsEmerson
“Conceiver”, Director – Alex Ates
Composer, Musical Director: Patrick Greeley
Puppeteers – Christina Kuchan, Orrin Whalen
Created by Alex Ates & Patrick Greeley

The Shakespearean Jazz Show is a Boston-born project created by young artists from Emerson College and Berklee College of Music.

July 18 & 19, 2013 at 8pm
Paramount Center Mainstage
Boston, MA
ArtsEmerson Facebook Page
Berklee College of Music Facebook Page
The Nine Worthies band Tumblr

Review by Kitty Drexel

(Boston) There is so much potential for greatness in The Shakespearean Jazz Show that it’s truly tragic that it falls so far from its mark. Patrick Greeley writes some damn fine music; the Nine Worthies are a great band (I’m looking at you Jamila Dunham); the vocalists are quite sincere, the shadow puppets are very clever… But these separate elements do not make art on their own. They must be strung together. The talented members of Jazz Show did not make this happen. Continue reading

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May 07

Bleak Travels Through “Hamlet Asylum”

Presented by The Calliope Project

May 3, 4, 10, and 11th at 8PM
Green Street Studios Theatre
185 Green St
Cambridge MA
The Calliope Project Facebook Page

Review by the lovely Gillian Daniels

**EXPLICIT CONTENT INCLUDING RAPE AND VIOLENCE**

Some contemporary productions of Hamlet play with the ambiguity of the Prince of Denmark’s sanity.  Is he seeking justice or satisfying a personal vendetta with the logic of a “ghost” to back him up, “mad north-north-west” or just vengeful?  In Hamlet Asylum, this ambiguity is dismissed.  Most of the play clearly takes place in the head of Bryan Bernfield’s Hamlet.  A masked Greek chorus (Meghan Kelly, Amiel Bowers, and Samuel Guerin) speak in the voice of his father, his confidant Horatio, the gravediggers, and others, all in the guise of Hamlet’s repressed desires.   It’s a clever idea.  The result, though,
is a production both rich with symbols and dark with melodrama. Continue reading

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