Jun 14

The Emperor’s New Pseudoscience: BLINDERS

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Suck it Trump (via Tumblr)

Presented by Flat Earth Theatre
Written by Patrick Gabridge
Directed by Korinne T. Ritchey

June 10 – 25, 2016
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook
Chris and Alex 11!!!!11 on Tumblr

Review by Kitty Drexel

I’m not going to make this review about Orlando, FL. That would not help Flat Earth or the 50+ victims of terrorist action. I’ve put info about constructively helping at the bottom of this review. Now go actively spread love and dismantle hate when and where you see it.

(Watertown, MA) The “scientific” discovery of two identical snowflakes has sparked a fad for naturally identical things. Shortly after the snowflake discovery, Chris (Matt Arnold) and Alex (Justus Perry), two exactly alike, human carbon copies are found. They are men who share one experience in two bodies. They are not twins. The US goes bonkers for their celebrity. Their rapid popularity makes Bieber Fever tame in comparison. Try as one might, they are impossible to avoid. They run for President in a campaign too popular to fail. Continue reading

Jun 16

Sanitized Motown: DREAMGIRLS

Photo©Paul Lyden

Photo©Paul Lyden

Presented by North Shore Music Theatre
Book & lyrics by Tom Eyen
Composed by Henry Krieger
Directed & choreographed by Nick Kenkel
Music direction by Jesse Vargas

June 2-14, 2015
North Shore Music Theatre
62 Dunham Road
Beverly, MA 01915
NSMT on Facebook

Review by Craig Idlebrook

Sometimes, a musical is cursed with potential. The action on stage may be enough to bring the crowd to its feet, but you can still walk away thinking it should have been something more. Continue reading

Jul 24

Ladies Pondering Lives, Fashion in “Love, Loss, and What I Wore”

Presented by Hub Theatre Company of Boston
by Nora & Delia Ephron
based on the book by Ilene Beckerman
directed by Paula Plum

July 19 – August 3, 2013
The First Church in Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Co of Boston Facebook Page

Review by Gillian Daniels

(Boston) Until recently, I scorned “chick lit” and “chick flicks,” resenting the idea that light, fluffy fare was meant for women alone.  I’ve begun to wonder, however, if the label has been stuck on books and films having to do with women because of how the material is approached or because it’s about women, period.  It’s an insulting, dismissive label and it would be a little too easy to slap it on Love, Loss, and What I Wore. Continue reading

Nov 20

“Betrayal”: Soured Love Affair in Reverse

Photo credit: T. Charles Erickson

by Harold Pinter
Directed by Maria Aitken

presented by Huntington Theatre Company Website
Huntington Theatre Company Facebook Page
Avenue of the Arts / BU Theatre, 264 Huntington Avenue, Boston
Nov 14 – Dec. 9, 2012

Review by Gillian Daniels

(Boston)With a plot that flows backward, a story about a long-ended affair becomes the story of how two people fell in love. Each layer of their relationship is stripped away, taking a couple who don’t seem to fit together in the least in 1977, chilly Emma (Gretchen Egolf) and the befuddled Jerry (Alan Cox), and re-framing them to reveal who they really are and what they used to be.
Continue reading

Aug 25

What If? Racial Diversity in “Romeo and Juliet”

My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.

Romeo and Juliet Act 2 Scene II

Photo Credit: Happy Medium Theatre

Director: Paula Plum
Dance Choreographer: Kiki Samko
Fight Choreographer: Angie Jepson

Happy Medium Theatre Company
Happy Medium Theatre Co. Facebook Page

Exposé by Kitty Drexel

(Boston) Happy Medium Theatre (HMT) took a risk: it cast a black Romeo against a white Juliet (who had excellent chemistry by the by). Bravo HMT for having the chutzpah for casting biracially! Bravo for making your audience ask “what if?” What if Romeo had been a Moore like Othello? What if Juliet had fallen in love with her Romeo and the resulting drama was a result over their family names and not the color of their skin? What if their love was measured against all other loves and found to be equal? What if HMT’s version of Romeo and Juliet was the version that had been performed for centuries rather than the typical all White cast? Topical questions for 2012: What if, indeed.

In a time when the Supreme Court system cannot make up its mind as to whether marriage is a religious or a civil rights issue, HMT’s production forces us to take a look at the history of love. Just 15 years ago one wouldn’t see a biracial couple on daytime TV much less a reproduction of Shakespeare. It is time for all love to be measured by its inherent worth on the streets. It is also time for the shock to be amputated from love that exists outside the norm on the stage. If it has been acceptable for a 13-year-old girl to marry a 17-year-old boy for hundreds of years then it is certainly time for that couple to reflect its audience members.

As artists, we have an obligation to entertain and educate our audience, an obligation to leave our audience in better condition after the show than before it starts. It is our privilege as enthusiasts to create theater with our community. Thank you Happy Medium Theater Company for taking the opportunity to be poignant and to pose difficult questions. Thank you for being brave. Bravi tutti!

Performances ran August 10-25, 2012 at the Plaza Theatre at the Boston Center for the Arts,
537 Tremont Street, Boston, MA 02116

Jun 12

Ken Davenport’s Notice: Don’t Miss The Beautiful City of GODSPELL

photo by Jeremy Daniel from Playbill

Godspell, music and lyrics by Stephen Schwartz, book by John-Michael Tebelak, Circle In The Square Theatre (Broadway), 10/13/11-6/24/12, http://www.godspell.com/. DON’T MISS THIS BRILLIANT & EXCITING SHOW!! (Directed by Huntington’s God of Carnage director, Daniel Goldstein)

(source: http://www.godspellblog.com/the-godspell-update-we-built-a-beautiful-city)
Ken Davenport, the lead producer of Godspell, wrote this note on his blog:

“I just left the Circle in the Square Theatre moments ago, where with a very heavy heart I told the cast and crew that Godspell will play its final performance on Sunday, June 24th. While we certainly had hoped our show would run for years and years, we’re all very proud of the beautiful city we built.

Over the last nine months, our sensational cast has spread the joy of Godspell to over 153,000 people (and blasted them with over 1,000 pounds of confetti). And while this production of Godspell may not be at Circle in the Square past the 24th of June, it will be in our hearts and the hearts of everyone who saw it forever.

Continue reading

Feb 08

PROFILES IN CABARET: Tim Maurice

You and I, The Cabaret SeriesCentral Square Theatre, 2/13/12http://www.facebook.com/events/165355680235635/.

by Becca Kidwell

To close out our look into the artists of The Cabaret Series, the pianist/composer for the shows shares some shares some of his interests and passions.

Tickets are on sale for $20 now at:  https://web.ovationtix.com/trs/pe/9541965 

Name:  Tim Maurice Continue reading

Jan 24

Life is a cabaret, old chum

You and I, The Cabaret Series, Central Square Theatre, 2/13/12,

http://www.facebook.com/events/165355680235635/.

Interview by Becca Kidwell

(Cambridge, MA) On December 12, 2011, while many people were decking the halls and looking for luminescent reindeer, a group of people gathered for a warm evening of song with friends and family.  Much laughter and a few tears were shared as the five singers, the pianist, cellist, and drummer poured their hearts into an entertaining set of songs.  The December audience will have a new evening of heart-filled melodies on February 13th.  For those who did not make the December show, they will get to see what everyone was talking about as The Cabaret Series takes on love in all of its forms.

De’Lon Grant answered some questions about the inception of The Cabaret Series and the group’s approach to the shows: Continue reading

Oct 12

Twelfth Night: Foolish Games of Greatness

James Andreassi (Sir Toby), Steven Barkhimer (Feste) & Doug Lockwood (Sir Andrew). Photo by Stratton McCrady

 

Twelfth Night by William Shakespeare, Actors’ Shakespeare Project, Plaza Theatre at the Boston Center for the Arts, 9/27/11-10/22/11,  http://www.actorsshakespeareproject.org/season8/twelfth_night.html.

Reviewed by Becca Kidwell

(Boston, MA) With the help of the magical playground designed by Christina Todesco, Actors’ Shakespeare Project creates an entertaining evening of romance and folly.  The production touches the joy and pain of being.  And a fool shall lead them all…

Upon entering the theatre, the audience immediately encounters an abstract tempest upon a spacious performance area.  Something that seems to be a trademark of Christine Todesco’s designs, there is a ramp that ends up being used as a slide.  In addition, the columns on stage provide reflective surfaces for the characters to get lost in their own self-interest as imagined by the director, Melia Bensussen. Continue reading

Sep 25

‘I Love’ traveling through the stages of love

Rehearsal photo by Jeff Blim

I Love You, You’re Perfect, Now Change, book and lyrics by Joe DiPietro, music by Jimmy Roberts, Ciitizen’s Bank Performing Arts Series, The Palace Theatre, 9/23/11-10/8/11, http://www.palacetheatre.org/event-calendar.aspx?event=438&dt=9/23/2011&category=ALL.

Reviewed by Leah White

(Manchester, NH) The opening show of the 2011-2012 Season at New Hampshire’s Palace Theatre is I Love You, You’re Perfect, Now Change.  It has four actors, several singles and marrieds, and many, many chairs.

The first act of this enormously funny show focuses on the dating scene.  With Jeff Blim, Kiley L. McDonald, Shane Patrick O’Neill, and Kelsey White onstage, and the audience rolling in the aisles, the preview performance was sensational.  Even the minor staging gaffes contributed to a wonderful evening of theatre. Continue reading