(Watertown) Some projects require a special touch. There are, for instance, people who implicitly understand Musicals. The musical form requires things that other theatre does not: an eye for choreography, an ear for music, an interest in balancing ham and legitimate acting…
Directing Shakespeare is a very specific task that requires a very specific skillset: an ear for rhetoric, an understanding of verse, a knowledge of history, an eye for embedded stage directions… F.U.D.G.E.’s Joey DeMita has none of these skills. Continue reading →
(Boston) Until recently, I scorned “chick lit” and “chick flicks,” resenting the idea that light, fluffy fare was meant for women alone. I’ve begun to wonder, however, if the label has been stuck on books and films having to do with women because of how the material is approached or because it’s about women, period. It’s an insulting, dismissive label and it would be a little too easy to slap it on Love, Loss, and What I Wore. Continue reading →
(Boston) Sometimes, the most frustrating performance to watch is one where you can see the potential. F.U.D.G.E Theatre Company’s production of As Bees in Honey Drown has all the ingredients for a devastating critique on our fame-hungry society, but the individual parts of the show do not add up to a good production, and the audience is left to ponder what could have been. Continue reading →
(Salem, MA) With nowhere to go, two characters bounce off each other, alternating between affection and violence. Their relationship follows a familiar trajectory. The World War II bunker where both are trapped is a well-mined setting, too. Still, it’s satisfying to watch Pablo Picasso (Stephen Cooper) and his German interrogator, Ms. Fischer (Linda Goetz), scrape each other raw in The Salem Theatre Company’s production of A Picasso.