(Cambridge, MA) Dragon Lady is the courageous story of how potty-mouthed, gangsta grandma Maria Porkalob traveled from the Philippines to the US as told by her granddaughter Sara Porkalob. This one woman show/dramatic cabaret is intensely passionate. The events of Maria’s stories might not be exactly true. What is true is the emotional veracity with which it is told.
Wahle as Zach with Ensemble. Photo by Herb Philpott.
Presented by Reagle Music Theatre of Greater Boston Conceived and Originally Directed and Choreographed by Michael Bennett Book by James Kirkwood and Nicholas Dante Music by Marvin Hamlisch
Lyrics by Edward Kleban
Originally Co-Choreographed by Bob Avian
Direction; Recreation of the Original Choreography by Leslie Woodies
Music direction by Dan Rodriguez
Assistant Director/Assistant Choreographer – Lauren Gemelli
(Waltham, Massachusetts)I had never seen A Chorus Line so, for readers who are unfamiliar with this 1975 Broadway musical about life in show biz, please let me provide a brief summary. On a bare stage, a group of dancers bring their headshots and personal histories to an audition where they share their birth names, stage names, birthdays, and ages, as well as their most formative life experiences. There was a tough boy from the Bronx, another guy from a big Italian family, a saucy woman who flirted with the director, and fifteen more performers – all with large and extremely memorable personalities.Continue reading →
(Boston, Massachusetts)I assume that unlike many in the audience at the Wimberly Theatre, I went to the Calderwood Pavilion knowing nothing substantial about Cabaret and naïvely expecting lots of eye-high rockette dance moves. Seated with friends before the show, I opened up a program and encountered a quote by Christopher Isherwood, the British-American novelist who holds a principal place within my private imaginative world. This quotation was from Isherwood’s Goodbye to Berlin, upon which Cabaret is based, and it goes “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Someday, all this will have to be developed, carefully printed, fixed.” Continue reading →
Cœur de Pirate (French for pirate heart) is the stage name for award-winning French-Canadian singer/songwriter and pianist Béatrice Martin. Her whimsical, magical pop songs blend cabaret music, French lyrics, and playful indie sensibilities. After releasing two albums to international acclaim, Cœur de Pirate returns in 2015 with a new album that finds her boldly expanding her horizons and modernizing her approach, cradling her beloved piano within a swirling ensemble of synthesizers, carefully crafted string arrangements, and layers of dynamic drum sounds. Opening act to be determined.
Onboard with Mina Murray, Scratch, Brigitte Bisoux, Stella Diamond; Photo credit: Queen Kitty.
Presented by the Boston Babydolls
Hosted by Mr. Scratch
Starring: Brigitte Bisoux, Mina Murray, Stella Diamond
Running now – Sept. 30, 2015 Rowe’s Wharf
Boston Babydolls on Facebook
Must be 21+
Review by Kitty Drexel
Trigger Warnings: sexy, adult nudity
(Boston Harbor, MA) A sunset cruise around the harbor is terribly romantic. It’s even better when you add burlesque. Harburlesque is a Boston boobcruise hosted by the Boston Babydolls. To specify, it’s a booze-cruise with the added benefit of boobs. Wonderful, perky, twirling lady-breasts. It is 21+ for obvious reasons (tits and ass). It’s a lovely, sexy time. Continue reading →
One Night Only: February 19, 2015 The Oberon
2 Arrow Street, Cambridge MA
Liars and Believers on Facebook
Boston Circus Guild on Facebook
Review by Danielle Rosvally
(Cambridge, MA) Liars and Believers are well-versed in the art of collage. Bringing together dance, clowning techniques, poetry, music, mask-work, circus performance, and whatever you could call the live-improv style randomness that happens at Club Oberon, they have presented a beautiful ode to the pain of anonymity brought about by the modern technological era in their piece Talk to Strangers. Transient and fleeting, I could no more pin this piece down with words than replicate it. Continue reading →
NEW YORK, NY – Broadway, Off-Broadway, and up-and-coming NY talent raise their voices for reproductive rights at the Don’t Speak Cabaret Benefit at the Metropolitan Room on Sunday, October 26 at 9:30pm.
Jessica Phillips (Leap of Faith, Law & Order, SVU), Sarah Drake (New England premieres Next to Normal and Carrie), Sean Harkness (Windham Hill Records [Sony/RCA/BMG]) , Samantha Owen (Forbidden Broadway), Erick Pinnick (A Christmas Carol, The Tin Pan Alley Rag), T. Oliver Reid (After Midnight, Mary Poppins) donate their talent and time to raise awareness and celebrate women’s strength and freedom. Rebecca Elliott, Morgan Frazer, Becca Kidwell, Anna Kirkland, Molly Maynard, Clare Mione, and Parker Scott also lend their voices for the cause.
(Somerville) Lo’Jo is the sort of low-key, warmly contemporary act that suits Johnny D’s perfectly. It’s jazzy, it has a an adult pop vibe, and it fits right in with the swinging glamour of the Davis Square bar. World Music CRASHarts has again brought to Boston a band that blends old world, European charm and a thoroughly contemporary, “citizens of the world” groove. Continue reading →
ATTENTION BOSTON PERFORMERS:: Riverside Theatre Works is currently seeking actors/singers/dancers for their Spring production of “Cabaret.” RTW on Facebook.
“Cabaret” will be directed by Kevin Mark Kline, choreographed by Matt Romero and will include musical direction by Danielle Clougher. This fully immersive and engaging new “take” on the classic musical begins rehearsals in mid-February 2014 and performs May 9-18, 2014 at Riverside Theatre Works in Hyde Park, MA.
Auditions will be held on Saturday November 30 at 7:30pm and Thursday December 5 at 8:30pm.
Those interested in auditioning should email Director Kevin Mark Kline at email@example.com to set up their audition appointment.
Singers should prepare two 16-32 bar selections from the musical theatre repertoire.
There will be a dance call for Emcee and Kit Kat Klub Boy-types. Please bring appropriate clothing. An accompanist will be provided. You may be asked to read sides from the musical.
(center) Angie Schworer as Roxie and Rick Pessagno as Billy Flynn give the press the scoop in CHICAGO at Reagle Music Theatre of Greater Boston June 13-23, 617 Lexington Street, Waltham. (Photo: Herb Philpott)
(Waltham) Personally, I’ve had a hard time with plays that take on the rollicking 20’s. It’s rare to come across a script that strikes the right balance between the era’s bubbly exuberance and its tragically-wasted potential. Anything Goes was written too close to the source material to really make sense anymore. Guys and Dolls is more coherent, but still stubbornly devoid of subtext. And Cabaret (1931 is close enough) is built to pull audiences slowly from a dream to a nightmare, but too often productions can’t pull off the joy and the dread at the same time. Maybe I’m just allergic to flappers. Continue reading →