Apr 03

More Life for All, More Death for Some: “Golda’s Balcony”

Photo by Andrew Brilliant / Brilliant Pictures: Bobbie Steinbach.

Presented by New Rep Theatre
By William Gibson
Directed by Judy Braha

March 25-April 16, 2017
Mainstage Theatre at the Mosesian Arts Center for the Arts
321 Arsenal Street
Watertown, MA
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Review by Polly Goss

(Watertown, MA) Golda’s Balcony tells the story of Israel’s creation through the eyes of one of its most influential authors, Golda Meir – the state’s first and only female Prime Minister. The play follows Golda from her idealistic youth standing on soapboxes in Milwaukee preaching Zionism, up until one fateful night in the Yom Kippur War in 1973. Continue reading

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Jun 15

Effervescent Emptiness: CHICAGO

(center) Angie Schworer as Roxie and Rick Pessagno as Billy Flynn give the press the scoop in CHICAGO at Reagle Music Theatre of Greater Boston June 13-23, 617 Lexington Street, Waltham. (Photo: Herb Philpott)

presented by Reagle Music Theatre

book by Fred Ebb and Bob Fosse
music by John Kander and lyrics by Fred Ebb
Directed and choreographed by Gerry McIntyre

Robinson Theater
617 Lexington St
Waltham, MA
June 13th – 23rd, 2013
Reagle Music Theatre Facebook Page

Review by Craig Idlebrook

(Waltham) Personally, I’ve had a hard time with plays that take on the rollicking 20’s. It’s rare to come across a script that strikes the right balance between the era’s bubbly exuberance and its tragically-wasted potential. Anything Goes was written too close to the source material to really make sense anymore. Guys and Dolls is more coherent, but still stubbornly devoid of subtext. And Cabaret (1931 is close enough) is built to pull audiences slowly from a dream to a nightmare, but too often productions can’t pull off the joy and the dread at the same time. Maybe I’m just allergic to flappers. Continue reading

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