Apr 20

It’s a Great Cake. A Bride-Cake. Mine: “Old New Borrowed Blue”

Celeste Godin as Havisham; photo by Nile Scott Shots.

Presented by MetroWest Opera
Conducted by Brendon Shapiro
Stage directed by Cassandra Lovering

Miss Havisham’s Wedding Night
Libretto by Jon Olon-Scrymgeour
Music by Dominick Argento

The Beautiful Bridegroom
Music and libretto by Dan Shore

April 19 – 21, 2018
Plaza Theatre
Boston Center for the Arts
Boston, MA
MetroWest on Facebook

Review by Kitty Drexel

(Boston, MA) Many an opera is devoted to women’s pre and post connubial anxieties. With all of the riches for women, one must ask where are the men?  In Miss Havisham’s Wedding Night Dickens’ spinster is an anti-heroine reliving a decades old tragedy. In The Beautiful Bridegroom, a Lady, her daughters and maid all wish for wedded bliss. If weddings are such fun, there should be operas from the giddy perspective of tenors in tuxes and basses in vestments. A person is supposed to like the person they marry. For all its progress, opera has further to go.   

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May 23

“A Midsummer Night’s Dream” in Midspring

The “Mechanicals” in the play within a play: Mac Young, Elle Borders, Monica Giordano, Jake Athyal and a prone Steven Barkhimer. Photo by Nile Scott Shots.

Presented by Actor’s Shakespeare Project
By William Shakespeare
Directed by Patrick Swanson

May 10-June 4, 2017
Multicultural Arts Center
41 Second Street
Cambridge, MA 02141
Actors’ Shakespeare Project on Facebook and Instagram

Review by Travis Manni

(Cambridge, MA) Any fan of Shakespeare’s work knows how malleable his plays are. You could see the same show for years and years and still experience something different each time. In Actors’ Shakespeare Project’s most recent production of A Midsummer Night’s Dream, this trend continues. Continue reading

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Dec 06

“The Tempest”: Heaven Hath no Mercy Like a Sorceress Scorned

Kai Tshikosi (Ferdinand), Marya Lowry (Prospero), Lydia Barnett-Mulligan (Miranda), and Samantha Richert (Ariel)

Kai Tshikosi (Ferdinand), Marya Lowry (Prospero), Lydia Barnett-Mulligan (Miranda), and Samantha Richert (Ariel); photo credit to Nile Scott Shots.

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by Allyn Burrows

December 1, 2016-January 8, 2017
Willet Hall at United Parish
210 Harvard Avenue
Brookline, MA 02446
Actors’ Shakespeare Project on Facebook

Review by Travis Manni

(Brookline, MA) One of the most exciting things about seeing any production of a Shakespeare show is how vast the possibilities are for interpretation. The fact that I was completely new to the world of The Tempest, which serves as Artistic Director Allyn Burrows’ final show with Actors’ Shakespeare Project, made seeing a production of it that much more thrilling. Continue reading

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Dec 05

Begin the Pegeen: MAME

The cast of Mame (2016). Photo Credit: Nile Hawver/Nile Scott Shots.

The cast of Mame (2016). St. George center stage, looking exquisite in red. Photo Credit: Nile Hawver/Nile Scott Shots.

Presented by the Stoneham Theatre
Book by Jerome Lawrence & Robert E. Lee
Music & lyrics by Jerry Herman
Based on the novel by Patrick Dennis, and the play Auntie Mame by Lawrence and Lee
Directed and choreographed by Ilyse Robbins
Music direction by Matthew Stern

Nov. 25 – Dec. 23, 2016
Stoneham Theatre
395 Main Street, Stoneham, MA
ST on Facebook

Review by Kitty Drexel

“Put the blame on Mame, boys
Put the blame on Mame
Mame gave a chump such an ice-cold “No”
For seven days they shovelled snow
So you can put the blame on Mame, boys
Put the blame on Mame”

Put the Blame on Mame,” from the film “Gilda” (1946), by Allan Roberts & Doris Fisher

(Stoneham, MA) Stoneham Theatre’s production of Mame dazzles. It’s a classic show with all the trimmings. Themes of classism and resulting conflicts will be only slightly offensive to gossipy, snooty attendees. It’s a nearly perfect Christmas/Chanukah/Kwanzaa/etc. treat that anyone from any doctrine can enjoy. Continue reading

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Oct 27

Beautiful and Painful: “The Scottsboro Boys”

Nile Hawver / Nile Scott Shots; The ensemble getting down.

Nile Hawver / Nile Scott Shots; The ensemble getting down.

Presented by SpeakEasy Stage Company
Music and Lyrics by John Kander and Fred Ebb
Book by David Thompson
Original Direction and Choreography by Susan Stroman
Directed by Paul Daigneault
Musical Direction by Matthew Stern
Choreography by Ilyse Robbins

October 21 – November 26
Calderwood Pavilion, Boston Center for the Arts
527 Tremont Street
Speakeasy on Facebook

Review by Danielle Rosvally

(Boston, MA) It’s difficult to know what to say about The Scottsboro Boys.  The piece is uncomfortable to watch not because of its incredible talent or flawless direction and design, but rather because it’s meant to be uncomfortable to watch.  The show is a remixed account of the historical case of The Scottsboro Boys, nine young black men who in 1931 were accused of raping two white women on a train, told through the lens of American Minstrelsy.  Performed with gusto and amazing energy, SpeakEasy’s production is a triumph that should be mandatory viewing for any American (particularly in an election year as fraught with the urge to “just give up” as this one has been). Continue reading

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