Apr 20

It’s a Great Cake. A Bride-Cake. Mine: “Old New Borrowed Blue”

Celeste Godin as Havisham; photo by Nile Scott Shots.

Presented by MetroWest Opera
Conducted by Brendon Shapiro
Stage directed by Cassandra Lovering

Miss Havisham’s Wedding Night
Libretto by Jon Olon-Scrymgeour
Music by Dominick Argento

The Beautiful Bridegroom
Music and libretto by Dan Shore

April 19 – 21, 2018
Plaza Theatre
Boston Center for the Arts
Boston, MA
MetroWest on Facebook

Review by Kitty Drexel

(Boston, MA) Many an opera is devoted to women’s pre and post connubial anxieties. With all of the riches for women, one must ask where are the men?  In Miss Havisham’s Wedding Night Dickens’ spinster is an anti-heroine reliving a decades old tragedy. In The Beautiful Bridegroom, a Lady, her daughters and maid all wish for wedded bliss. If weddings are such fun, there should be operas from the giddy perspective of tenors in tuxes and basses in vestments. A person is supposed to like the person they marry. For all its progress, opera has further to go.   

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Jan 11

“Mirror” Immerses Audience in Both Moving Show and Modern Complexities of Womanhood

Presented by Boston Opera Collaborative
Frauenliebe und –leben
Music by Robert Schumann
Text by Adelbert von Chamisso

From the Diary of Virginia Woolf
Music by Dominick Argento
Text from the diaries of Virginia Woolf
Directed by Greg Smucker & Patricia-Maria Weinmann

January 6-8, 2017
Longy School of Music of Bard College
Cambridge, MA
Boston Collaborative Opera on Facebook

Review by Gillian Daniels

(Cambridge, MA) Two portraits of women, written over a century apart. The first is an idealized character looking to not only marry, but be subsumed by her husband’s identity in a happy, storybook life. In German, she sings of having no desire beyond being this man’s wife. She is the heroine of Robert Schumann’s Frauenliebe und -leben (A Woman’s Love and Life) from 1830, itself based on a series of poems by Adelbert von Chamisso. Two men filter the story of a fictional woman, a touching if pastel view of a girl coming of age. Carley DeFranco breathes life into this creature (also played by Susannah Thornton, Rhaea D’Aliesio, and Julia Cavallaro, depending on one’s tour of the Zabriskie House mansion where the show is staged) with a Disney-esque sweetness. Continue reading

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Jan 03

Exploring BOC’s “Mirror: An Immersive Song Cycle Experience”

Presented by Boston Opera Collaborative
Music directed by Jean Anderson Collier, Patricia Au, Brendon Shapiro, Chelsea Whitaker
Stage directed by Patricia Weinmann, Greg Smucker

January 6-8, 2017
Edward M. Pickman Concert Hall (directions at bottom of page)
Longy School of Music of Bard College
27 Garden St, Cambridge, MA 02138
BOC on Facebook
Twitter: @BostonOperaCollaborative

Preview by Gillian Daniels

(Cambridge, MA) I love immersive theater when done well. I thought I’d take a moment to explore MIRROR, a one-weekend song cycle show based on Robert Schumann’s Frauenliebe und -leben and Dominick Argento’s From the Diary of Virginia Woolf. Continue reading

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