May 23

We Will Be Free When We Are All Free: “We Live in Cairo”

The cast of “We Live in Cairo.” Photo: Evgenia Eliseeva

Presented by the A.R.T.
Book, music, lyrics by Daniel Lazour and Patrick Lazour
Directed by Taibi Magar
Choreography by Samar Haddad King
Music directed by Madeline Smith

May 14 – June 23, 2019
Loeb Drama Center
Cambridge, MA
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Critique by Kitty Drexel

(Cambridge, MA) There are a few things that must be established for a white audience to fully digest the A.R.T.’s production of We Live in Cairo.

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Apr 19

Bedroom Games and War Crimes in Terrifying “Threesome”


Presented by Apollinaire Theatre Company
by Yussef El Guindi
Directed by Danielle Fauteux Jacques

April 8-May 7, 2016
Chelsea Theatre Works
189 Winnisimmet St., Chelsea.
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Review by Gillian Daniels

(Chelsea, MA) Leila (Alison Meirowitz McCarthy) and Rashid (Mauro Canepa) are introduced to the audience in their pajamas as self-styled intellectuals, struggling to be distant from their emotions. They’re Egyptian-Americans who open the play conversing like an editorial on gender politics, feminism, and cultural differences. Then comes in Doug (Geoff Van Wyck), the photographer they have invited into their bedroom for a sexual adventure. He’s blunt, cheerful, and thoroughly naked. He is the chaotic element that opens them up to the insecurities that run deep through their relationship. His attitudes don’t represent some enlightened, Western view as a cure-all to their squeamishness, however. No, Doug has his own insecurities he’s bringing in, too. What begins as an adult comic drama ends as a dark exploration of the political and personal. Continue reading

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Dec 04

Sharing the Joyful Word: BLACK NATIVITY

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Banner image borrowed from https://paramountboston.org/

Langston Hughes’ Black Nativity Dec. 2, 2015
Presented by Emerson College and National Center of Afro-American Artists
Book by Langston Hughes
Music & Lyrics chosen by Langston Hughes
Based on text from the Gospel of St. Luke
Executive Producer and Director: Voncille Ross
Assistant to the Director for Music: Stephen Hunter, Sr.
Choral Director for Children: Marilyn Andry
Choral Director for Adults: Milton L. Wright
Ballet Mistress: Desiree Springer

Dec. 4 – 20, 2015
ASL interpreted performances: Dec. 4, 6, 12, 13, 19, & 20, 2015
The Paramount Theater
Boston, MA
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Review by Kitty Drexel

Performances are open to the public beginning on Friday, Dec. 4. I was invited to a dress rehearsal. This review will be based on the wonderful performance the NCAAA so graciously allowed me to attend on Dec. 2, 2015.

(Boston, MA) Jesus was a Jewish man from Israel. Israel shares a border with Egypt which is in Africa. His birthplace, Bethlehem, is approximately six miles from Jerusalem. It takes about five hours to get to Be’er Sheva from Bethlehem if you catch the right bus (thank you Googlemaps). From there, you could get within the borders of Africa if you really wanted to but the journey would be pointlessly rough. I mention this to prove a point: given the physical location of Nazareth, Bethlehem and Jerusalem on a map, it is highly unlikely that Jesus was the blonde haired, blue eyed, white man that Christians enjoy depicting today. You’d have to travel on foot through Lebanon, then Syria and finally Turkey, or voyage across the Mediterranean Sea to Greece or Italy before hitting any majority of white people… And that’s in 7-2 BCE. Good luck finding an agent willing to sell you travel insurance. Continue reading

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Oct 20

Egypt Unfinished: AIDA

Photo credit courtesy Fiddlehead Theatre Company/Matt McKee Photo

Presented by Fiddlehead Theatre Company
Presented at the Historic Strand Theatre
Music by Elton John
Lyrics by Tim Rice
Book by Linda Woolverton, Robert Falls and David Henry Hwang
Directed by James Tallach and Meg Fofonoff
Music directed by Balint Varga
Choreography by Kira Cowan

October 17 – 26th, 2014
The Strand Theater
543 Columbia Rd
Dorchester, MA 02125
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Fiddlehead Theater Company, in collaboration with Aids Action Committee, is proud to present AIDA. 5% of every ticket sold will go to Aids Action Committee.

Review by Danielle Rosvally

Dear Sir Elton John,

I have loved Aida since you first wrote it in 2000 and it took Broadway by storm. It has made me wish many things about myself: that I had the range to successfully best to belt out the craziness that is “My Strongest Suit” somewhere other than my shower so that I could be a part of your glittering romantic someday; that I was an Egyptian Princess so that I could have a wardrobe extensive enough to be sung about this way (….but only in the strictest cartoon sense of the term since being a real Egyptian Princess is a bit more complicated than romantic intrigue and Lady Gaga like clothing choices); or, failing all else, that I could at least appreciate a production which transported me to these places in my head with all the glimmering splendor which belongs to it. Continue reading

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Aug 01

Earnestness, Perfected: Joseph and the Amazing Technicolor Dreamcoat

Photo Credit: F.U.D.G.E. Theatre Company

Joseph and the Amazing Technicolor Dreamcoat, music by Andrew Lloyd Webber, book and lyrics by Tim Rice,

F.U.D.G.E Theatre Company,
Black Box Theatre at the Arsenal Center for the Arts
7/27/12 – 8/4/12,

http://www.facebook.com/pages/The-FUDGE-Theatre-Company-Inc/77922709870

Review by Craig Idlebrook

(Watertown, MA) I grew up believing Andrew Lloyd Webber and Tim Rice represented the theatrical establishment to overthrow. They wrote the stuff that mediocre crooners sang on cheesy records sold to bored housewives. They cursedly created the material for the medley that my 7th grade choir was forced to sing, filled with needless trills and fills. Continue reading

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