May 23

We Will Be Free When We Are All Free: “We Live in Cairo”

The cast of “We Live in Cairo.” Photo: Evgenia Eliseeva

Presented by the A.R.T.
Book, music, lyrics by Daniel Lazour and Patrick Lazour
Directed by Taibi Magar
Choreography by Samar Haddad King
Music directed by Madeline Smith

May 14 – June 23, 2019
Loeb Drama Center
Cambridge, MA
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Critique by Kitty Drexel

(Cambridge, MA) There are a few things that must be established for a white audience to fully digest the A.R.T.’s production of We Live in Cairo.

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Mar 26

“The Bakelite Masterpiece”: The voice that asks not “should I,’ but ‘can I?’

Benjamin Evett (left) and Laura Latreille (right). Photo by Andrew Brilliant/Brilliant Pictures.

Produced by New Rep Theatre
Written by Kate Cayley
Directed by Jim Petosa

March 17 – April 8, 2018
Mosesian Arts Center
Watertown, MA
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Review by Polly Goss

(Watertown, MA) Set in 1946 among the rumble of post-war Holland, The Bakelite Masterpiece immerses you in the days leading up to the trial of forger Han Van Meergeren. Awaiting trial for charges of conspiracy with the Nazis, Van Meergeren protests his innocence to the formidable Resistance Officer Geert Piller. Based on true events, this captivating moral drama gives voice to a nation struggling to rebuild itself as it emerges from the clutches of fascism. Continue reading

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Nov 20

Of a Family’s Home: “The Magic Fire”

Two generations; one woman. Gretta Beaty and Alice Hunter as Lise. Photo by Johanna Bobrow.

Presented by Theatre@First
Written by Lillian Garrett-Groag
Directed by Elizabeth Hunter

November 10 through 18, 2017
Unity Somerville, 6 William Street
Somerville, Massachusetts  02144
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Reviewed by Bishop C. Knight

It is important to note that Queen Geek, Kitty Drexel performed in this production. As per the New England Theatre Geek reviewing policy, Knight’s review is tailored to avoid nepotism.

(Davis Square, West Somerville, Massachusetts) In her Note from the Director, Elizabeth Hunter wrote that she “invited you into this room because [she wanted] you to feel like part of the family,” and Hunter succeeded in creating that audience experience. Continue reading

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