Jun 14

Like A Bird Made of Light: “Yerma”

Nadine Malouf (Yerma). Photo Credit: T Charles Ericksonn© 

Presented by the Huntington Theatre Company
Adapted and translated by Melinda Lopez
Based on the play by Ferderico Garcia Lorca
Directed by Melia Bensussen
Original music by Mark Bennett
Choreography by Misha Shields
Fight direction and intimacy direction by Claire Warden & Ted Hewlett

May 31 – June 30, 2019
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

Trigger warnings: sexual acts, hallucinations & mental illness

(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child. Continue reading

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Feb 14

Raise A Glass to Broadway, 2 Critiques: “Spamilton”

Presented by Huntington Theatre Company
Created, written and directed by Gerard Alessandrini
Musical direction by Curtis Reynolds
Choreography by Gerry McIntyre 

Feb. 12 – April 7, 2019
South End
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Trigger warning: potentially offensive racial humor, disrepecting Sondheim

Critique by Kitty Drexel

(Boston, MA) Holy crap, go see Spamilton. Seriously, I mean it this time: go see Spamilton. Parody musicals aren’t for everyone but almost everyone loved Hamilton and Spamilton takes all of the great parts of Hamilton and makes them funny on purpose. Spamilton is a good laugh – even for the people who hate Hamilton.

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Jan 19

More Drama than a Bender in Manch-Vegas: “Lost Girls”

Presented by Take Your Pick Productions (and the Bob Jolly Charitable Trust)
By John Pollono
Directed by Melanie Garber-Letitia

Jan. 12 – 21, 2018
Calderwood Pavilion at the Boston Center for the Arts (Deane Hall)
Boston, MA
TYPP’s Lost Girls on Facebook

Review by Kitty Drexel

(Boston, MA) Lost Girls brought back memories I’d nearly forgotten about growing up in northern New Hampshire. I went to school with kids whose parents worked the register at the one Dunkin’s as their main source of income. My uncle is a Tea Party politician (we don’t talk to him). New Hampshire is deeply conservative place whose inhabitants honor their motto, “live free or die.” Alas, “living free” is usually expressed by making rash, uninformed choices in the name of freedom. Watching this play was a painful albeit nostalgic reminder of home. Continue reading

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Apr 10

The Who & The What: Lifting the curtain on the gender-politics at the heart of a Pakistani-American family drama


Presented by Huntington Theatre Company
By Ayad Akhtar
Directed by M. Bevin O’Gara

March 31 – May 7 2017
South End Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA
Huntington on Facebook

Review by Polly Goss

(Boston, MA) The Who & The What is a heartfelt and moving portrayal of the inter-generational and cultural conflicts nestling within the heart of a Pakistani American family. The Who & The What is more than just a Muslim variation of the domestic tragicomedy, which has historically dominated depictions of the immigrant family on stage and screen. Pulitzer Prize winning author Ayad Akhtar asks some pervading questions about Islam, religious doctrine and gender politics that resonate with audiences of all different races and creeds. The play is a delight to watch, but Akhtar’s light hearted writing leaves the audiences asking some serious questions about the nature of family and faith. Continue reading

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Jan 09

Son of a Biscuit: HAND TO GOD

It starts so innocently. It always does. Eliot Purcell and Josephine Elwood; Photo by Glenn Perry Photography

Presented by SpeakEasy Stage Company
Written by Robert Askins
Directed by David R. Gammons
Puppetry direction by Roxanna Myhrum
Fight direction by Ted Hewlett

Jan. 6 – Feb. 4, 2017
Calderwood Pavilion at the BCA
527 Tremont St
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

Trigger warning: Devil references, supernatural activity, gore, violence, implied sex with a minor, graphic puppetry

(Boston, MA) Horror gets nastier when it employs kid’s toys. Personally speaking, dolls are the worst, but cinematic history has proved that puppets can be just as creepy. They can be really, super, frickin’ creepy. SpeakEasy’s Hand to God has a puppet. Like the previously referenced horror movies, it gets creepy and weird. Like, Evil Dead chainsaw hand meets Avenue Q levels of weird. It’s awesome.   Continue reading

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Nov 30

Too Many Words: AMADEUS

Moonbox Productions - AMADEUS (L-R) Matthew Zahnzinger - "Antonio Salieri", Cody Sloan - "Amadeus Mozart" Photographer: Earl Christie

Moonbox Productions – AMADEUS, (L-R) Matthew Zahnzinger – “Antonio Salieri”, Cody Sloan – “Amadeus Mozart”
Photographer: Earl Christie

Presented by Moonbox Productions
By Peter Shaffer
Directed/choreographed by Allison Olivia Choat
Music direction by Dan Rodriguez
Period music consultation by Thomas Carroll

Nov. 25 – Dec. 17, 2016
Plaza Theatre
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast.   Continue reading

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Jul 18

Facing the Face: “Yellow Face”

Presented by the Office of War Information (Bureau of Theatre)
­­­­By David Henry Hwang
Directed by Cliff Odle

July 14 – 31st
Boston Center for the Arts
539 Tremont Street, Boston
Office of War Information on Facebook

Review by Danielle Rosvally

(Boston, MA) The Office of War Information surely makes a splash with their maiden production in the BCA, Yellow Face.  This unreliable memoir explores the implications of race (specifically Asian-Americanness) in the late twentieth century; expertly smudging the lines between reality and fiction.  Continue reading

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Jun 07

More Fun Than Interviewing Pigeons: “The Birds and the Bees”

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Presented by Sleeping Weazel
Written by Kate Snodgrass (Bark), Adara Meyers (Birds), Charlotte Meehan (Beesus)
Directed by Melia Bensussen (Bark & Beesus), Shana Gozansky (Birds)

June 2 – 11, 2016
Plaza Black Box Theater
539 Tremont St
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

(Boston, MAThe Birds and the Bees: A Festival of New Plays is good albeit strange theatre. Play #1, The Last Bark is the most concrete of the three plays that make up this production. Birds is post post-modern theatre. Beesus & Ballustrada is even more abstract than Birds. The performances are compelling. The scripts are perplexing. Continue reading

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Nov 12

Too close but still comfortable: “Six Degrees of Separation”

Credit: Paul Cantillon, Lidecphoto.com.

Credit: Paul Cantillon, Lidecphoto.com.

Produced by Bad Habit Productions
Written by John Guare
Directed by Liz Fenstermaker

November 7-22, 2015
Deane Hall at the Boston Center for the Arts
Boston, MA
Bad Habit on Facebook

http://badhabitproductions.org/shows/season-9/mainstage/six-degrees-of-separation/

(Boston, MA) Six Degrees of Separation was a celebrated play when it first hit New York stages, portraying stereotypes of the city, moneyed New Yorkers and people who aspire to be moneyed New Yorkers. This production elevates the writing to present a mix that is more than the Law & Order rerun it would like to be. Continue reading

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Aug 11

Some Dudes Will Put Their Dicks In Anything: “The Goat or, Who Is Sylvia?”

Photo credit: Paul Cantillon, Lidec Photo

Photo credit: Paul Cantillon, Lidec Photo

Presented by Bad Habit Productions, Inc.
Written by Edward Albee
Directed by Daniel Morris

Aug. 8-23, 2015
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Facebook

Review by Kitty Drexel

Trigger warnings: Rape (the play), F-bombs (the review)

(Boston, MA) WARNING: Spoilers ahead. The effort necessary to tiptoe around the main plot point of The Goat is so cumbersome that I’m not even going to bother trying.

The Goat or Who Is Sylvia? is about rape. It is about reconciling a sinner with their sin. It is about betrayal. It is not about the moralities of romantic love. Continue reading

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