Geoff Kanick performs in ‘The Conjurors’ Club.’ Photo courtesy of A.R.T.
Presented by American Repertory Theatre Created by Vinny DePonto and Geoff Kanick Original Music by Alex Harris Voiceover work by Artist Isuri Wijesundara Opening Video by Gabe Jacobs Video Voiceover by Isabela Salgado Technical Consultancy by Joshua Samuels Web Design by Eleanor Philips Zoom Wizardry by Alycia Marucci and Sumner Ellsworth Scenic/Background Consultancy by Heather Morris Costume Consultancy by Alma Reyes Burgos Lighting Consultancy by Joseph Lorenzen Digital Systems Programming by Justin Paice & Michael Policare
ZOOM — The Conjurors’ Club starts long before the Zoom room opens with a brown 8.5 x 11 envelope with a stamp from Jean Eugene’s Fine Watches. This envelope arrives within another envelope from the American Repertory Theatre. Don’t open it! Its contents are a surprise.Continue reading →
Presented by the Public Theater A part of the Under the Radar Festival By Whitney White and Peter Mark Kendall Directed and Produced by Taibi Magar & Tyler Dobrowsky Original text and music, Whitney White and Peter Mark Kendall Director of photography: Jess Coles Editing by Josiah Davis, Lowell Thomas Sound design by Broken Chord, Lee Kinney
January 6, 7:00PM – January 17, 11:59 PM EST The Public Theater on YouTube New York, NY 10003 Public Theater on Facebook
Review by Kitty Drexel
YouTube – The emotional violence inherent in White & Kendall’s pandemic-diary, fringe film Capusule reminds me of the car crash scene from 1975’s Mahagony. Diana Ross and Anthony Perkins (of Psycho fame) star in this movie about haute fashion, modeling and the heart’s desires. Perkins, a narcissistic photographer with mommy-issues, crashes a cherry red convertible into a construction site with the incomparable Ross and he in it. She, our hero, eventually leaves Perkins and her promising career for a politician played by Billy Dee Williams. The writing in this movie is not clever.
Co-presented by the Miami Light Project
Created by Thaddeus Phillips
Designed by Steven Dufala
CO-created & directed by Tatiana Mallarino
Magic by Steve Cuiffo
Movement by Fernando Careaga & Katya Humenyuk
Now – October 20, 2020
A Performance over Zoom
8:00 pm – 9:05 pm Zoo Motel on Facebook
Review by Kitty Drexel
ZOOM — A theatrical production doesn’t have to perfectly incorporate its many elements to be Art or even good entertainment. It must engage the mind and welcome us into its world. Great theatre can have plot holes up the wazoo so long as it’s a wazoo we believe in. We believe in Zoo Motel’s wazoo.
Zoo Motel is imperfect art but it is good art. Performer and creator Thaddeus Phillips gives us a brief reprieve from pandemic stressors by occupying us with new, unusual ones. Audience members/hotel residents are greeted by the Night Clerk (Newton Buchanan) as a group. He offers us amenities such as the espresso bar (delicious) and gives us a brief spiel about what to expect. Even though he briefs us, I couldn’t say that we were fully prepared for our experience. It was fun but also intense. Continue reading →
Presented by Cirque du Soleil
Created by Guy Laliberté, Gilles Ste-Croix, Fernand Rainville
Directed by Diane Paulus Composed and music directed by Bob & Bill (Guy Dubuc and Marc Lessard)
Choreographed by Karole Armitage
Acrobatic choreographers Debra Brown & Caitlan Maggs
“Sanddornbalance” Act by Rigolo Swiss Nouveau Cirque
May 30 – July 6, 2014
Boston Marine Industrial Park on the Waterfront
Boston, MA Amaluna on Facebook
Review by Gillian Daniels
Lightly adapting the The Tempest and playing fast and loose with source materials of multiples mythologies, Amaluna patches together dreamy images and circus acts into one, outlandish show. It’s energetic and fittingly over-the-top. Cirque du Soleil has an image to maintain as a thoroughly extravagant circus and they continue this grand tradition by marrying the flashiness of Las Vegas to a syrupy storyline. Continue reading →
Artist Ben Rubin remixes 37 works in a site-specific, L.E.D-lit, linguistic-supercollider sculpture (that’s also a chandelier)
“The Shakespeare Machine is the creation of Ben Rubin, a local media artist with the spirit of a mad inventor and a passion for data. Commissioned by the city’s Department of Cultural Affairs as part of the Percent for Art program, which funds site-specific pieces in city-funded construction projects, Rubin’s device is at once artwork, chandelier, brain-teaser, and literary tourist attraction.”
ARTnews article excerpts written by Robin Cembalest, posted 10/16/12.