Nov 19

“WET: A DACAmented Journey.” A Lucid Dreamer Speaks.


Presented by ArtsEmerson
Produced by Cara Mía Theatre & Ignite/Arts Dallas
Written and Performed by Alex Alpharaoh
Directed by Brisa Areli Muñoz

November 8-25, 2018
Emerson Paramount Center
Boston, MA    02111
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Review by Diana Lu

(Boston, MA) Alex Alpharaoh’s one-man show is a captivating fusion of poetry and play. Alpharaoh transforms from character to character, suspense to comic relief with shape-shifter ease, never missing a stanza as he leads the audience through his onstage persona, Anner’s, ceaseless real-life struggles as an undocumented person in the US. Even traveling to see his dying grandfather for the first and last time is a life-threatening ordeal. It’s not life-or-death, but life as you know it-or-an undiscovered country certainly feels like comparable stakes. Continue reading

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May 10

“La Llorona”: Myth, Music, and Motherhood

Photo by Paul Fox

Presented by Fresh Ink Theatre
By Cecelia Raker
Directed by Stephanie LeBolt
Music Composition by Geraldine Barney

May 5-20, 2017
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
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Review by Travis Manni

(Boston, MA) Mythologies can become difficult to trace and define as stories change from generation to generation. In a Fresh Ink Theatre premier production, playwright Cecelia Raker attempts to give life to the myth of a mourning mother in the multi-genre, multicultural play La Llorona. Continue reading

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Jan 23

Complaining Grows the Heart: OUR SECRETS

Presented by ArtsEmerson
Co-presentation with: The Baryshnikov Arts Center and Dartmouth’s Hopkins Center
Created by Béla Pintér and Company
Directed and written by Béla Pintér

Jan. 19-22, 2017
Emerson/Paramount Center
Robert J. Orchard Stage
Boston, MA
ArtsEmerson on Facebook

Performed in Hungarian with English supertitles

Review by Noe Kamelamela and Kitty Drexel

(Boston, MAIt is 1980’s Budapest. Communism is the rule of the land (more on this important info is HERE, thanks to the ArtsEmerson blog). Impotent folk musician, István Balla Bán can only get it up for children. He is inconveniently attracted to his step-daughter Timike. At his wife’s request, he sees a therapist to whom he reveals his disgusting secrets. Govt. spies secret record his admission and use the recording to blackmail him. To avoid responsibility for his illness, István spies on his friend who writes an underground, anti-Communist magazine.  Please note, the graphic sexual content in this production involves adult actors playing minors. It is appropriately disturbing. Continue reading

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Nov 15

Dreaming the Dream: “A Midsummer Night’s Dream”

Presented by the Isango Ensemble
Adapted and Directed by Mark Dornford-May
Music Arrangement by Mandisi Dyantyis
Music Directored by Pauline Malefane and Mandisi Dyantyis
Choreography by Lungelo Ngamlana

Presented at ArtsEmerson
November 10 – 22, 2015
Cutler Majestic Theatre
219 Tremont street, Boston
ArtsEmerson on Facebook
Isango Ensemble on Facebook

Review by Danielle Rosvally

(Boston, MA) I don’t know about you, but A Midsummer Night’s Dream is one of those shows that I’ve seen so often it’s nearly lost all meaning. It might be a professional hazard: as a Shakespearean dramaturge/actor/fight director/scholar, Midsummer pops onto my project radar so frequently in so many different settings: it’s a favorite of high school drama clubs, regional Shakespeare theatres, and any company looking to do “Shakespeare with a twist”. Midsummer lends itself well to many different interpretations, and has enough zany, wacky antics to support a multitude of artistic styles and choices. Continue reading

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Aug 04

Come for the Shakespeare, Stay for the Ice Cream: KING LEAR

Photos by Andrew Brilliant/Brilliant Pictures

Photos by Andrew Brilliant/Brilliant Pictures

Presented by Commonwealth Shakespeare Company
By William Shakespeare
Directed by Steven Maler

July 22 – August 9, 2015
FREE and Open to the Public
Parkman Bandstand
Boston Common
Commonwealth Shakespeare Company on Facebook

ASL-Interpreted Performances: Friday, July 31 @ 8pm and Sunday, August 2 @ 7pm
Audio Described Performance: July 30 @ 8pm (Rain date: August 9 at 7pm)

Review by Danielle Rosvally

(Boston, MA) Before I even get into nitty gritties, let me take a moment to marvel at the fact that Commonwealth Shakespeare Company has brought free Shakespeare to the masses for almost two decades now.  Nothing really says “summer” like Shakespeare al fresco, and Shakespeare on the Common is the way the arts should be: available, relatable, and welcoming.  I was particularly excited this year to witness (for my first time) CSC’s ASL interpreted performance; and those interpreters were working just as hard as (if not harder than) the performers onstage.  Shakespeare on the Common feels like a community coming together to support arts that include them; and that touches even my grinchy critic’s heart more than I can say. Continue reading

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Oct 16

Fyre, Fyre Burning Bright: LA TRAVIATA

Photos by Eric Antoniou.

Presented by Boston Lyric Opera
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Conducted by Arthur Fagen
Stage directed by Chas Rader-Shieber
Assistant directed by Nathan Troup

Oct. 10 – 19, 2014
Shubert Theatre
Boston, MA
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Review by Kitty Drexel

Trigger Warnings: Racism, Rape
Sung in Italian with English supertitles. There is one intermission.

(Boston, MA) There were many good things about BLO’s La Traviata. There were a few bad. Overall, it was a grand production.

A gentle disclaimer: Vocal technique will not be reviewed. Technique is highly personal. Reviewing it would be like reviewing hygenic habits: rude. Continue reading

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Jul 15

Go Big or Go Home: A MIDSUMMER NIGHT’S DREAM

The Cast. Photo found on It’s A Fiasco Facebook page.

It’s a Fiasco Theatre Company
by William Shakespeare
Sponsored by the City of Cambridge and the Cambridge Arts Council – presented under the auspices of the Actors’ Equity Association Member’s Project Code.

June 19 – 29, 2014
Longfellow Park, 175 Mt. Auburn Street
Cambridge, MA
It’s A Fiasco on Facebook

Review by Craig Idlebrook

Think for a moment of the conditions under which Shakespeare was performed in the Elizabethan era and you realize this play was never meant to be locked away in an ivory tower. At the time the words of these plays were fresh, so was the concept of public sanitation. Most of the population was illiterate, and probably a good amount of them shared their skin with some form of vermin. Even in the hallowed halls of royal theater, the patrons probably stank to high heaven and air conditioning was a couple of centuries from being invented. So if at first glance it seems incongruous to speak some of the English language’s best poetry next to a Cambridge water park, it might be best to remember this probably would have been considered a pretty gentile staging grounds back in the day. Continue reading

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Apr 29

Richly Developed Heroines: BECOMING CUBA

Presented by Huntington Theatre Co
Written by Huntington Playwright-in-Residence Melinda Lopez
Directed by M. Bevin O’Gara

March 28 – May 3, 2014
Calderwood Pavilion at the BCA
Boston, MA
Huntington Co on Facebook

Review by Kitty Drexel

(Boston) Becoming Cuba at the Huntington Theatre is about blood origins. It is about the effect blood-ties have on our decisions, and the indirect way our origins affect the world around us. Specifically, it is about sisters Adele (Christina Pumariega) and Martina (Rebecca Soler) who run a pharmacie in Spanish-occupied Cuba. Adele attempts to remain neutral as war threatens the country she loves: her family fights in the rebellion; her husband died fighting for Spain. As Adele cares for the people of Havana, she comes to understand that loyalty is a complex beast. Love and loyalty can be divided while still remaining whole. Continue reading

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Nov 20

Working out the Humbugs: A CHRISTMAS CAROL

http://www.trinityrep.com/DownloadDocs/ACC13__0413.jpg

Photo credit: Mark Turek

Presented by Trinity Repertory Company
By Adrian Hall and Richard Cumming
Adapted from the story by Charles Dickens
Directed by Tyler Dobrowsky
Musical Direction by Darren Server
Choreography by Shura Baryshnikov

November 9 – December 28,
201 Washington St.
Providence, RI
Trinity Repertory Company on Facebook

Review by Danielle Rosvally

(Providence) I know what you’re going to say: “what can anyone possibly have to say about Dickens’ classic Christmas tale that I haven’t heard five billion times before?”  Trinity Rep sees your concern and raises you veritable Holiday Magic onstage before your very eyes.  If you’re feeling a case of the humbugs, a trip to Providence is well worth your while to get into the spirit (and spirits) of the season. Continue reading

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