Orson Welles, 1938. Shown in rehearsal, standing, center background: director Orson Welles; seated, right: composer Bernard Herrmann NB: directing his Mercury Theatre of the Air troupe, such as created panic on the CBS radio broadcast of The War of the Worlds, October 30, 1938
Article by Kitty Drexel
The pandemic has sparked a greater interest in radio drama.
In May, the New York Times shared a great article by Alexis Soloski that named multiple Broadway podcast radio shows called “For Your Ears Only: Broadway’s New Stage Is a Mic.” It references the Great Depression (as we head into another recession), quotes recording actors like James Monroe Iglehart, and then details their podcast projects.
Kelli O’Hara, Annaleigh Ashford, Iglehart, and others answer pertinent questions such as “How do you develop a character using just your voice?” Their answers are excellent advice to actors making podcast theatre during the pandemic. It’s a good read. Continue reading →
Avenue Q: May 11-June 24, 2012 (it is selling out presently)
Spiro Veloudos is the Producing Artistic Director of The Lyric Stage Company. and has been honored with numerous awards and honors including The Elliot Norton Award and The Independent Reviews of New England (IRNE) Award.He has been personally honored with the 2006 Elliot Norton Prize for Sustained Excellence, Stage Source’s 2002 Theatre Hero Award and was cited as the city’s Best Artistic Director by Boston Magazine’s Best of Boston program in 1999. Continue reading →
Trojan Women: May 18- June 2 at the Factory Theatre in Boston
Meg Taintor is the founding Artistic Director of Whistler in the Dark Theatre, for whom she has directed 13 productions. Also for Whistler, Meg produced three years of FeverFest, a new works festival dedicated to connecting adventurous audiences with young and vital theatre companies and artists in Boston. Meg has also directed for Mill6 Theatre and New Voices @ New Rep.
In 2009, Meg joined with other artists working in the small and fringe theatre scene to form the Small Theatre Alliance of Boston, where served for two years as President of the Board. She is now Chair of the Alliance Events Committee and a member of the Board for StageSource. Meg believes passionately in the necessity for a strong community of local artists supporting and challenging itself to do better and more exciting work.
Her regional theatre credits include the National Players, Rorschach Theatre, Olney Theatre Center, the Potomac Theatre Project and Washington Shakespeare Company. She holds a B.A. in Theatre and Women & Gender Studies from Middlebury College. (profile from website)
Credits include: Long Day’s Journey Into Night (New Rep), The Miracle Worker (Wheelock Family Theatre), History Boys and 5 by Tenn (Speakeasy Stage), Big River (Lyric Stage Company), Tonya & Nancy (Oberon), Breaking the Code (Underground Railway), Spring Awakening and Little Women (Boston Children’s Theatre). Venues include: Weston Playhouse, NSMT, New Rep, ART Instit., Nora Theatre, Stoneham Theatre, Seacoast Rep, Merrimack Repertory, Wheelock Family Theatre, New Jersey Shakespeare Festival, Huntington Theatre Studio 210, Opera Boston, Emerson Stage, Barnstormers, Foothills Theatre. Founding member of CYCO SCENIC; MFA from Brandeis University; 2009, 2006 and 1997 winner of the Elliot Norton Award; 2007 & 2006 winner of the IRNE award; part time faculty at Wellesley College and Emerson College; USA local 829.