Orson Welles, 1938. Shown in rehearsal, standing, center background: director Orson Welles; seated, right: composer Bernard Herrmann NB: directing his Mercury Theatre of the Air troupe, such as created panic on the CBS radio broadcast of The War of the Worlds, October 30, 1938
Article by Kitty Drexel
The pandemic has sparked a greater interest in radio drama.
In May, the New York Times shared a great article by Alexis Soloski that named multiple Broadway podcast radio shows called “For Your Ears Only: Broadway’s New Stage Is a Mic.” It references the Great Depression (as we head into another recession), quotes recording actors like James Monroe Iglehart, and then details their podcast projects.
Kelli O’Hara, Annaleigh Ashford, Iglehart, and others answer pertinent questions such as “How do you develop a character using just your voice?” Their answers are excellent advice to actors making podcast theatre during the pandemic. It’s a good read. Continue reading →
All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks
And now my eyes are leaking.
Apollinaire Theatre Company – Apollinaire Play Lab Families announces that it will be hosting free virtual theater and games classes taught on Zoom./ Nos da mucho gusto informarles que vamos a ofrecer una serie de clases gratuitas en línea en teatro y juegos para niños on Zoom.
ArtsEmerson – ArtsEmerson’s Together Apart will give audiences access to offer high-quality archival videos and unique opportunities to hear from the artists behind them. This series will also include two town hall conversations with artistic director David Dower and executive director David C. Howse.
Boston Underground Film Festival BUFF-o-Stream – A collection of feature films from previous editions of BUFF, from BUFF alumni, and/or films in the spirit of BUFF, streaming on a platform near you. (Looks to be horror. If that’s your thing, you do you and enjoy! I’m not willing to investigate more because I’m not a fan of horror. -Kitty)
Fresh Ink Theatre – Fresh Ink announces the Homesick Play Project. “Homesick Play Project is a virtual space for new play development filling the vacuum of opportunity created by the COVID-19 crisis. Homesick produces virtual, pop-up readings and performances of new work at all stages of development through digital, in-process workshops and performances of plays, providing a platform to cultivate an audience, feedback, and artistic fellowship.” Go to THIS Google doc to sign up.
HowlRound – HowlRound has new streaming content coming to the site!
Monday 13 April 2020 – Tlaloc Rivas presents Latinx Superfriends Playwriting Hour livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv beginning Monday 13 April 2020 at 3pm EDT (New York) / 2 p.m. CDT (Chicago) / 1 p.m. MDT (Denver) / 12 p.m. PDT (Los Angeles).
Tuesday 14 April 2020 – Playwright Lauren Gunderson presents a conversation Dramaturgs + Playwrights – Lauren and Martine Greene-Rogers talk livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 14 April 2020 at 12 p.m. PDT (San Francisco, UTC-7) / 2 p.m. CDT (Chicago, UTC-5) / 3 p.m. EDT (New York, UTC-4).
Friday 17 April 2020 – Playwright Lauren Gunderson presents a conversation Directors + Playwrights – Lauren talks with Evren Odcikin livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 17 April 2020 at 2 p.m. PDT (San Francisco, UTC-7) / 4 p.m. CDT (Chicago, UTC-5) / 5 p.m. EDT (New York, UTC-4).
Thursday 16 April 2020 – Playwright Lauren Gunderson presents a conversation Theatre Journalist + Playwright – Lauren talks with Diep Tran livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Thursday 16 April 2020 at 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).
Friday 17 April 2020 – La MaMa and CultureHub present Downtown Variety livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 17 April 2020 at 5 p.m. PDT (San Francisco, UTC-7) / 7 p.m. CDT (Chicago, UTC-5) / 8 p.m. EDT (New York, UTC-4).
ImprovBoston has online content: Mainstage, Family Show and “The ImprovBoston Baking Challenge with Gwen Coburn & Julie Snyder.” Please go to IB Live! for scheduling and content info.
Juventas New Music Ensemble at Online/Virtual Space – Stay Home with Juventas: 11 Wednesdays Evenings, 10 Musicians Who Love You, Hope, Light and Beauty in a difficult time. Juventas musicians invite you to join us Wednesday evenings for live-streamed solo performances from our homes. Go to THIS WEBSITE at 8PM on Wednesday evening to attend a concert.
Museum of Fine Arts, Boston (MFA) at Online/Virtual Space– Discover Basquiat and the Hip-Hop Generation online: View a slideshow and listen to the accompanying playlist at mfaboston.org. Starting Saturday, April 4, the MFA will take a week-long deep dive into the artworks and history of Basquiat and his post-graffiti peers, guided by exhibition co-curators Liz Munsell and Greg Tate.
WonderSpark Puppets – Free streaming content on Facebook Live with options to donate or purchase merchandise. Crafts (4pm Weekdays / 10am Weekends EST). Live Puppet Show (Fridays 11am EST)
Paper Heart Projects – Brad Shur of Paper Heart Puppets has launched a series of puppet craft videos making creative use of minimal supplies.
Chat with Audrey Duck – Audrey Duck, as seen on Mr. Rogers’ Neighborhood, is available to Skype-chat with kids (age 3-8). Audrey and her puppeteer Susan Linn will be available Mon, Wed & Fri between 4 and 5 pm EST. Email Audreydduck@gmail.com to set up a 10 minute slot.
Make-A-Monkey Craft – Make your own monkey with this fun finger puppet activity inspired by resident teaching artist Honey Goodenough’s “Sock Monkey Circus.” Print the template, color in your monkey, cut out the figure, hole-punch the circles, and use your fingers for legs.
(Boston, MA) I’ve already purchased my ticket to see Red Hot Patriot: The Kick-Ass wit of Molly Ivins again. This show is so good that writing a review isn’t enough*. I want the Lyric to have my money. Continue reading →