Tag Archives: vaudeville

Mar 16

Another Day, Another Destiny: “Winter Panto 2021: The Panto Games”

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Tributes in the Arena. Photo credit imaginary beasts.

Presented by imaginary beasts 
Directed by Matthew Woods 
Written by Matthew Woods & Noah Simes 
Costumes: Cotton Talbot-Minkin 
Visual Design & Illustration: Lillian P.H. Kology 
Production Stage Management: Sophia Nora Giordano 
Video Editing & Design: Sophia Nora Giordano 
Technical Direction: Bob Mussett 
Puppet Design & Construction: Sophia Nora Giordano & Jamie Semel 
Cast: Michael Chodos, Laura Detweiler, Molly Kimmerling, Catherine Luciani, Tara Harbert,  Colin McIntire, Amy Meyer, Bob Mussett, Elizabeth Owens, Jill Rogati, Kiki Samko, Jamie  Semel, Noah Simes, Derek Smith, Jennifer Taschereau, and Matthew Woods with Sara Kenney  and Hannah Uher 

March 13, 14, 20 at 4:00 pm ET and March 19 at 7:30 pm ET on Zoom 
New show added! March 21 at 4 pm!
Tickets: imaginarybeasts.eventbrite.com 
All tickets are Pay What You Wish with a $0 minimum
imaginary beasts on Facebook 

Review by Kitty Drexel

ZOOM — The imaginary beasts yearly panto is a Massachusetts theatre institution. It doesn’t feel like wintertime without it! So thank goodness the beasties rallied and produced their February family-show in March.  Continue reading →

Sep 07

Langston Hughes as “The Black Clown”

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The Black Clown Production Photo
The cast of The Black Clown.
Photo: Maggie Hall.

Presented by American Repertory Theater
Adapted from Langston Hughes’ poem
Adapted by Davóne Tines and Michael Schachter
Music by Michael Schachter
Choreographed by Chanel DaSilva
Directed by Zack Winokur
Music Direction by Jaret Landon
Trumpets by Dave Adewumi and Robyn Smith
Keyboards played by Jaret Landon and Bethany Aikin
Reeds by Rajiv Halim, Isaiah Johnson, and Jason Marshall

August 31 – Sept 23, 2018
Loeb Drama Center
Harvard University
Cambridge, MA
ART on Facebook

Written by Bishop C. Knight

(Harvard Square, Cambridge, MA)  In The Black Clown program, the A.R.T. Artistic Director wrote how “Langston Hughes drew deeply on the traditions of African American music,” and Hughes would have been pleased with this production.  

The pit orchestra breathed life into spirituals and added rhythmic profundity to operatic adaptations of Hughes’ poems. Keyboards were played by Jaret Landon, a Chicago-based composer who was the show’s Music Director, and Bethany Aiken, who studied Music History at Oberlin College.  A theater experience fusing vaudeville, gospel, and jazz, Black Clown brought Langston Hughes’ verse to life onstage.  Every musician in this production – from the trumpet players, to the actors who themselves are acclaimed singers – every musician, per their participation in this production, paid respect both to Hughes and to the African American music at the heart of Hughes’ art. Continue reading →

May 22

At World’s End: “The Last Two People on Earth: An Apocalyptic Vaudeville”

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Mandy Patinkin and Taylor Mac. Photo by Gretjen Helene/A.R.T.

Mandy Patinkin and Taylor Mac. Photo by Gretjen Helene/A.R.T.

Presented by The American Repertory Company
Conceived by Paul Ford, Taylor Mac, Mandy Patinkin, and Susan Stroman
Direction and Choreography by Susan Stroman
Music Direction, Arrangements, and Orchestrations by Paul Ford

May 12 – 31, 2015
Loeb Drama Center
64 Brattle Street
Cambridge MA
The A.R.T. on Facebook

Review by Danielle Rosvally

(Cambridge, MA) I’m not sure if I can really describe what I just saw onstage at the A.R.T.  I guess I could start with… an earthquake; birds, snakes, airplanes… Lenny Bruce is not afraid. Continue reading →

Jan 21

Good, Right, True: “Legend of Sleepy Hollow: An American Pantomime”

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Imaginary Beasts 2013

Imaginary Beasts 2013; no horses were used in this production. They gave full consent.

presented by Imaginary Beasts: Winter Panto 2013
Part of the Emerging Theatre Company program

Conceived and written by Matthew Woods and the Ensemble

Directed by Matthew Woods
Choreography by Joey Pelletier and Kiki Samko

January 11 – February 2, 2013
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Imaginary Beasts Facebook Page

Review by Kitty Drexel

(Boston) The pantomime (panto) began its troubled youth as British entertainment based on the Elizabethan masque. It touched on classical subjects, included music and often borrowed from the Commedia dell’Arte style. These days, if one travels to jolly olde England during the Christmas and New Year’s season, one is confronted with vaudeville debauchery, bedazzled drag queens, slapstick and heaps of audience participation. It’s amazing that the US hasn’t already adopted the Panto and claimed it as our own invention. Enter Legend of Sleepy Hollow: An American Pantomime.

The form has been simplified and adapted for the small stage by Imaginary Beasts and contains the same wacky charm as its British cousin and more of the brash sassiness expected from the fringe theatre scene. We’re treated to country line dancing, Rocky references, and an extra hairy Fairy Godfather (Mikey DiLoreto) who speaks in rhyme and verse but not to a multimedia spectacular. The charm is in the ensemble’s work and it is served with campy flair. Continue reading →