May 14

Good Songs and Good Cheer: NEIL BERG’S 100 YEARS OF BROADWAY

Uncredited photo snagged from Larcom Theatre Facebook page.

Presented by Spectacle Management
By composer, lyricist and producer Neil Berg

Larcom Theatre
Beverly, MA
May 9th – May 11th, 2014
Larcom Theater on Facebook

Review by Craig Idlebrook

(Beverly, MA) It is regrettable that Broadway too often is a business for the young, as this cult of youth cuts out so many talented actors who have finely honed their abilities through years of practice. Instead of making use of this talent in New York, actors over 35 too often are shunted off to regional tours or repertory theaters.

The show Neil Berg’s 100 Years of Broadway, stopping in Beverly for the weekend, shows that New York’s loss is the country’s gain. A straightforward concert of some of Broadway’s most memorable tunes, this show smartly forgoes the spectacle that consumes cruise ship concerts to give the performers space to truly connect with their audience and showcase their abilities to entertain. Continue reading

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Mar 22

Not Your Daddy’s Rock Opera: URO’s JESUS CHRIST SUPERSTAR

Courtesy of the URO Facebook Page

Words and Music by Tim Rice and Andrew Lloyd Weber.

Presented by The Ultrasonic Rock Orchestra*

The Norwood Theatre
109 Central St.
Norwood, MA
March 21st at 7:00 pm – March 24th at 2:00 pm
URO Facebook Page

Review by Kitty Drexel

(Norwood) The Ultrasonic Rock Orchestra (URO) rocks. They have made a brilliant career out of rocking classics by musicians such as The Beatles, Bowie, and Queen. Last night’s performance of Jesus Christ Superstar was no exception. Put simply, they capture all the funk that Andrew Lloyd Weber missed. Continue reading

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Jan 21

Good, Right, True: “Legend of Sleepy Hollow: An American Pantomime”

Imaginary Beasts 2013

Imaginary Beasts 2013; no horses were used in this production. They gave full consent.

presented by Imaginary Beasts: Winter Panto 2013
Part of the Emerging Theatre Company program

Conceived and written by Matthew Woods and the Ensemble

Directed by Matthew Woods
Choreography by Joey Pelletier and Kiki Samko

January 11 – February 2, 2013
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Imaginary Beasts Facebook Page

Review by Kitty Drexel

(Boston) The pantomime (panto) began its troubled youth as British entertainment based on the Elizabethan masque. It touched on classical subjects, included music and often borrowed from the Commedia dell’Arte style. These days, if one travels to jolly olde England during the Christmas and New Year’s season, one is confronted with vaudeville debauchery, bedazzled drag queens, slapstick and heaps of audience participation. It’s amazing that the US hasn’t already adopted the Panto and claimed it as our own invention. Enter Legend of Sleepy Hollow: An American Pantomime.

The form has been simplified and adapted for the small stage by Imaginary Beasts and contains the same wacky charm as its British cousin and more of the brash sassiness expected from the fringe theatre scene. We’re treated to country line dancing, Rocky references, and an extra hairy Fairy Godfather (Mikey DiLoreto) who speaks in rhyme and verse but not to a multimedia spectacular. The charm is in the ensemble’s work and it is served with campy flair. Continue reading

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