(Boston) There is the top, there is going over the top and then there is trampling on the top and spitting on its grave. You have to hand it to the talented Happy Medium cast that performs Black Comedy; they commit to an outrageously loud and brash style that infuses a punk sensibility to a tired and silly British farce. Each actor delivers their lines with such gusto that it’s like being in a room with a guitarist who cranks the amp up to 11. Unfortunately, this loud performance quickly grates, and it’s impossible to emotionally invest in the offensive, obnoxious and one-dimensional characters. The unfunny end product may waste the energetic performances by some talented actors, but at least there’s no danger of falling asleep. Continue reading →
(Boston, MA) A lone girl sits amongst the dirt and potatoes of this agrarian society trying to chase away birds until she can try no more. Striving for more than mere existence in a world controlled by tradition and an inflexible economy often seems futile in the Fenland. Whistler In The Dark compels the audience to exist and hope with the characters for something more.
As the women in the play sing various choruses to songs, one is struck by the pure beauty in these women in this desolate place. One also struggles with the evisceration of these women as they give their lives and their souls to the land. With the assistance of Danny Bryck and an enormous amount of concentration, the actors speak with the flawless dialect of the British countryside. Each cast member plays multiple characters in this dark landscape. The main plot revolves around Val (Aimee Rose Ranger) who is trapped between her obligation to take care of her children and a desire for a better life in London with her lover. She takes no solace in the vices of the other local folk such as valium, religion, dreams, or masochism as she is constantly pulled in both directions. The one direction that she would want to go in, to London and a new life seems millions of miles away.