Jun 30

Revamped *Cough* Vampire Comedy for Modernity: DER VAMPYR

Photo © OperaHub

Presented by OperaHub
1828 music by Heinrich Marschner
1828 German libretto by Wilhelm August Wohlbrück
1828 libretto based on the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter
2014 arrangement by Moshe Shulman
2014 libretto by John J King
Music direction by Lina Marcel Gonzalez
Stage direction by Christie Lee Gibson

June 19 – 28, 2014
Boston Center for the Arts
Plaza Theatre
Boston, MA

Review by Kitty Drexel

Trigger warnings: Light smut, Feminism

(Boston) Der Vampyr is a decadently feminist adaptation of Marschner’s original. This new arrangement presented by OperaHub tackles the difficult truths of male entitlement, victim blaming and rape culture that all women face on a daily basis. If you, the reader, do not believe in gender equality, this opera is not for you. If you believe that rape culture is not a pervasive truth all women face, then this opera is not for you. It would be best if you pulled your fedora over your eyes and stopped reading this review now. Continue reading

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Jun 03

Mommy Needs a Long Drink and a Stiff Cigarette: MASCULINITEASE

Produced, presented, performed and by the men of Sirlesque

June 1 and 5, 2014 @ CLUB OBERON (only one night left!)
Doors @ 7:30, Show @ 8
2 Arrow Street
Cambridge, MA
Sirlesque on Facebook

Review by Kitty Drexel

Trigger warning for sexy man parts.

“The future is here and it is dicks all the time.”
– Mehran Khaghani, emcee

(Cambridge) Oh my sweet Jesus, Mary and Joseph, go see Sirlesque’s Masculinitease! Don’t ask questions, just go. Fasten your seatbelts, babies, it’s going to be a bumpy night. Continue reading

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Apr 27

Violent Dichotomies: The Wholehearted

Dee Crosby – ESPN Intro from Imaginary Media Artists on Vimeo.

Presented by ArtsEmerson: The World On Stage
Created by Stein|Holum Projects
Written by Deborah Stein
Directed by Suli Holum & Deborah Stein

April 17 – 27, 2014
Paramount Theater
Jackie Liebergott Black Box
Boston, MA
ArtsEmerson on Facebook

Review by Kitty Drexel

Trigger warnings for partial nudity, emotional & physical violence, strong language, and Cup Noodles soup.

(Boston) In The Wholehearted,Dee Crosby (played by the Tilda Swinton-esque Suli Holum) uses antiquated media technology to send a video love letter to her Ex, Carmen. Crosby was a boxing champ in the early 2000’s with a stellar career, a pristine image and what appeared to be a perfect marriage to her coach, Charlie. Unfortunately, Charlie didn’t know how to leave the match in the ring. In her video love letter, Dee relives her most memorable career events deepest turmoils. Creators Holum and Stein show us that assault victims come in all shapes, sizes and definitions of femininity. Continue reading

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Jan 28

Older Than Most College Students and Still Relevant: TOP GIRLS

Top Girls

Presented by Theatre@First
by Caryl Churchill
Directed by Liz Adams

January 23 – February 1, 2014
Davis Square Theatre
Somerville, MA
Theatre@First on Facebook

Review by Noelani Kamelamela

(Somerville)

Theatre@First offers an earnest take on Caryl Churchill’s meditation on womanhood in the 1980s.  The production is best in the lighter moments, when the realities of the character’s lives seem far less crushing.

Top Girls itself is not traditional, but is and was a groundbreaking piece which provides incisive snapshots of women beyond as well as within classical archetypes. A show which only represents female voices is not necessarily feminist by default, but feminism as it relates to the time as well as the past pops up regularly.  Central themes such as success and sacrifice are embodied by Marlene, played effectively as a witty and ruthless vamp by Kathy-Ann Hart, who has achieved autonomy by choosing the advancement of her career over other areas of her life. Continue reading

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Jun 10

And the Green Grass Grows All Around: RAPTURE, BLISTER, BURN

photo: T. Charles Erickson

presented by Huntington Theatre Company
by Gina Gionfriddo
directed by Peter DuBois

South End Calderwood Pavilion
Boston Center for the Arts
Boston, MA
May 24th – June 22nd, 2013
Huntington Theatre Facebook Page

Review by Craig Idlebrook

A bunch of middle-aged folks had an academic argument about feminism and a great play broke out! Rapture, Blister, Burn, an insightful and barbed comedy about post-feminist uncertainty, is the rare play that immerses itself in theory and still makes us care. Continue reading

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Feb 23

Photograph 51: A Slighted Discovery

Becky Webber as Rosalind Franklin and Nick Sulfaro as Ray Gosling in Photograph 51 performing through March 18 at Central Square Theater, 450 Massachusetts Avenue, Cambridge, MA. Presented by The Nora Theatre Company. Photo: A.R. Sinclair Photography

Photograph 51 by Anna Ziegler, The Nora Theatre Company, Central Square Theater, 2/9/12-3/18/12, http://www.centralsquaretheater.org/season/11-12/photograph-51.html.

Reviewed by Becca Kidwell

(Cambridge, MA) Photograph 51 chronicles Rosalind Franklin’s work, which leads to the discovery of the double helix structure of DNA.  Surrounded by men, Franklin does not have a chance for her voice to be heard amongst her male colleagues.  Nora Theatre Company’s production presents a truthful historical presentation of the discovery. Continue reading

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Feb 16

Medea: Special Victims Unit – Corinth

Medea with Chorus, L to R: Sarah Newhouse*, Obehi Janice, Jennie Israel* & McCaela Donovan © 2012 Stratton McCrady Photography

Medea by Euripides, Actors’ Shakespeare Project, Cambridge Multicultural Arts Center, 2/8/12-3/4/12,  http://www.actorsshakespeareproject.org/whats-new/medea.  Mature content.  Not recommended for children under 13.

Reviewed by Becca Kidwell

(Cambridge, MA) No one who watches Court TV or Law and Order can deny the pull of a good crime drama.  Even those who pretend to be indifferent or opposed to crime drama cannot help being drawn in (and for those who are still pretending that they don’t care, wasn’t that you who tweeted about the Casey Anthony trial all of those times?).  What may surprise audiences of Medea is that society hasn’t changed much in 4000 years.  Actors’ Shakespeare Project brings to life a Greek drama that examines the dark impulses and desires that haunt not only the “cultured” audiences from Greece’s Golden Age, but also the dark realities of our own society.

Before the play even starts, the audience is surrounded by an air of mystery and foreboding.   Continue reading

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Nov 06

Lip-Gloss Feminism: Legally Blonde: the Musical

Kelly Felthous (Elle Woods), Will Ray (Warner). Photo by Paul Lyden

Legally Blonde, music & lyrics by Laurence O’Keefe and Nell Benjamin, book by Heather Hach, North Shore Musical Theatre, 11/1/11-11/13/11,  http://www.nsmt.org/index.php?option=com_content&task=view&id=947&Itemid=2283.

Reviewed by Craig Idlebrook

(Beverly, MA)  

Dear Reader,

Do you want the long review or the short one for Legally Blonde: the Musical at the North Shore Music Theatre?

If you’re in a hurry, here’s the short one:

I gave a standing ovation to a bulldog, the first creature to come out for curtain call.  Go see this show!

If you have a bit more time, Continue reading

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Oct 22

Well-Behaved Women Rarely Reach Old Age: WOMEN OF WILL

Nigel Gore and Tina Packer in Women of Will performing October 13 - November 6, 2011 at Central Square Theater, 450 Massachusetts Avenue, Cambridge, MA. Photo: A.R. Sinclair Photography.

 

Women of Will, by Tina Packer, The Nora Theatre Company, Central Square Theatre, 10/13/11- 11/6/11.  http://www.centralsquaretheater.org/season/11-12/women-of-will.html

Reviewed by Craig Idlebrook

(Cambridge, MA) The female characters of Shakespeare’s plays are badly outnumbered by the males, sometimes fifteen to one, explains veteran thespian Tina Packer in Women of Will at the Central Square Theater.  In the Bard’s works, women often operate as others and also-rans, virgins and whores, rarely receiving the main focus.  But when they appear, their actions and emotions speak volumes, both about Shakespeare and society. Continue reading

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Oct 20

‘Or,’ Women Will Have The Last Laugh

Aphra (Stacy Fischer) catches William (Ro'ee Levi) and Nell (Hannah Husband). Photo by Mark S. Howard.

 

Or, by Liz Duffy Adams, Lyric Stage Company, 10/14/11-11/6/11, https://lyricstage.com/now_playing/or/  Contains mature themes.

Reviewed by Becca Kidwell

(Boston, MA)  A new age is dawning in the 1660’s.  Women are allowed to act.  Strict Puritan regulations have been lifted.  What’s a girl to do?  Aphra Behn, one of the first professional playwrights that was female, has some answers with the help of modern day playwright Liz Duffy Adams.  Lyric Stage brings a delightful evening of ‘girl power’ to the stage in this play of Restoration, modern, and post-modern ideals.   Continue reading

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