Theatre@First offers an earnest take on Caryl Churchill’s meditation on womanhood in the 1980s. The production is best in the lighter moments, when the realities of the character’s lives seem far less crushing.
Top Girls itself is not traditional, but is and was a groundbreaking piece which provides incisive snapshots of women beyond as well as within classical archetypes. A show which only represents female voices is not necessarily feminist by default, but feminism as it relates to the time as well as the past pops up regularly. Central themes such as success and sacrifice are embodied by Marlene, played effectively as a witty and ruthless vamp by Kathy-Ann Hart, who has achieved autonomy by choosing the advancement of her career over other areas of her life. Continue reading →
(Boston) In the second show of their seventh season, called Ambition & Sacrifice, Bad Habit Productions continues to create theatre in small spaces that convey big ideas. At a grueling two hours without intermission in a studio theatre, this production feels at times like a test of endurance for the audience and the three person ensemble. Continue reading →