Dec 07

“Return of the Winemaker”: I Met God at a BBQ

Photo credit to Aidan Hamell

Photo credit to Aidan Hamell

Presented by Tír Na Productions
By Bernard McMullan
Directed by Carmel O’Reilly

December 1-23, 2016
The Rockwell
255 Elm Street
Somerville, MA 02144
Tír Na Productions on Facebook

Review by Travis Manni

(Somerville, MA) I’ve never been to Ireland, or been cultured into any traditional Irish customs, despite the high percentage of ancestry that I maintain. However, by the end of Tír Na’s production of Return of the Winemaker, it was pretty clear that the best kind of Christmas is an Irish one. Continue reading

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Oct 02

Rebel Theatre Without Activism is as Pointless as Sending Thoughts and Prayers After a Tragedy: “The Plough and The Stars”


Presented by A.R.T.*
Abbey Theatre on Tour in association with Cusack Projects Limited
Written by Sean O’Casey
Directed by Sean Holmes
Voice direction by Andrea Ainsworth

Loeb Drama Center
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: gun fire, siren and other loud effects, punk rock

(Cambridge, MA) Ladies and gentlemen, Unions are legal and necessary. Unions are one of the only protections low to middle income wage earners have against power-hungry suits with no regard for struggles that aren’t their own. Please support your local unions to ensure that they remain strong, honest, and transparent. Continue reading

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Aug 10

A Massive Cuddle for the Ears and Eyes: A MAN OF NO IMPORTANCE

Photo credit: Earl Christie Photography, earlchristie.com.

Photo credit: Earl Christie Photography, earlchristie.com.

Presented by Bad Habit Productions
Book by Terrance McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Based on the 1994 film, “A Man of No Importance” by Suri Krishnamma
Directed by Daniel Morris
Music directed by Meghan MacFadden

August 6 – 28, 2016
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Bad Habit on Facebook

Review by Kitty Drexel

(Boston, MA) 1994’s “A Man of No Importance” is a difficult movie to find (legally). My library didn’t have a copy that wasn’t on VHS. Amazon won’t let one buy a copy for less than $95.00. eBay has laserdisc copies but who still uses a laserdisc player? My journey to view the source material before writing a review yielded no positive results. Albert Finney is an excellent actor. It must be a good movie to produce such a lovely musical. Bad Habit’s is a lovely musical. Sad face.    Continue reading

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Jul 18

Mommy Issues on Foreign Soil: BRENDAN

Photo credit: Josephine Anes;  Avery Bargar and Kiki Samko.

Photo credit: Josephine Anes; Avery Bargar and Kiki Samko, not so snugly.

Presented by Happy Medium Theatre Company
Written by Ronan Noone
Directed by Brett Marks and Victor L. Shopov

July 15-30, 2016
Boston Center for the Arts
539 Tremont St

Boston, MA 02116
Happy Medium on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this show way back when. I wasn’t cast. Only a self-serving, insecure butt-face would let something like that color their review.

(Boston, MABrendan marks the return of Happy Medium Theatre Company. Welcome back, guys; we’ve missed you. Please don’t ever leave us like that again. Continue reading

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Mar 03

“Richard II”: Spoiled Man-Boy King Destroys Himself in Simple Production

ASP Richard II (l to r) Northumberland (Marya Lowry), King Richard II (Doug Lockwood), Bishop of Carlisle (Malcolm Ingram), Bolingbroke (Michael Forden Walker), and Henry Percy (Lewis D. Wheeler). Photo by Stratton McCrady

ASP Richard II (l to r) Northumberland (Marya Lowry), King Richard II (Doug Lockwood), Bishop of Carlisle (Malcolm Ingram), Bolingbroke (Michael Forden Walker), and Henry Percy (Lewis D. Wheeler). Photo by Stratton McCrady

Presented by Actors’ Shakespeare Project
Written by William Shakespeare
Directed by Allyn Burrows

Feb. 17-March 13, 2016
Cambridge YMCA
Cambridge, MA
ASP on Facebook

Review by Gillian Daniels

(Cambridge, MA) Richard II is not about a Danish prince languishing over a ghost’s warnings or an elderly king like Lear, mad with grief due to age and family strife. No, this is a story about the abuses of power and a complex man who both understands why he must give up his throne but is honest enough to admit to himself that he just really, really doesn’t want to. Continue reading

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Dec 08

The Dude Does Not Abide: “Return of the Winemaker”

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Presented by Tir Na Productions
Written by Bernard McMullan
Directed by Carmel O’Reilly

Dec. 2 – 20, 2015
Davis Square Theater
Somerville, MA
Tir Na Theatre on Facebook

Review by Kitty Drexel

Return of the Winemaker: An Irish Christmas Comedy  takes the piss out of two beloved institutions: Ireland and Christmas. It is not for the artistically insistent or the prudishly religious. In it, God sends his only begotten son to Ireland, of all places, to try again. Continue reading

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Feb 06

“The Second Girl” Keeps to Familiar Territory

Photo credit: Hunting Theatre Co

Photo credit: Hunting Theatre Co

Presented by Huntington Theatre Co.
Written by Huntington Playwriting Fellow Ronan Noone
Directed by Campbell Scott

Jan. 16 – Feb. 21, 2015
South End / Calderwood
Pavilion at the BCA
Huntington Theatre on Facebook

Review by Gillian Daniels

The class war still rages on.  People from countries with fewer opportunities than ours wash up on the shores of America willing to work sixteen-hour days at thankless jobs.  In “The Second Girl,” the audience is transported to the influx of Irish immigration in the earlier twentieth century.  Specifically, we watch a full day in the life of Bridget O’Sullivan (Kathleen McElfresh) and aspiring actress Cathleen O’Leary (MacKenzie Meehan) in August 1912.  Both work as maids for the summer home of wealthy employers.  The carping and melodrama of our heroines’ everyday world is mined for a play that seems a little too grounded in the immigration stories that came before. Continue reading

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Mar 31

Masters of Tradition: An Enchanted Evening

WORLD MUSIC/CRASHarts PRESENTS
Masters of Tradition
Martin Hayes, Dennis Cahill, Cathal Hayden, Iarla Ó Lionáird, Seamie O’Dowd, Máirtín O’Connor, David Power

Friday, March 28, 8pm,
Somerville Theatre
Davis Square
World Music/CRASHarts on Facebook

(Somerville) The gentlemen comprising the Masters of Tradition remind me greatly of Irish Art Garfunkels. Nerdy casual in their comfortable jeans and khakis, they would be unassuming on the street but powerful on paper. Give them music and the wonders of their talents become immediately apparent. Fiddle, guitar, accordion, Uilleann pipes and voice they provide an enchanting evening of performance. Continue reading

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Mar 03

Friday, March 28, 8pm: MASTERS OF TRADITION

WORLD MUSIC PRESENTS

Masters of Tradition

Martin Hayes, Dennis Cahill, Cathal Hayden, Iarla Ó Lionáird, Seamie O¹Dowd, Máirtín O¹Connor, David Power

Friday, March 28, 8pm,
Somerville Theatre
Davis Square

BOSTON, MA ­ World Music/CRASHarts presents Masters of Tradition on Friday, March 28, 8pm at Somerville Theatre, 55 Davis Sq., Somerville. Tickets are $28. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

An exceptional evening of Celtic music performed by some of Ireland¹s most esteemed traditional musicians, Masters of Tradition celebrates Irish music in its purest form and features Martin Hayes and Cathal Hayden on fiddle, Iarla Ó Lionáird on vocals, Dennis Cahill and Seamie O¹Dowd on guitar, Máirtín O¹Connor on accordion and David Power on uilleann pipes. Continue reading

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Jan 27

Historical Footnote: THE CLEARING

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Photo credit: The Wellesley Summer Theatre Company

Presented by The Wellesley Summer Theatre Company
by Helen Edmundson
Directed by Nora Hussey

January 9 – February 2, 2014
Ruth Nagel Jones Theatre
Dana Chapman Walsh Alumnae Hall
Wellesley MA 02481

The theatre is handicapped accessible, for disability services Jim Wice @ 781-283-2434

Review by Craig Idlebrook

(Wellesley) If, like me, you have a history degree that you find yourself using as a doorstop or a paper weight, then you might like any play or movie that has cannons, bodices, and acts of Parliament.  But it’s hard to judge whether a work of historical fiction is actually good, or if it’s just an excuse to geek out on people talking about legislation and wars of yesteryear. Continue reading

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