The practice of making only a perfunctory or symbolic effort to do a particular thing, especially by recruiting a small number of people from underrepresented groups in order to give the appearance of sexual or racial equality within a workforce.
(Boston, MA) Bernard Weinraub tried so hard to be respectful of the Down Syndrome community. Fall would be a good play about Arthur Miller and Inge Morath if it didn’t fail so hard at including Daniel Miller. Unfortunately, it misses the mark. A lot.Continue reading →
(Boston, MA) Praxis Stage perfectly sums up what it is we liberals are so damned scared of in Incident at Vichy. This incredibly quotable, direly prescient play by Arthur Miller engages intelligent, easily transferable dialogue to summarize the Holocaust. Adell and Boudreau’s production make the events of Incident at Vichy alarmingly apparent that Trump’s American is bound to repeat history’s atrocities. Continue reading →
(Watertown, MA) It is no wonder that America didn’t suspect that Adolf Hilter was a major threat to Europe, Germany, or the world. His staff lead a campaign that depicted him as a congenial yet private Everyman with a love of children and the outdoors. This branding made Hitler out to be a decent guy, not the Jew, intellectual, and LGBT hating dictator he was. America didn’t recognize Hitler for the power-hungry villain he was until it was almost too late. Marketing works, people. Raw Story has an excellent, rather brief article up. I highly suggest reading it for theatrical and historical perspective.Continue reading →
From the program notes: Robert N. Wilson, The Writer as Social Seer
“Willy’s failure is our failure, for we are also involved in the cult of success, and we, too, measure men by occupational attainment rather than by some sympathetic calculus of the whole human being. We are all partners in the American Dream and parties to the conspiracy of silence surrounding the fact that failures must by definition outnumber successes, given our cultural ground rules and or singular interpretations of the words ‘success’ and ‘failure’.”
(Boston) There is so much that The Lyric’s production of Death of a Salesman gets right. This is a fantastic production – the best of theirs I’ve seen all season, which is saying a lot for a theatre that regularly that creates solid art. It is the same cut and dried script that generations have come to love with a few spins that make it new and poignant. Continue reading →