May 31

Disabled Children Are No More a ‘Life Sentence’ Than Any Other Child: “Fall”

Joanne Kelly, Josh Stamberg, Nolan James Tierce, Joanna Glushak, and John Hikock  ©Photo: T. Charles Erickson

Presented by Huntington Theatre Company
By Bernard Weinraub
Directed by Peter DuBois

May 18 – June 16, 2018
South End/Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Huntington on Facebook

Trigger warnings: Ablism, historically-accurate slurs, misogyny

Review by Kitty Drexel

Tokenism
noun/to·ken·ism/ˈtōkəˌnizəm/
The practice of making only a perfunctory or symbolic effort to do a particular thing, especially by recruiting a small number of people from underrepresented groups in order to give the appearance of sexual or racial equality within a workforce.

(Boston, MA) Bernard Weinraub tried so hard to be respectful of the Down Syndrome community. Fall would be a good play about Arthur Miller and Inge Morath if it didn’t fail so hard at including Daniel Miller. Unfortunately, it misses the mark. A lot. Continue reading

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Jan 23

They Will Try to Tell You that Fighting Is Pointless: INCIDENT AT VICY

Photography by Alex Aroyan — with Alexander Castillo-Nuñez, Jake Athyal, Danny Mourino, Nathan Johnson, Floyd Richardson, Steve Auger.

Presented by Praxis Stage
An Anti-Inaugural Event
Written by Arthur Miller
Directed by Hatem Adell and Daniel Boudreau
Fight choreography by Nathan Johnson

Jan. 19 – 27, 2017
Inner Sanctum
1127 Harrison Ave MA
Boston, Massachusetts 02119
Praxis Stage on Facebook

Review by Kitty Drexel

(Boston, MA) Praxis Stage perfectly sums up what it is we liberals are so damned scared of in Incident at Vichy. This incredibly quotable, direly prescient play by Arthur Miller engages intelligent, easily transferable dialogue to summarize the Holocaust. Adell and Boudreau’s production make the events of Incident at Vichy alarmingly apparent that Trump’s American is bound to repeat history’s atrocities.    Continue reading

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Sep 22

If You’re Alive, You’re Afraid: BROKEN GLASS

Photo by Andrew Brilliant / Brilliant Pictures

Photo by Andrew Brilliant / Brilliant Pictures

Presented by New Rep Theatre in partnership with the Hearing Loss Association of America (HLAA Boston Chapter).
Written by Arthur Miller
Directed by Jim Petosa

Sept. 5 – 27, 2015
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) It is no wonder that America didn’t suspect that Adolf Hilter was a major threat to Europe, Germany, or the world. His staff lead a campaign that depicted him as a congenial yet private Everyman with a love of children and the outdoors. This branding made Hitler out to be a decent guy, not the Jew, intellectual, and LGBT hating dictator he was. America didn’t recognize Hitler for the power-hungry villain he was until it was almost too late. Marketing works, people. Raw Story has an excellent, rather brief article up. I highly suggest reading it for theatrical and historical perspective. Continue reading

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Feb 27

Sins of the Father: DEATH OF A SALESMAN

Photo by Mark S. Howard.

Photo by Mark S. Howard.

Presented by Lyric Stage Co of Boston (40 Years)
By Arthur Miller
Directed by Spiro Veloudos

February 14 to March 15, 2014
Boston, MA
Lyric Stage on Facebook

Review by Kitty Drexel

From the program notes: Robert N. Wilson, The Writer as Social Seer

“Willy’s failure is our failure, for we are also involved in the cult of success, and we, too, measure men by occupational attainment rather than by some sympathetic calculus of the whole human being. We are all partners in the American Dream and parties to the conspiracy of silence surrounding the fact that failures must by definition outnumber successes, given our cultural ground rules and or singular interpretations of the words ‘success’ and ‘failure’.”

(Boston) There is so much that The Lyric’s production of Death of a Salesman gets right. This is a fantastic production – the best of theirs I’ve seen all season, which is saying a lot for a theatre that regularly that creates solid art. It is the same cut and dried script that generations have come to love with a few spins that make it new and poignant.   Continue reading

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