BOSTON, Mass. — The Huntington reopens its doors to the public after a long hiatus for renovations with Clyde’s. It is written by Lynn Nottage and directed by Taylor Reynolds. Performances run through April 23.
The facade of the Huntington Ave theater remains largely the same. It is as pristine and classic as Symphony Hall across the street, but there are some changes: the new front door is to the right of the old one. It is accessible to wheelchair users! A glowing sign lights the way to the new front door. Continue reading →
Approximately 2 hours, including one 15-minute intermission.
Review by Kitty Drexel
“In literary criticism, the term fabulation was popularized by Robert Scholes, in his book The Fabulators, to describe the large and growing class of mostly 20th century novels that are in a style similar to magical realism, and do not fit into the traditional categories of realism or romance.”
BOSTON — An undine (or Ondine) is a mythological water elemental out of the European tradition. The Swiss alchemist Paracelsus wrote of a nymph who became human out of love for a mortal man. Without love, she has no soul and cannot live on land. Undine must take care for she will die if her lover is unfaithful.
An undine stands as a modern metaphor for the woman who cannot let go of love. Her relationship is over, her lover moved on, but the undine will not move on. There’s the possibility of a happy ending though – Undine can go home if she kills her boyfriend before he cheats.
Fabulation or, The Re-Education of Undine puts Undine (Lyndsay Allyn Cox) at the top of her game. She has everything: a wildly successful boutique PR firm in Manhattan, a handsome husband Hervé (Jaime José Hernández) with a fancy accent to match his l’accent aigu, a devoted assistant (Brittani Jenese McBride), a full bank account, a bougie accountant (Barlow Adamson), and more social currency than Wendy Williams. Or, she does until Hervé disappears with his clothing and every last penny she has. And, she’s reluctantly pregnant. Continue reading →
Content warnings: This production includes the smoking of cocoa shell cigarettes (100% nicotine-free). It contains themes of drug use, drug addiction, alcoholism, and homelessness.
Trigger warnings: racial and gender microaggressions, intentional bigotry, sexism, racism, graphic violence, implied drug use, exploitation of a disabled person, and Republican politics
The Huntington Theatre Company website says that those who are interested in more information should please reach out to Ticketing Services at 617 266 0800.
Critique by Kitty Drexel
Boston, MA — Lynn Nottage’s Sweat won the 2017 Pulitzer Prize for Drama. After reading in in 2017 and seeing it live last night, it is not difficult to understand why. Sweat balances gender, race, and class discrimination issues like a well-crafted dagger. This art represents the struggling people of Reading, PA that Nottage interviewed to write her play. It gives insight into the dangers of unchecked greed while commenting on the political events that provoked into a capitalist fury. Sweat has you in the palm of its metaphorical hand… And then it drops you on your ass. Continue reading →
(Boston, MA) Intimate Apparel is a complicated show that discusses history, race, class, education, and gender in approximately two hours. It is summarized as being a play about a seamstress who crafts fancy underpants. She plans to open a beauty parlor but marries a man she’d only met through letters. It is so much more. Nottage gives a face to the women that history so frequently forgets: the sex workers, the day laborers, the socialites. The history books are filled to capacity with men who’ve changed history. Continue reading →
Photo Credit: Mark S. Howard; Hannah Husband, Kami Rushell Smith, Kelby T. Akin, Gregory Balla
by Lynn Nottage
Directed by Summer L. Williams
The Lyric Stage Company
March 29, 2013 – April 27, 2013
The Lyric Stage Facebook Page
Running time: Approximately 2 hours & 15 minutes, includes one intermission
Review by Kitty Drexel
(Boston) The events of By the Way, Meet Vera Stark appear to be comedic. In truth, viewed with the perspective of historical racial prejudice, it is more like a tragedy. Vera Stark is a Black actress living in Los Angeles and nursing a dream of appearing on the big screen as more than an anonymous face in a club scene. She dreams of being a character that isn’t a slave and definitely isn’t a “Mammy” role. Determined to make her mark in Hollywood, Stark rallies her friends and boss Gloria, and manages to slightly alter bureaucratic race relations at the same time. It was one small step for woman and a held breath for the rest of mankind. Continue reading →