Feb 03

Now with Bonus Toilet Goblin: “Vanity Fair”

Presented by Underground Railway Theater
By Kate Hamill
From the novel by William Makepeace Thackeray
Directed by David R. Gammons
Fight coordination by Victor Ventricelli
Dialect coaching by Erika Bailey
Dramaturgy by Hilary Rappaprt

January 23 – February 23, 2020
Central Square Theater 
450 Massachusetts Avenue
Cambridge, MA 02139
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Critique by Kitty Drexel

Cambridge, MA — William Makepeace* Thackeray’s Vanity Fair postdates Voltaire’s Candide by almost 100 years. Kate Hamill’s Vanity Fair now at Central Square Theater compares strongly to the famed Bernstein operetta. One could expect the human race to have evolved to squabble over different intersocial problems after nearly a century. One would be wrong. Continue reading

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Jan 31

Extraordinary Acts of Intersectional Feminism: “Gloria: A Life”

Presented by American Repertory Theatre
By Emily Mann
Directed by Diane Paulus
The cast includes Patricia Kalember as Gloria Steinem with Gabrielle Beckford, Joanna Glushak, Patrena Murray, Erika Stone, Brenda Withers, and Eunice Wong. Rachel Cognata is the swing.

January 24 – March 1, 2020
Loeb Drama Center
Cambridge, MA 
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Critique by Kitty Drexel

People say ‘beware!’
But I don’t care
The words are just
Rules and regulations to me, me”
 “Gloria” by Patti Smith

Cambridge, MA — Gloria Steinem is creating the world she wants to see. She is a multi-generational, intersectional feminist activist, an unflinching journalist, and a courageous journalist. Steinem is kind, compassionate, persistent, patient, and she wants a better world for all of us. The human population is damn lucky to have her fighting on our side. She is one of my personal heroes. 

Gloria: A Life by Emily Mann invites us to participate in the events of Steinem’s life as the unfold onstage. A performance feels like watching the text of Steinem’s My Life On the Road leap off the page. (The book is great! I highly recommend it.) Both are about Steinem’s personal life and career. The greatest difference between Mann’s play and the book is that the play invites the audience into Steinem’s head. Steinem is no longer at a distance. We’re allowed to celebrate and grieve with her in realtime.    Continue reading

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