Oct 04

Hurt Me, Daddy: “Dracula: A Feminist Revenge Fantasy, Really”

Sara Jones plays Renfield (left); shown with Maria Hendricks as Dr. Van Helsing (middle) and Lisa San Pascual as Mina Harker (right). Photo by Gillian Mariner Gordon.

Presented by The Umbrella Stage Company 
Based on the novel by Bram Stoker
By Kate Hamill
Directed by Michelle Aguillon
Original Music Compositions by Valerie Forgione
Intimacy Direction by Kayleigh Kane 
Fight Direction by Sarah Flanagan

Sept. 30 – Oct. 23, 2022
The Umbrella Arts Center
40 Stow Street
Concord, MA 01742

Critique by Kitty Drexel

CONTENT WARNINGS: This play contains sexual situations, violence, and death by suicide. It may not be appropriate for persons under 16 years old.

This production uses strobe light effects and fog effects.

CONCORD, Mass. — Do heteros know they’re supposed to like their partners? Dracula: A Feminist Revenge Fantasy, Really is yet another retelling of a classic gothic romance novel in which men treat their female partners terribly; their behavior is belittling, lacks respect, and reeks of contempt. It’s no wonder playwright Kate Hamill rewrote it with a snappy, violent finale. 

Dracula: A Feminist Revenge Fantasy, Really spins the novel by Bram Stoker for a modern audience of thinking minds. Mina Harker (Lisa San Pascual) expects a baby any day now, but her husband Jonathan (Joseph Jude) must assist Count Dracula (Dustin Teuber) with land acquisition. Mina’s best friend Lucy Westenra (Gabrielle Hatcher) can’t contain her glee at marrying Dr. George Seward (Dominic Carter) but fears she must for George’s sake.

Renfield (Sara Jones) can’t remember what happened to her husband. Drusilla (Emily Sheeran) and Marilla (Bowen Huang) hunger. Dracula: A Feminist Revenge Fantasy, Really is not told in letters, thankfully. Continue reading

Feb 19

Please Live Life to Its Fullest Responsibly: “People, Places & Things”


Presented by SpeakEasy Stage Company 
Written by Duncan MacMillan
Directed by David R Gammons
Dramaturgy by Rulas A Muñoz

Feb. 11 – March 5, 2022
Audio Description – February 19 at 8pm and February 20 at 3pm
Open Captioning – March 3 at 2pm and 7:30pm
South End / Calderwood Pavilion at the BCA
527 Tremont St.
Boston, MA 02116
SpeakEasy on Facebook

Critique by Kitty Drexel

CONTENT ADVISORY:  This production contains depictions of addiction and self-harm, discussions of sexual assault, an extended strobe light sequence, herbal cigarette smoke, and loud noises.

BOSTON — A friend once told me, despite the burden mental illness can present, that the brain is trying to help. The myriad painful symptoms I and many others experience as effects of mental illness are the brain’s way of facilitating, even normalizing the abnormalities of life. Sometimes, I’d rather it not. 

Just because the brain is trying to help, it doesn’t mean the brain is actually helping. It takes tremendous discipline to correct negative behaviors and toxic thoughts and to learn new ones. Failure is inevitable. If it takes a village to teach toxic patterns, it takes another village to reinforce positive ones. 

SpeakEasy Stage’s People, Places & Things running at the BCA is about addiction, mental health, the theatre, and identity. Emma (Marianna Bassham in a performance that will blow your mind) is in denial. She abuses drugs to cope with her performing career, her family, and the life that happens in-between. She’s on so many drugs when she collapses on stage during a production of The Seagull, it’s a miracle she isn’t dead already.  Continue reading