(Watertown) It’s become trickier to discuss racism in the post-2008 election era than it was before. We have elected a black president, many hope to say, and that is enough.
Leave it to troublemaking playwright David Mamet to clear his throat amid the quiet in 2009 with his biting and succinct dramatic comedy, Race, now being performed by the New Repertory Theatre in Watertown. His play refuses to rest on recent racial gains, instead showing the trouble beneath the surface, the kind
that otherwise is obscured unless a police officer arrests a Harvard professor or a neighborhood watchman shoots an unarmed teen. Mamet’s script sparks necessary dialogue about an uncomfortable subject, but the flawed storyline of the play, combined with uneven execution by New Rep’s cast, misses the opportunity to create deeper understanding of inherent social inequality. Continue reading →
(Watertown) A True Story: Mr. Leo Frank was infamously the prime suspect in the murder trial of a young National Pencil Company factory worker, Mary Phagan in 1913. Jim Conley, the factory janitor, was also held as a suspect. Frank was sentenced to death; Conley was sentenced to work on a chain gang. Later, Frank’s sentence was commuted in 1915 to life in prison. Local public outrage inspired a lynch mob to kidnap Frank, drive him back to Marietta, Georgia, where the murder took place, and hang him. Parade spans the trial and 2 year imprisonment of Frank. Continue reading →
(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading →
Luminarium Dance will debut its new full-length performance Mythos:Pathos throughout August. The work will explore lesser-known characters and under-examined storylines of Greek mythology from a contemporary viewpoint. Artistic Directors Merli V. Guerra and Kimberleigh A. Holman are proud to weave these familiar myths into a cohesive saga, while coloring the production with innovative choreography. Mythos:Pathos also features nontraditional lighting design by Matthew Breton, that manifests in unique ways onstage, from wearable to handheld lighting. This new work will incorporate materials donated by the communities of Somerville and Watertown that will be used to construct installations on and offstage.
Luminarium plans to preview the project in Somerville. In late August, Luminarium will bring an evolved form of the project to the Arsenal Center for the Arts, for a one-week residency, including a gallery exhibit in the lobby. This performance at the Arsenal Center for the Arts offers a pre-show installation performance art series, followed by a full dance performance in the Black Box Theater.
(Watertown, MA)The Third Story is Charles Busch’s devotional to Mothers and their Mama’s Boys everywhere. Screenwriter Peg lures her son Drew back into the business via a narrative of Gangster Noir, B-movie Sci-Fi, Russian fairytale and the kind of motherly affection psychologists use to warm their couches. Peg’s excuse is McCarthyism but her vehicle is a journey through the psyche of a co-dependent man emotionally unprepared to leave the nest. Continue reading →
(Watertown, MA) I grew up believing Andrew Lloyd Webber and Tim Rice represented the theatrical establishment to overthrow. They wrote the stuff that mediocre crooners sang on cheesy records sold to bored housewives. They cursedly created the material for the medley that my 7th grade choir was forced to sing, filled with needless trills and fills. Continue reading →
(Watertown, MA) Sometimes you are having a bad day. Sometimes you are in such a bad mood that escapism is the only way to manage. It was in such a state that I entered the New Rep’s production of Little Shop of Horrors at the Arsenal Center for the Arts. I tell you this so that you will know exactly how steep a hill the cast had to climb in order for me to emerge smiling; which I did. Continue reading →
(Watertown, MA) Inconvenient truths sometimes come from the mouth of the mad, from those with the least to lose. From the most hopeless in the New Repertory Theatre’s unflinching drama Long Day’s Journey into Night, we receive the troubling message that you can’t outrun the past. If the past is not dealt with, it can rise from the grave and overtake the present and the future. Along with this, we also learn that perhaps you should ask your doctor about possible side effects before taking any new medication. Continue reading →
Audiences, like art critics, want to believe, but the New Repertory Theatre production of Bakersfield Mist doesn’t give theatergoers a chance. Instead, the audience must suspend disbelief the moment we spot a central character’s obviously-fake tattoo. For a play intent on debating what is real, Bakersfield Mist provides a poor facsimile of real life.
The play centers on a plausible and chewy scenario: A trailer-park loser, Maude (Paula Langton), has summoned a renowned art critic, Lionel (Ken Cheeseman), to authenticate a Jackson Pollack painting bought at a thrift shop. Some $50 million to $100 million is riding on Lionel’s opinion. The answer, the play suggests, is much messier than checking “yes” or “no”, and both Maude and Lionel must wrestle with their pasts and their notions of art to view the painting. Continue reading →
(Watertown, MA) Art is…well, about art–the styles, philosophies, the impact on the individual. When a person creates a work of art, using quality tools always helps in creating a quality piece (although that’s not to say that there aren’t some interesting works of art made from found objects). Antonio Ocampo-Guzman starts with some of the finest: a brilliant script and a trio of Boston talent. Without any deeper analysis, those are two reasons to see the show. The problem with art, as the play postulates, is that art is subjective and will not necessarily be seen the same through the same lens by each person. Continue reading →