Tag Archives: Jaime Carrillo

Jun 20

I Hope You Dance: “Listen to Sipu”

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Photo via the New Rep Facebook page.

Listen to Sipu: A Watertown Historical Moving Play
Presented by New Rep Theatre Company
In partnership with The Watertown Free Public Library, The Historical Society of Watertown, and The Pigsgusset Initiative.
Written by Morgan (Mwalim) J. Peters
Directed by Jaime Carrillo
Movement direction by Andre StrongBearHeart Gaines, Jr.
Soundscape artistry by Geraldine Barney
Dramaturgy by Angelique Dina
Dramaturgical assistance from Abby Lass and Tomantha Sylvester
Playbill LINK
Dramaturgical LINK to learn more

June 5 – July 11, 2021
Outdoors at the Commander’s Mansion (near the Mosesian Center for the Arts)
440 Talcott Avenue,
Watertown, MA 02472
BUY TICKETS

Details: Accessibility information and other performance facts are generously provided by New Rep HERE.

Review by Kitty Drexel

PIGSGUSSET/WATERTOWN — Listen to Sipu is about how Sipu (Maria Hendricks) absolutely pwns a Tour Guide (Grace Wagner) giving a talk about historical Watertown, MA race relations. Tour Guide tries to give a politically correct, psychically-comfortable estimation of Watertown’s origins. Sipu is having none of TG’s inaccuracies and tells us the true meaning of colonialist occupation. 

History is written by the victors, the saying attributed to Churchill goes. I remember learning in elementary school that white settlers peacefully negotiated with American natives to live together in harmony. Frankly, that’s white supremacist horseshit. Continue reading →

Dec 10

Identities on a Spectrum: “Winter People”

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Photograph By Kalman Zabarsky; there wasn’t a cast photo available. Mondragon was left out of the reel altogether. Strange.  

Presented by Boston Playwrights’ Theatre
By Laura Neill
Directed by Avital Shira
Fight choreography by Jessica Scout Malone
Dramaturgy by Cayenne Douglass and Jordyn Stoessel

December 6-16, 2018
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Winter People and playwright Laura Neill aren’t taking any of your establishment bullshit. This play challenges how we view play production. It takes great risk with even greater success. It is well written and should be viewed by as many developing and established artists as possible. It breaks rules and shows us why these traditional rules are should be broken. Continue reading →

Aug 24

“Cloud Tectonics”: Love is Love is Love is Love

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CLOUD TECTONICS by José Rivera, production poster

Presented by Fort Point Theatre Channel
by José Rivera
Director: Jaime Carrillo
Musicians: Nick Thorkelson, Mitchel Ahern, Anaís Azul, Francis Xavier Norton, Luz Lopez, Fernando Barbosa
FPTC on Facebook

Aug 8th @ 6:00pm
Hyde Square Task Force
30 Sunnyside Street, Jamaica Plain
(In Boston’s newly designated Latin Quarter!)

Aug 14th @ 7:30pm
The Fort Point Room at Atlantic Wharf
290 Congress Street, Boston

Aug 17th & 18 @ 7:30pm
Boston Playwrights’ Theatre
949 Commonwealth Ave., Boston

Aug 21th @ 7:30 pm
Gloucester Stage
267 East Main Street, Gloucester

Review by Diana Lu

(Various locations, MA) I remember once chatting with a friend about Japanese media. He mentioned that in a lot of Japanese narratives, a nuclear disaster occurs and the rest of the story deals with the aftermath. That rarely happens in American narratives, he noted, which focus on anxiety about impending disaster. That is, what we in the US fear the most, has already happened in Japan.  Later, I heard a podcast discuss The Handmaid’s Tale. In it, one host observed that Atwood’s gruesome fictional future is actually the reality of the past, for black slave women. Continue reading →

Jun 05

“Les Liaisons Dangereuses”: When You Play the Game of Patriarchy, Everyone Loses

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Jaime Carrillo (Volanges), Greg Maraio (Merteuil), Dan Whelton (Valmont) & Stewart Evan Smith (Danceny). Photo: Jorden Photography.

Presented by The Nora Theatre Company
Directed by Lee Mikeska Gardner
Adapted by Christopher Hampton
Novel by Pierre Choderlos de Laclos

May 31st – July 1st, 2018
Central Square Theatre
450 Massachusetts Ave., Cambridge
Central Square Theater on Facebook

Content Warning: (In the show’s own words.) Full nudity, sexual content, violence, and a damn good sword fight. Suggested age: 18 and over.

Review by Gillian Daniels

(Cambridge, MA) When dividing the population into a binary construct where one group is viewed as perpetually in danger of committing sexual indiscretions and possessing virtue that they may only give to certain people, and the other group is seen as committing indiscretions and betrayals because they can’t help themselves, yes, some awful dynamics are at play. In this production, the source material of Les Liaisons Dangereuses is not much altered, but the way it’s performed is. The players all appear to be male without makeup, dresses, or distinctive cosmetic traits, beyond the apparently random distribution of a few bits of jewelry, rosary beads, and gloves. To clarify, this is a faithful adaptation of a story where two manipulative, almost-lover aristocrats spend their time “ruining” innocence. The gender of the characters remains the same as it was in Pierre Choderlos de Laclos 1782 novel. The gender of the actors just doesn’t always conform to those of their characters. In having an all-male cast, gender is shown as the flimsy construct it is, and adherence to stringent, narrow roles reproduce only an eventual misery in everyone. But just because the proud Vicomte de Valmont (Dan Whelton) and perceptive Marquise de Merteuil (Greg Maraio) seem to see the pieces of the social contraption in which they move doesn’t mean they can escape the trap. Continue reading →

Dec 31

Embracing the Flaws: TWO GENTLEMEN OF VERONA

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Stratton McCrady Photography; the cast getting funky with Shakespeare.

Stratton McCrady Photography; the cast getting funky with Shakespeare.

presented by Actors Shakespeare Project

Davis Square Theatre
255 Elm Street,
Somerville, MA
December 12th, 2012 – January 6th, 2012
Actors Shakespeare Project Facebook Page

Review by Craig Idlebrook

(Somerville) Because Shakespeare has become the standard by which Western theatre is judged, we often forget that the man first had to feel his way in the dark, just like every other art school wannabe.  Two Gentlemen of Verona, believed by some to be the Bard’s first play, shows frustrating snatches of his future brilliance.  All his trademark comedic pieces are there (cross-dressing women, inconstant lovers and the amazing power of the wilderness to right all wrongs), but this script reads like the man was working on deadline.  Themes are picked up and discarded, wordplay only sporadically catches fire and a plot point in the final act makes you want to bang Shakespeare’s head against the floorboards and scream, “Rewrite!” Continue reading →

Sep 24

Redemption in the Motherf**cker with the Hat

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Photo Credit: SpeakEasy Stage Company

by Stephen Adly Guirgis
Directed by David R. Gammons

presented by Speakeasy Stage Company
539 Tremont Street, Boston, Massachusetts 02116
SpeakEasy Stage Company Facebook Page
September 14 – October 13, 2012

Review by Gillian Daniels

(Boston) Speakeasy Stage’s The Motherf**ker with the Hat is a dark comedy that never quite tips over into bleak. Its main characters are addicts, recovering and otherwise, but they either have a sense of humor about it or have learned to accept their shortcomings. Fresh out of jail, Jackie (Jaime Carrillo) tries to break the tight circuit of repeating behaviors that has him locked into a pattern of loving, drinking, and messing up. Continue reading →