May 12

The Federation of Belligerent Writers Presents The Gauntlet of Belligerence

The Federation of Belligerent Writers Presents The Gauntlet of Belligerence
Rockwell Theatre in Somerville
Saturday, May 13th
Doors at 9:30pm, 21+
$13.50 online, $15 at the door.

Facebook Event

Promo by Gillian “Demoness Bixen” Daniels

(Somerville, MAThe Federation of Belligerent Writers is back at the Rockwell on Saturday, May 13th! I hope you’re ready to chant, dance, and throw things at the stage!

Who are we? FBW!
The Federation is a bracketed style, masked writing tournament. We started as a luchador wrestling-inspired contest at Ralph’s Rock Diner in Worcester. Now we’re so much more. Want to come drink and party with us?

Here’s this months matches:
Match 1: Princess Consuela Bananahammock vs. Shithead the Clown!
The Disney-esque and sublime push-up princess goes head to head with a brand-new competitor, who definitely is not an evil hell clown.

Match 2: Demoness Bixen vs. Space Casey!
Yours truly, trying her best to be despicable and almost certainly failing while wearing demon horns, fights the spaciest, burger-shirt wearing man in the galaxy.

Match 3: Fumblebee vs. El Hermano del Semental!
A sweet, little, murderous bumblebee takes on a horse of a different color, specifically a brony.

Match 4: Amazing vs. Kevin, the FBW Intern!
Innocent, put-upon fangirl goes against innocent, put-upon intern. Who will out-awkward the other?

How does this work?
During each round, two competitors take the stage, one in the red corner, the other in the blue. Three words are chosen at random by MCs Cassie Tai Tortorici as Becky, a Starbucks-and-gin-swilling, foul-mouthed stage manager, and Ethan White as “El Locutor Fabulso,” also known as “That Guy.”

Competing writers have five minutes to write virtually anything in any style within the scope of their characters as long as they use said words. During the round, the audience is encouraged to throw balls at the stage and dance.

At the end of five minutes, each writer is asked to share what they’ve committed to paper, laptop, or memory. Then, the audience votes on who will advance and who will not.

Buy a drink, pull up a chair, and come decide their fate this Saturday

Queen’s Note:
We elected a thin-skinned bigot to the office of the President dead set on turning our “democracy” into a fascist, totalitarian oligarchy dominated by the 1%. Trump is a monster. His policies, when he names them, are destructive. His narcissistic behavior is more so.

Congressional “negotiators” released a spending bill that saves the National Endowment for the Arts, the National Endowment for Humanities, and National Public Radio until September at which time, the President and his impotent cronies may still cut arts funding. It is ever important to remain vigilant. And, for the love of all that’s sacred, keep creating. If you need help, ask for it. Our existence is our resistance. May the force be with you. – KD

TCG has a list of things you can do to help.

#blacklivesmatter #translivesmatter #brownlivesmatter #yellowlivesmatter #lgbtqialivesmatter #immigrantlivesmatter #muslimlivesmatter #disabledlivesmatter #theatreartsmatter #NODAPL

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Apr 08

Serviceable Revolution: LES MISERABLES

One Day More The Company of the New 25th Anniversary Production of Les Misérables; photo credit: http://www.lesmis.com/us/sights-and-sounds/photos/

The Company of the New 25th Anniversary Production of Les Misérables; photo credit: http://www.lesmis.com/us/sights-and-sounds/photos/

Based on the novel by Victor Hugo
Book/Music by Claude-Michel Schönberg
Author/Dramatist: Alain Boublil
Directed by James Powell/Laurence Connor

Cameron Mackintosh Productions
The Hanover Theatre
Worcester, MA
April 2nd – 7th, 2013
Hanover Theatre Facebook Page

Review by Craig Idlebrook

(Worcester) You’re probably sick of hearing about Les Miserables, and how Russell Crowe can’t sing and how Anne Hathaway can’t pick out her dress.  I know I am, and I didn’t really like the musical that much in the first place.  “Ornate” might be a generous way to describe how this play’s music reaches my ears; “overdone” might be more accurate.  But if you can strip away the hype, it’s possible to see a really good storyline that materializes from this spectacle.  After all, that Victor Hugo guy may have been no Stephen Sondheim, but he was no slouch.  Penned a few novels, something about a hunchback.  I hear he sold a few copies. Continue reading

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