Nov 20

Adapt or Perish: “3Sisters”

The sisters Prozorov. Photo by Stratton McCrady

Presented by the Suffolk University Theatre Dept.
Inspired by the play by Anton Chekhov
Adapted and directed by Robert Kropf

Nov. 16-19, 2017
Modern Theatre
Boston, MA 02111
Modern Theatre on Facebook

Review by Kitty Drexel

(Boston, MA) Script adaptations are like staged, audience-ready fanfiction. In a Boston Sunday Globe article by Sandy MacDonald from August 2017, director and writer Robert Kropf explained that he adapts works to bypass the laws preventing him (and anyone) from making edits. The laws are frustrating but necessary to protect a playwright’s work. If the author is extremely dead, such as Anton Chekhov, it’s difficult to know what his original intentions for a work were without thoroughly researching first. Continue reading

Mar 09

Infanticide: The Musical : SHOCKHEADED PETER

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Photo Credit- Liza Voll

Photo Credit- Liza Voll

Presented by Company One
Created for the stage by Julian Courch and Phelim McDermott
Original music and Lyrics by The Tiger Lillies
Adapted from Heinrich Hoffmann’s The Struwwelpeter
Music Direction by Walter Sickert
Directed by Steven Bogart
Featuring Walter Sickert and the Army of Broken Toys

March 6 – April 4, 2015
Modern Theatre at Suffolk University
525 Washington Street Boston, MA
Company One on Facebook
Walter Sickert and the Army of Broken Toys on Facebook

Review by Danielle Rosvally

(Boston, MA) All the macabre poetic whimsy of Edward Gorey combined with the nostalgic cartoony lines of Disney’s Haunted Mansion are on display in Company One’s Shockheaded Peter. Fans of local band Walter Sickert and the Army of Broken Toys will recognize the musical style of this production, and new aficionados are in for a treat. The Toys bring their incredible sense of boisterous musicality and penchant for dark themes to this ninety minutes piece that marries puppetry with physical performance to create a poetic ode to infanticide. Continue reading

Jun 25

ADHD NPR – CAR TALK: THE MUSICAL

The cast in a scene from Underground Railway Theater’s and Suffolk University’s co-production of Car Talk: The Musical!!! running from June 14 – August 12 at Central Square Theater, 450 Massachusetts Avenue, Cambridge, MA. Tickets & Information: 866.811.4111 or CentralSquareTheater.org. Photo: A.R. Sinclair Photography.

Car Talk: The Musical, book and lyrics Wesley Savick, original music by Michael Wartofsky, Underground Railway Theater & Suffolk University, Central Square Theater, 6/14/12-8/12/12, http://www.centralsquaretheater.org.

Reviewed by Craig Idlebrook

Charisma can carry a show a long way. Just look at what it did for Tom and Ray Magliozzi, a pair of goofball (and genius) brother-mechanics who talked their way into a hit show on National Public Radio. For 35 years, the pair has giggled their way through thousands of calls from car owners with mystery questions, strewing terrible puns and corny humor on the road as they went.

And now, on the eve of the brothers’ retirement from “Car Talk”, they have gotten themselves involved in a musical, written by Wesley Savick, with music by Michael Wartofsky. Continue reading

Sep 22

Where To Stand When You’re In ‘Mortal Terror’

Will Shakespeare, Ben Jonson and John Marston (Stafford Clark-Price, Jeremiah Kissel and John Kuntz) Photo by Boston Playwrights' Theatre

 

Mortal Terror by Robert Brustein, Suffolk University & Boston Playwrights’ Theatre, The Modern Theatre at Suffolk University, 9/15/11-10/2/11, http://www.bu.edu/bpt/.

Reviewed by Becca Kidwell

(Boston, MA) Each generation lives in fear of war, conflicts, pain, and death.  Each person has to choose how they are going to react to the conflict.  Mortal Terror addresses this puzzlement in Elizabethan garb.  Rowdy writers, absolute rulers, and crazy conspirators throw words back and forth until every character must face his own compass and decide on where he stands.

Will Shakespeare, the toast of Renaissance England’s theatre scene, gets the opportunity to write a play to legitimize King James’ rule. Continue reading