(Boston, MA) Script adaptations are like staged, audience-ready fanfiction. In a Boston Sunday Globe article by Sandy MacDonald from August 2017, director and writer Robert Kropf explained that he adapts works to bypass the laws preventing him (and anyone) from making edits. The laws are frustrating but necessary to protect a playwright’s work. If the author is extremely dead, such as Anton Chekhov, it’s difficult to know what his original intentions for a work were without thoroughly researching first. Continue reading →
Unbiased reviews for plays are written in exchange for hard copies. Theatre Communications Group has kindly forwarded Three Sisters by Chekhov and adapted by Tracy Letts, and Marjorie Prime by Jordan Harrison to The New England Theatre Geek.
Summary from the TCG website: “In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a ‘simple life’.”Continue reading →
(Boston, MA) Allow me to digress right from the get-go and say that it’s worth the price of admission of Superior Donuts to watch Lyric Stage Producing Artistic Director Spiro Veloudos give his send-up of the standard fire-exits-and-cell-phones spiel before this play begins. A theater that sets loose a dry wit like Veloudos on the crowd before the play begins is bound to produce something worthwhile.
Horror reigns at The Factory Theatre in Flat Earth Theatre’s taut production of Tracy Letts’ thriller Bug. An abused woman finds comfort and safety of a gentle stranger. However, their safety is short-lived when their motel room becomes infested with bugs. No matter how they try, their situation escalates providing a realistic and frightening experience. Continue reading →