Apr 01

He’s Asking For It: “Extremities”

Photo credit: Ashley Yung; Alissa Cordeiro (Marjorie)

Presented by Also Known As Theatre
In partnership with Boston Area Rape Crisis Center (barcc)
By William Matrosimone
Directed by Alexandra Smith
Fight choreography by Jessica Scout Malone

March 28 – April 13, 2019
First Church Cambridge
11 Garden St.,
Cambridge, MA 02138

Critique by Kitty Drexel

Trigger warning: assault, sexual assault, gas lighting, victim blaming

(Cambridge, MA) It’s a cruel and unusual punishment to be found at guilty of assault when protecting oneself from attacker. Cyntoia Brown served 15 years in prison for murdering a man who bought her for sex so she could flee. At 16 years old, she was tried her as an adult and sentenced to 51 years in prison without parole. She has only recently received clemency for her unreasonably harsh and unjust sentencing. Also Known As Theatre’s production of Extremities puts into stark relief just how easy it is for the US legal system to turn on women for not performing victimhood to exacting standards. Brown is receiving a modicum of justice but how many women will not? Continue reading

Share with Your Audience
Mar 31

More Than A Political Trinket: “Evita”

The cast rockin’ it in costumes by Paula Peasley-Ninestein. Photo found on TCT Facebook page.

Presented by The Company Theatre
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Directed by Zoe Bradford and Jordie Saucerman
Musical direction by Bethany Aiken
Staging and choreography by Sally Ashton Forrest
Conducted by David Healey

March 15-31, 2019
30 Accord Park Dr.
Norwell, MA 02061
Company Theatre on Facebook

Critique by Kitty Drexel

(Norwell, MA) Evita is a strange rock operetta. It sounds a great deal like Jesus Christ Superstar and is narrated by a political figure that did more work in Mexico and Cuba than he ever did in Argentina. Additionally, Webber and Rice posit the musical against Eva Peron. She’s treated as a mere political trinket during a time when she symbolized the heart of the Peronist movement. Evita is a problematic piece but the Company Theatre does a fine job producing it.    Continue reading

Share with Your Audience
Mar 22

On A Dime: “Dragon Lady”

Presented by by A.R.T. Breakout, part-one of the Dragon Cycle
Created and performed by Sara Porklob
Original music by Peter Irving
Band: Hot Damn Scandal
Directed by Andrew Russell

March 20 – April 6
Club Oberon
2 Arrow Street
Cambridge MA, 02138
A.R.T. on Facebook

Critique by Kitty Drexel

(Cambridge, MADragon Lady is the courageous story of how potty-mouthed, gangsta grandma Maria Porkalob traveled from the Philippines to the US as told by her granddaughter Sara Porkalob.  This one woman show/dramatic cabaret is intensely passionate. The events of Maria’s stories might not be exactly true. What is true is the emotional veracity with which it is told.

Continue reading

Share with Your Audience
Mar 20

Her Name is Dr. Franklin, You Git: “Photograph 51”

Pictured: Stacy Fischer; Photo by Maggie Hall

Presented by The Nora Theatre Company
A Catalyst Collaborative@MIT Production
The Brit d’Arbeloff Women in Science Production Series
Written by Anna Ziegler
Directed by Rebecca Bradshaw
Voice and dialect coaching by Rebecca Schneebaum

March 14 – April 14, 2019
Central Square Theater
450 Massachusetts Avenue
Cambridge, Massachusetts 02139
CST on Facebook

Trigger warnings: vintage sexism, gaslighting, victim blaming

Critique by Kitty Drexel

(Cambridge, MA) Photograph 51 is depressing – not because it’s a depressing play, but because it tells us (STEM researchers, women, women within STEM, etc.) how little progress towards gender equality we have made since Dr. Rosalind Franklin discovered the structure of DNA. Her work, her words went largely ignored and men took all of the credit for her work. This is disturbing. That women in STEM are still silenced is even more so.   Continue reading

Share with Your Audience
Mar 18

Apply Anointment Directly to Area: “Burning”


Presented by
Theatre@First
By Ginger Lazarus
Directed by Andrea Humez
Fight choreography by Nathan Johnson
Makeup/Blood by Meg Boeni

March 15 – 23, 2019
Unity Somerville
6 William Street
Somerville, MA
T@F on Facebook

Critique by Kitty Drexel

Trigger warning: domestic violence, victim blaming

(Somerville, MA) It’s very simple. If a man* cannot talk to a woman** then that man* isn’t good enough for that woman**. Effective communication is the foundation of any relationship. Anything less than efficacy will cause the relationship to fail. Burning is about how one such relationship failed more than just a pair of lovers.  Continue reading

Share with Your Audience
Mar 15

Eat the Rich: the National Theatre’s “An Inspector Calls”


Presented by ArtsEmerson
By The National Theatre of Great Britain
Written by JB Priestly
Directed by Stephen Daldry
Music by Stephen Warbeck
Fight direction by Terry King

March 14 – 24, 2019
Emerson Cutler Majestic Theatre
Boston, MA
ArtsEmerson on Facebook

Critique by Kitty Drexel

(Boston, MA) An Inspector Calls forces its audience to confront issues of socio-economic depravity as symbolized by the neglectful behaviors of one upper middle-class English family. It’s arrival in Boston coincides with the news of an elaborate college admissions scam. The rich, powerful and entitled have been flaunting their capacity to harm for centuries. An Inspector Calls is not for the politically avoidant. Continue reading

Share with Your Audience
Mar 14

Loins of Pain: “The Rape of Lucretia”

The morning after. Lucretia (Kelley O’Connor, kneeling) and Bianca (Margaret Lattimore,). Photo by Liza Voll.

Presented by Boston Lyric Opera
Music by Benjamin Britten
Libretto by Ronald Duncan
After the play by Andre Obey
Music direction by David Angus
Stage direction by Sarna Lapine
Dramaturgy by John Conklin
Movement/intimacy direction by Yury Yanowsky

March 11 – 17, 2019
Artists for Humanity Epicenter
100 West 2nd Street
Boston, MA 02127
BLO on Facebook

Sung in English with English supertitles

Critique by Kitty Drexel

Trigger warnings: sexual violence

(Boston, MA) The Rape of Lucretia is about how a sexual assault turned into a war. It’s a timely message… But it’s always been a timely message. Women die at the hands of their abusers everyday. They will continue to do so until society values the lives of women as much as it does power. Boston Lyric Opera partners with Boston Area Rape Crisis Center and Casa Myrna to discuss Britten’s opera about rape and politics.   Continue reading

Share with Your Audience
Mar 09

Applications Invited for Theatre on Fire’s Fun & Games Festival!

The Fun & Games Festival

A festival celebrating the spark of joy and the value of play. We’re taking fun risks, playing games with forms, and leaping before we look.

May 2 – 19, 2019 at the Charlestown Working Theater

More information can be found HERE. 

What the Festival Is:

You are invited to participate in a festival of theatre and performance at the Charlestown Working Theater, curated by Theatre on Fire, with a focus on playfulness (in all forms), experimentation, and most of all: FUN. The world is a dark place right now, as we are constantly reminded. So let’s take some time to remind ourselves of the what brings us joy in a festival format.

What We’re Looking For:

Collaborators like you who have something fun to present! Programmed shows will run a minimum of 30 minutes and a maximum of 60 minutes. New works are encouraged but not required.

 

“Fun,” “games,” and “play” can mean different things to different people, and we’re all about that. Maybe you want to play games with theatrical forms? Maybe you want to host an interactive game night instead of a performance? Maybe a stand-up comedy night is on your mind? We’re open to many ideas, though shows should be consistent with the themes of the festival and with the mission and values of Theatre on Fire.

If you may be interested in participating, please fill out this Expression of Interest form

If you have questions before you fill out that form, please email evans.darren@gmail.com.

Share with Your Audience
Feb 14

Raise A Glass to Broadway, 2 Critiques: “Spamilton”

Presented by Huntington Theatre Company
Created, written and directed by Gerard Alessandrini
Musical direction by Curtis Reynolds
Choreography by Gerry McIntyre 

Feb. 12 – April 7, 2019
South End
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Trigger warning: potentially offensive racial humor, disrepecting Sondheim

Critique by Kitty Drexel

(Boston, MA) Holy crap, go see Spamilton. Seriously, I mean it this time: go see Spamilton. Parody musicals aren’t for everyone but almost everyone loved Hamilton and Spamilton takes all of the great parts of Hamilton and makes them funny on purpose. Spamilton is a good laugh – even for the people who hate Hamilton.

Continue reading

Share with Your Audience
Feb 12

Keep Going, Sincerely:”Still Standing”

Featuring Anita Hollander. Photos by Andrew Brilliant/Brilliant Pictures.

Presented by New Rep Theatre
Written and Performed by Anita Hollander

Feb. 9 – March 3, 2019
Mosesian Center for the Arts
Watertown, MA
New Rep on Facebook

Critique by Kitty Drexel

(Watertown, MA) I cannot begin to explain what a revelation it is to watch Anita Hollander perform Still Standing. It is still unique for a disabled performer to play a disabled character or to just be themselves onstage. The standard for theatre productions are abled performers playing every role. Audiences are not accustomed to too much truth in their art. There was a time when I thought I’d never see people with experiences like mine grace the stage.  
Continue reading

Share with Your Audience