Oct 24

“My Fascination with Creepy Ladies” and a Complete Replication of Poe

Foreground, front to back: Siobhan Carroll, Luz Lopez, Elena Toppo.
Background, front to back: C. Padraig Sullivan, Christine Power, Jessica Golden

Presented by Anthem Theatre Company
A Collection of Horrors by Edgar Allan Poe
Conceived and Directed by Bryn Boice
Featuring Anthem company members Michael Poignand, Johnny Kinsman, Siobhan Carroll, Olivia Z. Cote, Sarah Gazdowicz, Jessica Golden, Katie Grindeland, Luz Lopez, Jessica Scout Malone, Eric McGowan, Christine Power, C. Padraig Sullivan, and Elena Toppo.
Designed by Bridget K. Doyle and Theona White

October 17 – November 3, 2019
South End / BCA Plaza Theatres
Plaza Black Box Theatre
539 Tremont Street
Boston, MA 02116
Event on Facebook

Review by Gillian Daniels

(Boston, MA) Berenice, Annie, Ligeia, Rowena, Annabel Lee, Morella, Lenore, and so many others– an archetype with many names collapsed into a single, waifish woman with hair that hangs loose over her shoulders and a hint of otherworldliness. Meanwhile, the heroes and narrators of these stories are boiled down into the figure of a melancholic, bow-tied, possibly opium-addled narrator.

The woman in question is always on the verge of death, or has already died, but in the wake of that death, she is somehow made more beautiful, powerful, and entrancing. In Anthem Theatre Company’s My Fascination with Creepy Ladies, these characters are now four, leering, dancing, and laughing Creepy Ladies that haunt eight, terrorized, pale, bow-tied Poes. Continue reading

Oct 23

An Unabashedly Queer Celebration: “The Rocky Horror Show”

L to R: Jaclyn Chylinski (Phantom), Carly Grayson (Janet), Alexander Boyle (Brad) and Alex Jacobs (Narrator); Photograph: Sharman Altshuler.

Presented by Moonbox Productions 
Music, Lyrics and Book by Richard O’Brien
Directed by David Lucey
Music direction by Mindy Cimini
Choreography by Dan Sullivan
Costume Design by David Lucey
Set Design by Cameron McEachern
Lighting Design by Sam J. Biondolillo

Performance dates: Oct 18 – Nov 2, 2019
25 Brattle St, Cambridge MA
Facebook link: https://www.facebook.com/MoonboxProductions/

Review by Chloé Cunha

(Cambridge, MA) As a lifelong Cambridge resident, I remember when the Harvard Square Theatre closed. Like many, I was deeply saddened by the loss of this cinema treasure, where I had spent many a day and night watching some fantastic– and truly terrible– movies. More specifically, it was painful for the loss of the weekly screenings of the Rocky Horror Picture Show, which had been an institution since 1984. Continue reading

Oct 22

Songs of Light and History: “Marie and Rosetta”

Lovely Hoffman, Pier Lamia Porter; photo by Nile Scott Studios.

Presented by Greater Boston Stage Company in Collaboration with The Front Porch Arts Collective
By George Brant
Directed by Pascale Florestal
Musical Direction by Erica Telisnor

With Lovely Hoffman, Pier Lamia Porter

Oct. 17 – Nov. 10, 2019
Greater Boston Stage Company 
395 Main Street
Stoneham, MA 02180
GBSC on Facebook

Review by: Shiyanbade Animashaun

(Stoneham, MA) Marie and Rosetta is a tremendous concert built around a conversation that shares what should be a much more well-known story about the roots of Rock-N-Roll. It takes place on the first rehearsal night for a dynamic musical duo, played and sung by Lovely Hoffman as Sister Rosetta Tharpe, and Pier Lamia Porter as Marie Knight. The comedic and moving single act conversation has scenic and costume design by Baron E.Pugh and Michelle Villada, which help transport the audience to this moment in time. Continue reading

Oct 17

Life Smells Weird: “SpongeBob the Musical”

National Tour Cast of The Spongebob Musical. Photo by Jeremy Daniel.

Presented by the Boch Center Wange Theatre
Based on the series SpongeBob Squarepants by Stephen Hillenburg
Book by Kyle Jarrow
Music by Tom Kitt
Original songs by Yolanda Adams, Steven Tyler, Joe Perry, Sara Bareilles, Jonathan Coulton, Alex Ebert, The Flaming Lips, Lady Antebellum, Cyndi Lauper, Rob Hyman, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I., Domani, Lil’ C, David Bowie, Brian Eno, Andy Paley, Tom Kenny, Derek Drymon, Mark Harrison, Stephen Hillenburg, Blaise Smith & Tom Kitt
Additional lyrics by Jonathan Coulton
Production conceived and directed by Tina Landau
Choreography by Christopher Gattelli
Music direction by Patrick Hoagland
Music supervision by Julie McBride & Timothy Hanson

October 15 – 27, 2019
Boch Center Wang Theatre
Boston, MA
SpongeBob and Wang Theatre on Facebook

Review by Kitty Drexel

(Boston, MA)

A SpongeBob Squarepants internet primer: 

  • SpongeBob is a cartoon featured on the Nickelodeon TV network. 
  • SpongeBob Squarepants has a devoted YouTube channel with helpful playlists.
  • Encyclopedia SpongeBobia has a series timeline and community forum for fans.
  • SpongeBob Squarepants has spawned many dank memes. A “dank meme” is colloquial phrase that describes viral internet media of outdated comedic value.  

(Boston, MAThe SpongeBob Musical currently playing at the Wang Theatre is great fun. Tina Landau’s production engages the audience with colorful design and choreography. Tom Kitt’s upbeat, pop score is catchy but thoughtful. It’s a heartening musical comedy that teaches important lessons about friendship, generosity and civic duty.  Continue reading

Oct 07

The Broadway Facts of Life: “42nd Street”

PREVIEW: The Umbrella Stage Company Presents 42nd Street from The Umbrella on Vimeo.

Presented by The Umbrella Stage Company 
Music by Harry Warren
Lyrics by Al Dubin
Book by Michael Stewart & Mark Bramble
Based on the novel by Bradford Ropes
Directed by Brian Boruta
Music direction by James Murphy
Musical restaging and new choreography by Lara Finn Banister

September 27 – October 20, 2019
The Umbrella Main Stage 
Concord, MA
The Umbrella Stage on Facebook 

Critique by Kitty Drexel

(Concord, MA) 42nd Street is a show-within-a-show jukebox musical serving as a thinly veiled excuse to pair tap dance with 1930’s Broadway hits. The 1933 Depression-era movie had choreography by Busby Berkeley and was nominated for an Academy Award. The movie (and eventually the musical) has deeply impacted musical theatre. Bullets Over Broadway, Kiss Me Kate and other backstage musicals have all been influenced by 42nd Street’s incarnations. It’s a classic but carries with it the problems of its time.   Continue reading

Oct 04

Boston Theatre Great, Spiro Veloudos Announces Retirement from the Lyric Stage

Image via https://www.lyricstage.com/spiro-veloudos-retirement/

BOSTON – Theatre director Spiro Veloudos announced that he will retire as the Producing Artistic Director of the Lyric Stage Company of Boston in December 2019, said a press release dated October 3.

“Ever since I started in this role in 1998, I promised to make the Lyric Stage ever more vibrant and to continually push my limits, producing shows that would challenge, entertain, and inspire our audiences.

“When I concluded my Sondheim Initiative with the production of Pacific Overtures this past spring, I took the summer off to contemplate what might be next, and I realized that it is time for me to focus solely on my work as a director and to let others manage the daily operations of the theatre and to guide it into the future.

“I am greatly looking forward to my productions of Agatha Christie’s “Murder on the Orient Express” this fall and “A Gentleman’s Guide to Love and Murder” in spring 2020. And I hope that moving into this new chapter of my life will allow me more time to relax, enjoy being with friends and family, and focus more exclusively on my true love: directing,” said Veloudos. Continue reading

Oct 01

Your Fave is Fanfiction: “The Book Club Play”

Becca A. Lewis, Sean Patrick Gibbons, Greg Maraio (with Pepto Bismol), Rachel Cognata; photo by Stratton McCrady.

Presented by Boston Playwrights’ Theatre
By Karen Zacarias
Directed by Shana Gozansky
Dramaturgy by Caity-Shea Violette

Sept. 26 – Oct. 13, 2019
Boston Playwrights’ Theatre 
Boston, MA
BPT on Facebook

“We need to make books cool again. If you go home with somebody and they don’t have books, don’t fuck them.”
John Waters

Critique by Kitty Drexel

(Boston, MA) The pop culture obsessions of today are the classics of tomorrow: 50 Shades of Grey is Twilight fanfiction; the Twilight Saga is influenced by Wuthering Heights; Wuthering Heights was controversial in its day for its critical examination of religious hypocrisy, and class inequality within the gothic fiction genre. If the cultural narrative in response to a book shows us who we are as a society, then The Book Club Play at Boston Playwrights’ Theatre shows us that book snobs are insecure secret-hiders.  Continue reading

Sep 30

The Restoration of Henry VIII


Presented in concert by Odyssey Opera
Composed by Camille Saint-Saëns
Libretto by Léonce Détroyat and Armand Silvestre
Gil Rose, conductor
Version prepared with assistance from Hugh Macdonald
Supertitles provided by Danielle Sinclair

September 21, 2019
New England Conservatory’s Jordan Hall
30 Gainsborough St, Boston, MA 02115
Odyssey Opera on Facebook

Review by Diana Lu

(Boston, MA) The year is 1521. Henry VIII (Michael Chioldi) rules England with unhinged fury. The chorus announces that Henry is about to behead the Duke of Buckingham, once a beloved best friend. It is a grave foreshadowing of Anne Boleyn’s infamous fate. The chorus pleads, “please, can someone save us from this mad tyrant?” Continue reading

Sep 26

An Interview with Veronica Barron on “All Together Now #10”

Presented by All Together Now.
Saturday, October 5, 2019
Doors at 6 PM, Show at 7:00 PM

The Burren
Somerville, MA
Tickets
ATB on Facebook

Interview by Noelani Kamelamela

(Somerville, MA) Veronica Barron is a creator and performer in the Boston area.  On October 5 at 7 p.m., Barron will perform in All Together Now #10 at The Burren in Davis Square with Just Felice, Amanda Shea, and Honey Cutt.

As a singer, composer, actor, choreographer, dancer, musician, clown and puppet artist, Barron said she has been focused on creating work that examines the feminine experience and makes use of common, seemingly mundane and fragile materials to explore the limits of storytelling.  Continue reading

Sep 25

Rhythms of Humanity: “Choir Boy”

The cast in “Choir Boy.” Photo by Nile Scott Studios.

Presented by SpeakEasy Stage Company
By Tarell Alvin McCraney
Directed by Maurice Emmanuel Parent
Musical Direction by David Freeman Coleman
Choreography by Yewande Odetoyinbo and Ruka White

Sept. 13 – Oct. 12, 2019
Stanford Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Shiyanbade Animashaun

(Boston, MA) Choir Boy opens on a sole figure, David (Dwayne P. Mitchell), a student at the elite Charles R. Drew Prep School. He looks into the audience with intent as he begins to step dance. It is deliberate, slow and unaccompanied. The routine then increases in intensity and volume as more students appear. They flank the audience, on their way to the stage, with percussive dancing and chanting. Among the students, I noticed Bobby Marrow (Malik Mitchell) right away. He often seemed moments away from breaking into a joyous smile, mirroring my own.  Continue reading