Representation matters. Straight White Men is written by an Asian playwright. Noelani Kamelamela was asked to write a review in addition to the critique written by Kitty Drexel. Both are posted below.
Review by Noelani Kamelamela
(Watertown, MA) The synopsis of Straight White Men seems like it would be a Men’s Rights Activist’s nearest and dearest dream brought to life. I imagine a white man in a polo shirt and khakis sitting down by the light of a tiki torch to read what would be a thoroughly delightful description: after all, the main action only involves four white men. Yup. Four white men. No women. No people of color. This hypothetical straight white man would see the name Young Jean Lee and maybe remember sweet ole Robert E. Lee. Perhaps it hearkens him back to time before, when America was great. “What a fine night of theatre!” this man in a barcalounger would remark aloud as he reached for his credit card and purchased a ticket to New Rep Theatre’s production which runs at the Mosesian Center for the Arts in Watertown through September 30th.Continue reading →
“Peter, Peter, pumpkin-eater, Had a wife and couldn’t keep her; He put her in a pumpkin shell, And there he kept her very well.” – Traditional nursery rhyme about “Peter” who couldn’t control his (allegedly sexually adventurous) wife so he killed her.
(East Cambridge, MA) The more things change; the more they stay the same. Mrs. Packard is about how a panel of straight, white men made uninformed decisions on a woman’s health without her consent. Sound familiar? It should. It’s 2017, and treating women with respect is still a revolutionary act.Continue reading →
(Boston, MA) I know what you’re thinking. Oh great, another play about race. And yes, this is a play about race. But the problem people don’t see in this thought process is that art exists as a response to society and our experiences living in it. Plays about race would not need to be written if we did in fact live in a post-racial society. So yes, this is a show about race, and if that bothers you then you are exactly the person that needs to see this play. Continue reading →
(Watertown) It is in our genetic makeup to try and understand what we cannot comprehend, no more so than when we are confronted with evil that makes a mockery of human decency. We want to know what makes the mass murderer different from us so badly that we desperately try to project understanding when there is none to be had.
Unfortunately, this tends to make us seek black and white answers to complex and disturbing questions. Growing up in a Roman Catholic household, I kept asking my mother who was in Hell besides Hitler. She would pause and respond, “Mussolini.” That was always the end of the conversation. Continue reading →
(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading →