July 19 – August 6, 2017
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Romeo and Juliet is like an old jalopy: if you want it to run, you need to know where to kick it, when to kick it, and how hard to kick it. Unfortunately, I really don’t think that director Allegra Libonati has the formula down (and not for lack of trying). Continue reading →
(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading →
(Boston, MA) A play rarely works when the actors have to emotionally sprint throughout all acts. A cast needs to pick its moments to ratchet up the tension and raise the stakes, or risk numbing the audience with melodrama. Unfortunately, the Boston University production Monster begins at a precipice of volume and angst and never can climb down to connect with theatregoers. Instead of communion, the production comes closer to an assault.
Monster is an ambitious staging of Mary Shelley’s Frankenstein. At its best, the tale can be a window into the theme of the messy pain of creation and abandonment from God and/or our parents. Continue reading →