Oct 06

Latin America without Latinos: EVITA

Presented by North Shore Music Theatre
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Direction and Choreography – Nick Kenkel
Music Direction – Mark Hartman

September 26 – October 8, 2017
62 Dunham Road
Beverly, MA
NSMT on Facebook

Essay by Craig Idlebrook

(Beverly, MA) You’re going to a play; it’s a play about a different time and a different country – Argentina, mid-century, Evita. Maybe you’re going to escape, maybe you’re going to learn something, maybe you’re going to be entertained. Continue reading

Oct 03

Fair is Foul. Foul is Fair*: “Rev. 23: A Hellish, Farcical Opera”

Photo by Kathy Wittman; keep on rockin’ on, kids.

Presented by White Snake Projects
Creator and libretto by Cerise Lim Jacobs
Composed by Julian Wachner
Directed by Mark Streshinsky
Conducted by Lidiya Yankovskaya
Dramaturgy by Cori Ellison
Choreography by Yury Yanowsky

Sept. 29 – Oct. 1, 2017
John Hancock Hall
Boston, MA
White Snake Projects on Facebook

Review by Kitty Drexel

The city does not need the sun or the moon to shine on it, for the glory of God gives it light, and the Lamb is its lamp.”
Revelation 21:23Bible, New International Version  (NIV)

(Boston, MA) White Snake Projects is giving the BLO a run for their money. It’s my sincere hope that artists and their audience will watch the works of both companies but, if one has to choose, WSP may be the winner in the competition for attendees. Its edgy productions are worth the commitment. Continue reading

Oct 02

Zeitgeist Stage Company presents “Faceless” thru Oct. 7, 2017

Photo by Reinhold Mahler

Presented by Zeitgeist Theatre Company
by Selina Fillinger
directed by David J. Miller

September 15 – October 7, 2017
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA

Performance are Wednesday and Thursday at 7:30 PM, Friday at 8:00 PM, Saturday at 4 and 8 PM, and Sunday at 4 PM with talkbacks following the Sunday matinees.

Tickets are available at http://www.bostontheatrescene.com/season/Faceless/. Subscriptions and more information can be found at www.ZeitgeistStage.com.

In Faceless eighteen-year-old Susie Glenn is on trial for conspiring to commit acts of terrorism, and recent Harvard Law grad and practicing Muslim, Claire Fathi, has been brought on to prosecute. Though pitted against one another in the courtroom, these two young women are fighting a similar battle to defend their morals, motives and religious freedoms in this riveting and timely new drama. An explosion of identity politics, questions of faith, and a face-off between two seemingly diametrically-opposed women drives this compelling narrative.

Cast: David Anderson, Aina Adler, Robert Orzalli, Ashley Risteen, Victor Shopov

ScenicDesign: David Miller
Lighting Design: Michael Clark Wonson
Sound Design: Jay Mobley
Costume Design: Elizabeth Cole Sheehan
Stage Manager: Margaret Umbsen

Publicity Photography: Reinhold Mahler
Production Photography: Richard Hall/Silverline Images

Sep 26

“Faceless”: Humans discriminate, terror is indiscriminate.

Ashley Risteen as Susie Glenn in Zeitgeist Stage Company’s production of Faceless by Selina Fillinger.

Presented by Zeitgeist Stage Company
Written by Selina Fillinger
Directed by David J. Miller

September 15 – October 7, 2017
Plaza Black Box Theatre, Boston Center for the Arts
539 Tremont Street
Boston, MA, 02116
Zeitgeist on Facebook

Review by Polly Goss

(Boston, MA) The long speeches, the scrutinization of evidence, the dissection of a person’s moral fiber in front of a live audience of 12 judging strangers, the theatrics of the courtroom have long delighted us on the stage. From Shakespeare’s Measure to Measure to Law & Order, the delicious synchronicity between real-life and make-believe contained within the courtroom keeps audiences coming back for more and more. Fellinger however breathes new life into this well-worn genre with

Faceless is the story of the “little white girl” Susie Glenn (Ashley Risteen) as she is on trial for joining ISIS and attempting to commit acts of terrorism against the United States of America. The added bonus, the prosecuting lawyer Claire Fahti (Aina Adler) is a devout Muslim, who is determined to stop Susie becoming the (white) face of Islam. Zeitgeist Stage Company have lived up to their name, in this topical and heart-wrenching tale that sheds light on the lurking threat of terrorism behind every screen. Continue reading

Sep 26

Lovingly Commemorative: BARN SALE

Presented by The Black Box Lab at STAGE284
Written by David J. Miller

Thursday, September 21, 7:30pm
The Community House
284 Bay Road Hamilton, MA
STAGE on Facebook

Review by Bishop C. Knight

(Hamilton, MA) Playwright David J. Miller was present at last night’s reading of Barn Sale, where he shared that one mission of his new play is to exhibit how older people hold immense wisdom. This mission was also the expressed intention of the actress whose entire life has been chronicled within the two-hour performance.  Between David J. Miller and his captivating dialogist, the actress who generously divulged every detail of her life to David over the course of two winters, the mission was a complete success.  What David J. Miller ultimately produces for audiences is an epic figure of a woman who bravely charged through life and, I have to be honest, I was crying by the end of the performance. Continue reading

Sep 26

Conversations in the Life: WARHOLCAPOTE

Stephen Spinella and Dan Butler as Andy Warhol and Truman Capote. Photo: Gretjen Helene Photography

Presented by the A.R.T.
From the words of Truman Capote and Andy Warhol
Adapted by Rob Roth
Directed by Michael Mayer

Sept. 10 – Oct. 13, 2017
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138
ART on Facebook

Review by Kitty Drexel

(Cambridge, MA) I wanted to enjoy WarholCapote more than I did. The script is adapted from actual conversations between two venerated artists of the 20th Century. I anticipated that it might offer some insight into their unique personas. And for some who watch this play, it will. Unfortunately, at the end of the day, WarholCapote is a two man show about two famous artists name dropping and gossiping like two grandpas at a checkerboard. It’s not for everyone, but it could be for you. Continue reading

Sep 20

“5 to 9” Playing at Ramrod Center for the Performing Arts, Sept. 21 – 24

Presented by the Gold Dust Orphans
Written by Ryan Landry

September 21 through 24, 2017
8:00 pm Thursday – Saturday, 5:00 pm on Sunday
Machine Night Club/ The Ramrod Center for the Performing Arts
1254 Boylston Street
Boston, MA
Tickets
18+ ONLY

From the GDO: “5 to 9 is an uproarious comic take off on the current oval office and its endless hilarious hijinks.

Written by award-winning playwright, Ryan Landry, 5 to 9 is the story of three of Trumps overworked secretaries and how they end up getting even. You will simply never see political satire the same way again.

Along with Landry playing the Lily Tomlin role as Violet, 5 to 9 also stars drag legend Varla Jean Merman in the Dolly Pardon role as Dora Lee and Kiki Samko in the Jane Fonda role as Judy.

Based on the classic film, 9 to 5, 5 to 9 also features Penny Champayne (Gold Dust Orphans) as Kellyanne Conway and Larry Coen (Gold Dust Orphans) as Trump.
5 to 9 is ridiculous, silly, nonstop fun but it is NOT recommended for children.”

For the kids in the back, anyone under 18 years of age will not be admitted.

P.S. The Gold Dust Orphans are going to New York City with the their musical “GREECE.” Playing from October 13-15 at Theatre 80 St. Marks in the East Village. Interested parties can support this venture via the Kickstarter at https://www.kickstarter.com/projects/1037808882/bring-ryan-landrys-greece-to-new-york-city.

Queen’s Note:
We elected a thin-skinned Nazi to the office of the President who is turning our “democracy” into a fascist, totalitarian oligarchy dominated by the 1%. Trump is a monster. His policies, when he names them, are destructive. His narcissistic behavior is more so.

Congressional “negotiators” released a spending bill that saves the National Endowment for the Arts, the National Endowment for Humanities, and National Public Radio until September at which time, the President and his impotent cronies may still cut arts funding. It is ever important to remain vigilant. And, for the love of all that’s sacred, keep creating. If you need help, ask for it. Our existence is our resistance. May the force be with you. – KD

TCG has a list of things you can do to help.

Sep 18

Revising History for Most, Not Others: “Men On Boats”

The cast of Men On Boats. Photo by Nile Hawver/Nile Scott Shots

Presented by SpeakEasy Stage Co.
By Jaclyn Backhaus
Directed by Dawn M. Simmons
Assistant directed by Sloth Levine

Sept. 8 – Oct. 7, 2017
Calderwood Pavilion at the BCA
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) SpeakEasy took some risks in putting up Men On Boats. Boston audiences are composed of plenty of folks that consider themselves liberal until it’s inconvenient. For example, Bernie Bros were all about feminism and other equalities until Hillary became a real threat. Then the silk gloves of human decency came off. Boxing gloves went on. MOB is the kind of show that will test its audience. The characters portrayed are real but the actors onstage do not strictly identify as men. There’s plenty of unlady-like and un-white-like behavior up there. It’s bound to ruffle some “erasing our history” feathers. Continue reading

Sep 12

Hoping That the Next Leap Will Be Their Leap Home: “Constellations”

Nael Nacer & Marianna Bassham in CONSTELLATIONS. Photo: A.R. Sinclair Photography

Presented by Underground Railway Theater
Written by Nick Payne
Directed by Scott Edmiston

Sept. 7 – Oct. 8, 2017
Central Square Theater
Cambridge, MA
CST on Facebook
Go here to learn more about how humans are killing bees at an alarming rate
MassBee.org
Follow the Honey for delicious local and beyond honey products

Review by Kitty Drexel

(Cambridge, MA) The ancient Greek believed that bees were the messengers of the Gods. Bees could divine the future, and acted as emissaries to Olympus. Keeping bees was and still is a sensitive vocation. It requires a gentle hand and a hardy constitution. Human beings require bees to live, but not vice versa. Continue reading

Sep 11

Too Much of a Good Thing is Just Wonderful: Why Have One Thing “Or,” the Other When You Can Have It All?

Photo by Chelsea Ruscio.

Presented by Maiden Phoenix and Simple Machine
By Liz Duffy Adams
Directed by Adrienne Boris
September 8 – September 23, 2017

Chelsea Theatre Works
189 Winnismmet Street
Chelsea, MA 02150
OR the play on Facebook

Review by Gillian Daniels

(Chelsea, MA) I sometimes think going to a play is a bit like going to a party where you know nobody at all, save for the person you bring with you. Sometimes, the party can leave you feeling adrift and awkward in your own skin. Other times, you meet some funny, clever people you never expected to meet. They are delighted to include you, for an hour or so (or an eighty minute run time without intermission), in the intimate secrets of their lives and draw you close with the honesty only complete strangers would dare to share with you. The sweet, hilarious, and deliciously bawdy “Or,” is such a party. I recommend attending as soon as possible in order to enjoy the yarn spun between Kaylyn Bancroft (Nell Gwynne/Lady Davenant/Maria/A Jailer), Michael Poignand (as slimily charming King Charles II and charmingly slimy William Scott, divided by a common language with different annunciation) and Anna Waldron (Aphra Behn). Continue reading