Jun 15

Don’t Choke on Your Spotted Dick: “Penny Penniworth: A Story of Great Good Fortune”


Presented by Titanic Theatre Company
Written by Chris Weikel
Directed by Sarah Gazdowicz

June 8 – 25, 2017
Central Square Theater Studio
450 Massachusetts Avenue
Cambridge, Massachusetts 02139
Titanic on Facebook

Review by Kitty Drexel

(Cambridge, MATitanic Theatre Company’s Penny Penniworth: A Story of Great Good Fortune can be described as a summer panto minus the music, but plus a heaping spoonful of innuendo. It’s a swift, good time for adults who love classic literature (so long as they can take a joke), and refreshing summer theatre.    Continue reading

Jun 14

You’re Doing Fine: “Joseph and the Amazing Technicolor Dreamcoat”

Presented by Reagle Music Theatre of Greater Boston
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Directed and Choreographed by Susan M. Chebookjian
Musical Direction by Dan Rodriguez

June 8th – 19th
Reagle Music Theatre
617 Lexington Street
Waltham, MA
Reagle on Facebook

Review by Danielle Rosvally

(Waltham, MA) Joseph and the Amazing Technicolor Dreamcoat is easily my favorite Andrew Lloyd Webber musical.   Full of camp and cheese with loads of catchy, singable songs, it’s pretty much everything I want in a musical.  As a North-of-Bostonian, I was so excited to see a production of Joseph outside the city limits at the Reagle. Continue reading

Jun 11

Geeks Read Books: “Lazarus” & “Oslo”

Reviews by Kitty Drexel

Copies are available on the TCG website, and everywhere that dramatic literature is sold. Or, you could try your local library.  Continue reading

Jun 10

Reinforced with Lug Nuts: SORDID LIVES (Portland, OR)

Nikolas Hoback as Ty, Signe Larsen as Latrelle, Landy Hite as Sissy, Jennifer Lanier as Lavonda and Amanda Richards as Bitsy; Image from the OUTwright Theatre Festival Facebook page.

Presented by Fuse Theatre Ensemble and Funhouse Lounge
Part of the 2017 OUTwright Theatre Festival
Written by Del Shores
Directed and designed by Rusty Tennant

May 19 – June 11, 2017
Funhouse Lounge
Portland, Oregon
Fuse Theatre on Facebook

Review by Kitty Drexel

A very special thank you to Fuse Theatre and Funhouse Lounge for allowing me to review their excellent production!

(Portland, OR)  Our existence is our resistance. One basic way we as minority community members can fight back against the current bullshit political crisis is by refusing to be silent or ignored. Theatre makers, we can make as much noisy, politically incorrect and socially unacceptable art. As the TCG 2017 Conference asked how we go about celebrating equity, diversity and inclusivity, I gathered by people. We ran across the bridge to Fuse Theatre’s production of Sordid Lives.

Continue reading

Jun 10

Blood on the Snow: A journey back in time to Boston’s bloody beginnings

The Cast of Blood on the Snow. Photo by Justin Saglio.

Presented by The Bostonian Society
Written by Patrick Gabridge
Directed by Courtney O’Connor

June 1 – August 20, 2017
The Old State House
Boston, MA
Bostonians on Facebook

Review by Polly Goss

(Boston, MA) It is March 6, 1770, bloodshed, discontent and rebellion bubbles in the air. Four Bostonians lie dead on the streets outside the Council Chamber and British soldiers are held responsible. The people of Boston are sick of British rule, the soldiers and their taxes – they want them out. Inside Governor Hutchinson is faced with an impossible choice: defy his King, or defend his country? This site specific play takes the audience back in time to a forgotten night that helped shaped the course of, not only the city’s history, but the world’s. Blood on the Snow sold out at its world premiere last Spring and returns to The Old State House in Boston this summer. O’Connor’s naturalistic direction is spot on, allowing the audience to be unnoticed voyeurs alongside the table where history was made. Continue reading

Jun 05

Odyssey Opera’s “Patience” is Pitch Perfect

Photo by Kathy Wittman

Odyssey Opera
Music by Arthur Sullivan
Libretto by W.S. Gilbert
Conductor: Gil Rose
Stage Director: Frank Kelley
Choreographer: Larry Sousa

June 2&3, 2017 at 7:30pm
Huntington Avenue Theatre
Boston, MA
Facebook Event

Review by Gillian Daniels

(Boston, MA) After seeing the most recent Gilbert and Sullivan to delight Boston last night, I’ve decided to become an aesthete. One need only find an English poet with opaque poetry to adore, dress in long, flowing garments, talk about the wonders of Aestheticism, lay around, and sigh. But while Patience mocks the women who fawn over pale, tragic poet Reginald Bunthorne (the remarkably funny Aaron Engebreth), it also mocks the Dragoons who are their forgotten fiancees, the vain rival poet Archibald Grosvenor (an airily confident Paul Max Tipton), and the humble, befuddled milk maid, the titular Patience (Sara Heaton), who’s too innocent to understand what the concept of love even is. In short, this is a Gilbert and Sullivan show at its most Gilbert and Sullivan: staunchly lighthearted. Continue reading

Jun 02

An Introvert’s Nightmare: RIPCORD

© Photo: T. Charles Erickson

Presented by Huntington Theatre Co.
By David Lindsay-Abaire
Directed by Jessica Stone
Original music by Mark Bennett
Choreography by Misha Shields

May 26 – June 25, 2017
South End
Calderwood Pavilion of the Arts
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MATimes are not good right now in America. It’s hard being a freedom loving, feminist, liberal during a reign of political terror. Thank goodness there’s escapist theatre that warms the heart and only lightly pings the brain. Ripcord at the Huntington Theatre is just such a show. It isn’t high art. It isn’t activist art. It is a reminder that none of us are free until we’re all free. Continue reading

May 26

Theatre On Fire Presents: THE CABINET OF CURIOSITIES

THE CABINET OF CURIOSITIES is a genre-defying festival of theatre, movement, music, puppetry and more, united under one theme: take a risk.

Experience one last weekend of chaotic and dangerous, new and re-imagined work where we’ve challenged artists to present work that “scares” them. Featuring one-act and full-length pieces from Imaginary Beasts, Anthem Theatre, Sleeping Weazel, The American Family Happily Institute, Heart & Dagger Productions, Alley Cat Theater, Exiled Theatre, Mass. Theater Experiment, Ingrid Oslund, Fool’s Journey, Travis Amiel & Riley Fox Hillyer, Laura Detwiler, Daniel Morris, and Libby Schap & Caitlin Brzezinski.

Purchase tickets HERE.
Staged readings in the Cabinet Workshop Series are free and open to the public.
When ordering tickets for the readings, use the code FREE.
442 Bunker Hill Street
Charlestown, MA 02129
TOF on Facebook
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Friday, May 26
A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

Saturday, May 27
Mass. Theater Experiment: The Country Wife – 2:00pm
A workshop performance of a modern, sexy adaptation of William Wycherley’s The Country Wife. The smash hit of 1675 London was created in a period of artistic tolerance , but was later considered too immoral to perform. This imaginative, energetic, and spirited ensemble gives the Wife a trim and shapely makeover and adds a few curves of their own; part of the Cabinet Workshop Series.

Daniel Morris: I Am My Own Wife – 5:00pm
The fascinating tale of Charlotte von Mahlsdorf, a real-life German transvestite who managed to survive both the Nazi onslaught and the repressive East German Communist regime. Actor Gabe Graetz takes on more than 30 characters, staged up close and personal in CWT’s upstairs second stage.

A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

May 23

“A Midsummer Night’s Dream” in Midspring

The “Mechanicals” in the play within a play: Mac Young, Elle Borders, Monica Giordano, Jake Athyal and a prone Steven Barkhimer. Photo by Nile Scott Shots.

Presented by Actor’s Shakespeare Project
By William Shakespeare
Directed by Patrick Swanson

May 10-June 4, 2017
Multicultural Arts Center
41 Second Street
Cambridge, MA 02141
Actors’ Shakespeare Project on Facebook and Instagram

Review by Travis Manni

(Cambridge, MA) Any fan of Shakespeare’s work knows how malleable his plays are. You could see the same show for years and years and still experience something different each time. In Actors’ Shakespeare Project’s most recent production of A Midsummer Night’s Dream, this trend continues. Continue reading

May 19

“The Demon” Serves in Heaven and Raises Hell

Presented by Commonwealth Lyric Theater Orchestra and Chorus PESVEBI Georgian Dance Ensemble
By Anton Rubenstein
Based on a poem by Mikhail Lermontov
Conductor: Lidiya Yankovskaya
Artistic/Stage Director: Alexander Prokhorov
Production Director and Stage Manager: Steven Kunis

May 18th and 20th, 2017 at 8pm
Cutler Majestic Theatre
219 Tremont Street, Boston, MA
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By Gillian Daniels

(Boston, MA) In the world of Anton Rubenstein’s The Demon, the danger of Hell is ever-present, princesses are virtuous, princes are valorous, and Heaven is an ethereal step away. Aleksey Bogdanov is the titular Demon, a creature that informs the audience and the angel with whom he spars, Anna Cley, he has chosen freedom over God. In the course of the play, he also chooses Tamara (played with wide-eyed innocence by Zhanna Alkhazova) and upends her life. Continue reading